The YIVO Institute for Jewish Research makes many of the 24 million items in its archive available online, but there’s an “electric moment of actually touching a document,” says its executive director. “My first was when Lenin’s party card was put in my hand.” (Patrons are urged not to touch the documents. This is not some sort of scholarly petting…

This Obie-winning actor created the role of Helen in the Classical Theatre of Harlem’s Memnon. “It is definitely under-utilized. Underappreciated.” Greek mythology in modern theater? That too, but here she refers to the peanut in American cooking. See her in Marcus Garvey Park throughout July. Working. Not just lounging around.…

Decades ago, he shook hands with W. E. B. Du Bois, born in 1868. It seems impossible, but then again Einstein was a contemporary of Billy the Kid. Lewis went on to write a Pultzer-Prize winning biography of Du Bois. Einstein went on to be Einstein. Presented with the Maysles Documentary Center. Music: Henrique Prince.…

These principals of the architectural firm WORKac found it challenging to design their own home. The psychological complexity of domestic life? The culmination of years of thought? “The hardest thing about designing our house was that we just haven’t designed a lot of houses.” Produced with the Center for Architecture. Music: Rashad Brown.…

The artistic director of the Paul Taylor Dance Company summarizes his aesthetic: “The curtain goes up, twenty minutes happen, the curtain comes down, and it is transformative.” Easy to say, brilliant to achieve. And they do.By Randy Cohen

He’s worked from Hanoi to Berlin to America’s old-growth forests. “As a photographer, it’s only in getting lost that you move forward.” As a civilian, when I get lost, I pretty much just get lost. Another reason to admire him. Produced with the National Academy of Design. Music: Stephanie Jenkins.By Randy Cohen

He led the Goodman Theatre in Chicago and pretty much created theater at Lincoln Center. “The happiest moments of my life have been in rehearsal rooms.” Well, yeah. In there with him? David Mamet, Tennessee Williams, Samuel Beckett. Sequentially not simultaneously. Presented with Hunter College.By Randy Cohen

This lawyer works on health policy at Columbia’s Mailman School: “Public health in a certain sense is about balancing, the rights we have as individuals with the needs of society to preserve, protect, and promote the health of the population.” Not a bad approach to democracy in general. Music: Caitlin Warbelow…

This children’s book author—Because of Winn-Dixie, The Tiger Rising, The Tale of Despereaux—describes her innate ability: “I have a knack for nothing except being filled with wonder.” I’d dispute that, as would legions of admiring readers.By Randy Cohen

This graphic designer spent her early childhood in Germany. “My father told me, ‘You are Korean, you are a visitor here, and what that means is, you don’t have to fit in.’ For me, that liberated everything.” The power of outsider consciousness. Presented with Base Design. Music: John Sherman.By Randy Cohen

“We got it from Lauren Bacall,” says this curator. The flu? Certainly not. An Elsa Peretti handbag, one of 700 items from Bacall’s wardrobe donated to the Museum at FIT, where it was featured in Hill’s recent exhibition,Fashioning Wonder: A Cabinet of Curiosities. Music: Eléonore Weill, Zoe Guigueno.…

“The disease, the people believed, was caused by sorcery and could be cured by sorcery,” says this bioethicist. By “the people” he does not allude to RFK Jr. but to a stone-age tribe in New Guinea. Potato/Potahto. Produced with Columbia University’s School of Professional Studies. Music: Rich Jenkins.…

Their play Here There Are Blueberries is built around an actual photo album assembled at Auschwitz of the ordinary daily life of the perpetrators. Following a run at the McCarter Theatre, the play is now touring nationally (if you’re reading this early in 2025, not in, oh, 2026 in exile on the Martian penal colony).…

This historian, in CCNY’s Black Studies Department, says, “If I want to have a good writing day, I take the train an hour and fifteen minutes to somewhere I love, the quietest place in New York.” Silence and thought. Music: Birsa Chatterjee, saxophone; Raul Reyes, bass; Victor Gould, piano. (Not silent, much appreciated.)…

After fifty years as a mezzo-soprano, she still embraces this advice from her first teacher: “Sing as though it comes from the bottom of your heart, because that’s what it’s about.” Her most recent recording is And Crimson Roses Once Again Be Fair. She says it is her last. I hope not.By Randy Cohen

The new president of Hunter College is a champion of “social infrastructure,” describing it as “A public good. Everybody uses it, nobody owns it.” Libraries, schools, parks, or, in a decent society, healthcare. That’s nostalgia! Or hope. Music: Ryan Keberle, Chris Swan, Christopher Panchame, Yuka Kameda.…

“Isaac Bashevis Singer called my mother the Sherlock Holmes of Yiddish songs,” says Zalmen. His family heritage and Steven’s splendid singing were big factors in the triumph of Fiddler on the Roof in Yiddish. Presented by the National Yiddish Theatre Folksbiene and the YIVO Institute for Jewish Research.…

“My life was a bit like the plot of Auntie Mame,” says this actor, writer, and drag legend. He’s got stories about Linda Lavin, Christopher Isherwood, Lily Tomlin, Angela Landsbury, Vivien Leigh, Marlene Dietrich. Plus, he sings. Accompanist: Jono Mainelli. Produced with 54 Below.By Randy Cohen

He led an expedition down Mongolia’s Selenge River, described in his book Rowing to Baikal. “To me the river is like a god, a god that I can be in conversation with. I feel like it’s alive. I don’t always understand it, but I don’t understand God either.” A conversation at the Explorers Club.By Randy Cohen

In addition to being a much-admired writer, she owns Parnassus Books, in Nashville. “Because I own a bookstore, I get a copy of just about every book that comes out. It’s like being pelted to death with books.” Like that Shirley Jackson story but more ironic. The author of Bel Canto, on friendship, fathers, writing, and reading.…

This movie and TV writer—he created Monk—loves his local public radio station in Jersey City. “If you tune into WFMU, and you don’t like what you hear, just wait five minutes: you’ll hear something much worse.” Love expresses itself perversely, but it’s love. Music: Billygoat—Michelle Segre, Jennifer Sirey, Kat Lewis.…

Dean of the Columbia Graduate School of Journalism and a staff writer for The New Yorker, he says, “When people ask what I think is the foundational institution of democracy, I always say: 'the public library.'” Enjoy it while we’ve got it. And what’s left of our democracy.By Randy Cohen

To be a great architect—or painter or poet or almost anything—do you need a great patron? “Certainly that helps, but then you have to bring the talent and vision and invention,” she says. Oh, well, then, never mind. We spoke at the Louis Armstrong Center, a building they designed. Produced with Open House New York. Music: Valerie and Ben Turner.…

This political scientist sees a crisis of legitimacy. “When 90% of Americans believe there ought to be universal background checks on guns, and nothing happens, you begin to wonder if your vote matters.” Happily, he has ways to make our democracy more democratic. Unhappily, they won’t be enacted. We’re all pessimists now. (All = me.) Produced with …

This architect, celebrated for repurposing the Domino Sugar Refinery, says that his young colleagues are eager to address the great issues of the day, “as opposed to designing spaceships in the sand built by slaves.” If that’s not the title of his next book, fire the editor. Produced with the Center for Architecture. Music: Mamie Minch.…