In each episode of the Secrets from the Green Room podcast hosts Irma Gold and Karen Viggers chat with a writer about their experience of the writing and publishing process in honest green room-style, uncovering some of the plain and simple truths, as well as some of the secrets – whether they be mundane or salubrious – and having a lot of fun in the process.
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Irma and Karen chat about finishing a draft of a novel. Then Karen talks to Favel Parrett about why she decided to give up being a postie and become an author, why she signed up for a writing course but didn’t finish, how her novel Past the Shallows changed her life and keeps on giving, why she likes school visits, how she received not one but two …
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Karen and Irma talk about the intel Irma has gleaned from booksellers on her Shift book tour. Then Irma chats to Tania McCartney about how she made the transition from self-publishing to traditional publishing, creative burn-out and how to come out the other side, deciding to become an illustrator when she was already an established author, the ide…
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Irma and Karen chat about juggling jobs to survive while writing. Then Karen talks to Nardi Simpson about the creative crossover between making songs and writing books, why she decided to start writing novels, how writing helps her to explore larger questions, how her writing mentors inspired her, what she learned from the Year of the Novel course,…
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Karen and Irma chat about the challenges of being able to accept praise. Then Irma talks with Katherine Collette about how co-hosting The First Time podcast was life-changing, her most excruciating experience with the podcast, the excitement of overseas deals for her debut novel and the huge low that followed, how the US market differs from the ANZ…
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Irma and Karen chat about the changing shape of the Australian publishing industry as small publishers are bought up by larger publishing houses. Then Karen talks to short-story maestro Cate Kennedy about how she came to be a writer and then a teacher of writing, how writing (and reading) a short story is like plunging deep into a diving pool, how …
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Irma and Karen chat about their top books from the last 12 months. Then Karen chats with lifelong activist and former politician Bob Brown about why writing is so important to activism, why storytelling with intent is important, how he approached writing his memoir, why the practice of writing notes while out in nature is key, the ways in which wri…
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Ubud Readers and Writers Festival Special Series: Episode 56: Omar Musa
58:04
58:04
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58:04In a special series direct from the Ubud Writers and Readers Festival (UWRF) Omar Musa chats with Irma about how growing up in an artistic family set his course, why he stopped reading and writing during a dark period and how a new form of expression saved him, the ways in which earning a living from the thing you love can be deeply problematic, wh…
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Ubud Writers and Readers Festival 2024: Episode 55: Bora Chung
32:59
32:59
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32:59In a special series direct from the Ubud Writers and Readers Festival Bora Chung chats with Irma about how she wrote her first short story solely for prize money but it eventually led to a short fiction collection that was shortlisted for the Booker Prize, why her publisher thought an approach from Anton Hur to translate her collection into English…
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Ubud Writers and Readers Festival Special Series: Episode 54: Laura Jean McKay
50:00
50:00
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50:00In a special series direct from the Ubud Writers and Readers Festival Laura Jean McKay chats with Irma about the experience of touring her books to the UK, why she threw up in a caravan sink after finishing her novel, how the publishing landscape for short fiction has changed over the last two decades, a disastrous book event that ended up in an Os…
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Ubud Writers and Readers Festival Special Series: Episode 53: Aube Rey Lescure
42:28
42:28
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42:28In a special series direct from the Ubud Writers and Readers Festival Aube Rey Lescure chats with Irma about how she initially followed a friend’s advice not to become a writer but then ditched law to pursue it anyway, how being multilingual impacts the way she writes, why she refused to follow the career trajectory her creative writing course advi…
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Ubud Writers and Readers Festival Special Series: Episode 52: Nam Le
46:06
46:06
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46:06In a special series direct from the Ubud Writers and Readers Festival Nam Le chats with Irma about why his first unpublished novel was a spectacular failure but still worthwhile, why for a long time he was a secret writer and the renowned Iowa Writers Workshop was him ‘coming out’ to the world, how he naively thought the crazy success of The Boat w…
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Irma and Karen chat about writers festivals they’ve recently attended, as well as the joys and challenges of being a panel moderator and interviewing other authors. Then Karen talks to JP Pomare about how he didn’t know he was writing crime until it was marketed that way, why his goal is to transcend the genre, how he’s managed to publish seven boo…
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Irma and Karen chat about the upcoming Ubud Writers and Readers Festival. Then Karen talks to Kylie Needham about how a short story turned into her debut novel, the joys and challenges of writing for television and the screen, the collaboration of the writers’ room and the vulnerabilities of the process, what writing scripts taught her about moving…
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Season 5: Episode 49: Finegan Kruckemeyer
50:25
50:25
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50:25Irma and Karen chat about audio books. Then Karen speaks with Finegan Kruckemeyer about how he got his first break as a playwright, the difference between writing for young people and adult audiences, how much freedom there is in the parameters of commissioned works, why he acts out his scripts, why a school production of one of his plays blew him …
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Season 5: Episode 48: Jacinta di Mase, literary agent
56:44
56:44
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56:44Irma chats to agent Jacinta di Mase about what agents do to earn their 15%, the intricacies of contracts – including rights reversion, world rights, backlists and rising royalties, how an agent can fight for an author over cover design and choosing a title, the dos and don’ts of submitting to agents, the extent of editorial feedback to expect from …
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Karen and Irma chat about the ins and outs of contracts. Then Irma talks to Hilde Hinton about the way her work polarises people, how an argument with her brother (actor Samuel Johnson) led to her first novel, why Lego is an important part of her writing process, how novels can make space for important conversations about big topics like mental ill…
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Irma and Karen reveal exciting new partnerships with Ubud Writers and Readers Festival and Writers Victoria. Then Karen chats with Beejay Silcox about literary criticism in Australia – what good critics endeavour to do, the blowback from a tough review, what is lacking in Australian criticism, the impact of shrinking page space, the inability to ma…
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Season 4: Episode 45: Children's books: Andrea Rowe and Anna Walker
1:06:23
1:06:23
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1:06:23Irma tries to convert Karen to writing program Scrivener. Then Irma chats to children’s creators Anna Walker and Andrea Rowe about how authors and illustrators work together (or don’t!), why illustrator notes are a no-no, the profound impact of picture books on both adults and children, the biggest mistakes that new writers and illustrators make, w…
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Irma and Karen discuss author websites. Then Karen chats with Kris Kneen about writing into deeply uncomfortable spaces and confronting issues like fatness and identity, how to write sex well, why they’re always switching up genres, how to deal with disappointment over missing out on awards, why they almost gave up writing entirely, and the moment …
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Irma and Karen talk about prepping for radio interviews. Then Karen chats to Diana Reid about how writing scripts has informed the way she works as a novelist and her approach to being edited, what it was like to be thrown into the spotlight with her bestselling debut novel, how its extraordinary success affected her, advice on how to handle public…
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Season 4: Episode 42: Peter Papathanasiou
52:53
52:53
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52:53Karen and Irma chat about point of view and writing from multiple perspectives. Then Irma talks to Peter Papathanasiou about his very long and convoluted journey to publication, how his debut was rejected by 100 agents and took 10 years to get published, why his goal was to get published in the UK first and advice for other writers about how to do …
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'Irma and Karen talk about the ins and out of book marketing. Then Karen chats with Melinda Smith about winning the Prime Ministers Literary Award for poetry, the potential of TikTok for poets, how arts grants have sustained her writing and how to write a good application (all the details), how form (or lack thereof) influences the writing of a poe…
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Irma and Karen chat about the highs and lows of podcasting. Then Irma talks to Niq Mhlongo about what it was like growing up in Soweto, South Africa, how sleeping in a tiny room with seven brothers got him hooked on reading, why he ditched law to become a writer, how Dan Brown made him think he’d become a millionaire from writing, how his debut nov…
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Karen and Irma talk about ten awful publishing truths. Then Karen chats to Daniel O’Malley about writing humour in books and how to develop this skill, how he lost the first 150 pages of his bestseller The Rook, the potential pitfalls of finding an agent, the process of his novel being made into a mini-series, how he used to tweet as one of his cha…
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Season 4: Episode 38: Kate Mildenhall
1:01:07
1:01:07
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1:01:07Karen and Irma chat about what makes a good book title. Then Irma talks to Kate Mildenhall about how she organised (and survived!) a massive book tour, the brutal experience of her second book being rejected, why writing retreats are invaluable for her creative practice, the challenges of not sticking to one genre, how she approached the writing of…
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Karen and Irma discuss the challenges of author photo shoots. Then Irma chats with Christos Tsiolkas about how reading Monkey Grip cross-legged in a bookstore was a seminal moment, and how his father – who couldn’t read – made him the patient reader he is today, how the poor reception to his second novel The Jesus Man deeply bruised him and the ove…
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Karen and Irma chat about one star reviews and Goodreads. Then Karen talks to Anita Heiss about why she writes across so many genres and which is her favourite, what she learned from writing the script for the 'Tiddas' live-show and how it feels to have your work performed on stage, how she creates sexy, sassy First Nations female characters, how s…
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Karen and Irma chat about the impact of AI technologies on authors. Then Irma chats with Chris Flynn about exactly how Bookscan works and how he uses the data to monitor his own sales and make decisions about where to invest time with publicity, why publishing is operating on an outdated business model and how it should change, how to organise a bo…
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Karen and Irma discuss how to craft a good sentence. Then Irma talks to Eliza Henry-Jones about why ‘paddock beanbagging’ is her preferred way to write, how writing a novel every year since she was 14 helped her understand her world, how difficult it was to first be published at the age of 25, why as a writer she is a ‘chaos demon’, how having a ch…
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Season 3: Episode 33: Aaron Fa'Aoso and Michelle Scott Tucker
58:38
58:38
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58:38Karen and Irma discuss book tours. Then Irma chats with Aaron Fa’Aoso and Michelle Scott Tucker about the process of ghostwriting (or co-writing) Aaron’s memoir, how they tackled sensitive subjects like suicide, racism and Aaron’s domestic violence history, the decision-making process on what to include and what to not, why Aaron almost pulled the …
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Karen and Irma talk about presenting at sales conferences. Then Irma chats with Robbie Arnott about his ‘chaotic’ writing process, how landscapes inspire him and how he approaches writing about climate change to avoid being preachy, why his first book rejection really knocked his confidence, the way he fictionalised family history to avoid friction…
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Season 3: Episode 31: Jeanne Ryckmans (festival director)
33:43
33:43
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33:43Irma and Karen chat about festivals and events they’ve been attending. Then Karen talks to former Canberra Writers Festival Artistic Director Jeanne Ryckmans about how a literary festival is programmed, the role of publicists and why sometimes they don’t work in the author’s best interests, how a writer should pitch themselves to an artistic direct…
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Irma and Karen chat about attending festivals as an interlocutor or as a panellist. Then Karen talks to Jock Serong about making the move from lawyer to novelist, why he dives into dark places, the fraught territory of navigating writing First Nations characters and history as a descendant of settler Australians, why he goes on writing excursions w…
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Karen and Irma chat about the pros and cons of online writing courses. Then they chat to Marion Halligan about how Sylvia Plath inspired her to get started, what she bought with her first earnings, how writing is a kind of madness, the challenge of writing a memoir about her late daughter, good and bad editing experiences and what it was like being…
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Season 3. Episode 28: Deb Stevens (Retired Sales Agent)
43:53
43:53
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43:53Karen and Irma chat about writing residencies. Then they talk to bookseller and sales rep Deb Stevens about what goes on behind the scenes in the book trade, how books are sold into bookshops, if and when and how authors should contact their sales reps, preparing for your book’s release, how authors can work maximise promo of their books, the most …
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Irma and Karen chat about a new writing book, The Writer Laid Bare by Lee Kofman. Then Karen speaks with Inga Simpson about why choosing a character’s name to boost a word count ended up in a prize and her debut novel, how a childhood spent in nature influenced her writing, her determination not to let the second-book pressure derail her, the risks…
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Irma and Karen chat about how organised (or disorganised!) they are with their writing. Then Irma chats to booksellers Katarina Pearson (Harry Hartog), Alison Page (Dymocks) and Peter Arnaudo (The Book Cow) about how to get friendly with booksellers – what to do (when and how) and what not to do, how long you can expect your book to stay on the she…
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Margaret River Readers & Writers Festival series. Episode 25: Natasha Lester
40:43
40:43
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40:43In a special series direct from the Margaret River Readers and Writers Festival, Irma chats with Natasha Lester about how utter despair before an award ceremony preceded the best moment of her life, the lightbulb moment that changed the course of her career, the rewards of constructive sulking after rejection, how a fraught editing process almost d…
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Margaret River Readers & Writers Festival series. Episode 24: Craig Silvey
35:20
35:20
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35:20In a special series direct from the Margaret River Readers and Writers Festival, Irma chats with Craig Silvey about the author school visit as a child that changed his life, the careful considerations around writing characters from marginalised communities, why he thinks writing to word counts is unhelpful, how writing is like an illness, the harde…
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Margaret River Readers & Writers Festival series. Episode 23: Brooke Davis and Rhett Davis
46:02
46:02
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46:02In a special series direct from the Margaret River Readers and Writers Festival, Irma chats with siblings Rhett and Brooke Davis about what it’s like sharing the world of publishing with a sibling, their very different paths to becoming published authors, the downsides of a worldwide tour when your book is a smash hit, the childhood books that shap…
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Margaret River Readers & Writers Festival series. Episode 22: Claire G Coleman
36:48
36:48
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36:48In a special series direct from the Margaret River Readers and Writers Festival, Irma talks to Claire G. Coleman about how poetry influences her non-fiction style, the downsides of book touring, how she deals with Twitter trolls, the complications of working with two publishers, her love-hate relationship with the editing process, and how she respo…
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Craig and Irma unpack the role Amazon plays in the book world. Then Irma chats with Ultimo Press publisher Robert Watkins about why diverse publishing is so important to him, how to nab an editorial job, the way that authors should own the publicity stage and be proud, what makes him want to publish a manuscript, what good sales mean in terms of ha…
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Craig and Irma talk about books that have wowed them. Then Tony Birch chats to Irma about the sensitivity around fictionalising family, the importance of First Nations writing, who has the right to tell certain stories, the problems with teaching writing at university, the rejections that have really stung, the time his mum threatened a radio host,…
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Irma and Graig talk about teaching writing in schools. Then Craig talks to Sulari Gentill about how she turned a hobby into a profession, why she can write anywhere but finds a quiet environment impossible, how she was snubbed at a major awards ceremony, the pros and cons of the profit share model of publishing, the ways in which writing about the …
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Season 2. Episode 18: Cat Sparks & Rob Hood
47:31
47:31
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47:31Irma and Craig discuss inspirational quotes. Then Craig chats to writing couple Cat Sparks and Rob Hood about whether there’s competition in a relationship when you’re both writers, how your book can be a sausage in the sausage factory, how hard it is as an editor to get what you want from a slush pile (because authors don’t read the freaking guide…
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Irma and Craig talk about the differences in typing and handwriting work. Then they both speak to Nigel Featherstone about how he always feels like an outsider, why it shits him that writing isn’t considered real work, how Tony Abbott was the unlikely inspiration for his novel Bodies of Men, the strange benefits of interviewing his characters, why …
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Irma and Craig talk about literary tourism. Then Craig talks with bestselling fantasy author Isobelle Carmody on the challenges of meeting fan expectations, why her writing income has suddenly dropped dramatically and how she adapted, whether genre labels are useful, the benefits of doing a creative PhD, and the repercussions of being an activist a…
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Craig and Irma talk about the dead authors they would most like to interview. Then Irma talks with Allison Tait (AL Tait) on why the first structural edit she received did her head in and how she now works through them, the most difficult book rejection she’s ever experienced, why children’s book authors don’t get the kudos they deserve, and a whol…
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Craig and Irma discuss lesson learned from life on the road doing a book tour for Irma's novel The Breaking. Then Irma speaks with national living treasure Charlotte Wood about the terror of public exposure on releasing a book into the world, the discomfort of the first draft and why it’s important to ‘look for trouble’, how and when to get feedbac…
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Irma and Craig discuss Covid-19 impacts on book sales. Then Craig chats with Mirandi Riwoe about combining fact and fiction in her historical novels, viewing the past through the lens of the present, why it's important to her to write Eurasian and Chinese characters, and the important difference between accuracy and authenticity. About Mirandi Mira…
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