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A pop culture time machine! Each episode covers that very week from 30 years ago, 20 years ago and 10 years ago, which means each show is loaded with forgotten movies, timeless TV episodes and songs best left to the past. We'll examine TV, movies, music and video games from the 90s, 2000s, and 2010s. Come remember with us!
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Join Dave and Elise every week for a buggy-ride of cinematic exploration. A bilingual Montreal native and a Prairies hayseed gravitate to Toronto for the film culture, meet on OK Cupid, and spur on each other's movie-love, culminating in this podcast. Expect in-depth discussion of their old favourites (mostly studio-era Hollywood) and their latest frontiers (courtesy of the TIFF Cinematheque and various Toronto rep houses and festivals). The podcast will be comprised of several potentially n ...
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Videogame Timemachine

Videogame Timemachine

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We love videogames….and comics…..and movies…..and…..well I guess we just love fiction and we have a lot to say about it. Everything means something. Our passion for these mediums leads us to pull about the intricacies of their stories, and mechanics. We provide analysis, editorials and reviews of our favorite works of pop culture. Okay…. Good. Now that we got all that pretentious, grown-up, business fluff out of the way, a lot of the modern art we love is weird, strange and well, dumb. The i ...
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Our final Diana Wynyard episode has arrived all too soon! We look at her two final key roles, in Alexander Korda's film of Oscar Wilde's An Ideal Husband (1947) and The Feminine Touch (1956), a nurse drama that's better than its silly title. And in Fear and Moviegoing in Toronto, we cover the 2025 Toronto Silent Film Festival, focusing on three fil…
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The American Office debuts, as does Sliders. Kathy Bates gets a psuedo Stephen King sequel, Damon Wayans channels Charleton Heston, Kevin Hart hardens Will Ferrell, Fox slides some an underdog sci-fi classic onto network TV, a forgotten CG movie, and ERMEGERD BLURDBURNE! https://www.patreon.com/c/lasertime…
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**** [Retro Re-issue Alert!] **** Turns out it wasn't such a great idea to use Le Tigre's "What's Yr Take on Cassavetes?" as our podcast's theme song in 2019 and 2020! Anyway, Spotify (and presumably Le Tigre) don't seem to think so. Accordingly, please find the attached re-issue of one of our foundational episodes, minus the intro music + a couple…
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In this Farrow vs. Allen Special Subject episode we dig into a strong set of films, The Purple Rose of Cairo (1985), Hannah and Her Sisters (1986), and Radio Days (1987), united by their examination of art, popular culture, and fantasy, the possibilities they offer for transcendence, and the conditions of that transcendence. We also, of course, par…
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We complete our second round of 1930 on Studios Year by Year with Universal. This time around we've got two auteur entries, Lewis Milestone's All Quiet on the Western Front, and a much deeper cut, Tod Browning's eccentric crime drama Outside the Law. We discuss All Quiet as emblematic of the Laemmele Jr. era before turning to Browning's tense, mess…
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In our penultimate Diana Wynyard Acteurist Oeuvre-view episode, our acteur supports two of the greats of her age, John Gielgud as Benjamin Disraeli in Thorold Dickinson's The Prime Minister and Michael Redgrave as the titular innocent of Carol Reed's Kipps, based on the novel by H.G. Wells. We discuss 19th century British politics (enfranchisement …
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March 7-13: That movie you watched in 2020, Siskel and Ebert give The Critic thumbs down, Wonder Shozen confuses kids, one of the best episodes of ER, Bruce Willis and Liam Neeson are adequate, Adam Sandler and his stupid shoes, the forgotten live-action Disney and slow horror. All that and more from 30, 20, and 10 years ago!…
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Jay Sherman comes to Springfield, Netflix's best comedy debuts, Chappie drops the ball, John Travolta is so cool he's cold, a wonderfully enjoyable Stephen King adaptation, and Vin Diesel makes his requisite kids family film. Support us: https://www.patreon.com/c/lasertime
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In this week's RKO Studios Year by Year episode, we discuss our favourite movies from our first round with the studio and how that round shaped our impression of RKO, and then turn to two new 1930 movies: Framed (directed by George Archainbaud), a gangster movie focused on Evelyn Brent's tough/tender mixed-up moll, and The Runaway Bride (directed b…
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We've got a big one for you this week: four main movies plus four Fear and Moviegoing viewings. Our main feature is Stanning for Sten: Anna Sten's three movies for Samuel Goldwyn, Nana (1934), based on (more like inspired by) the Zola novel, We Live Again (1934), with a Tolstoy source, and The Wedding Night (1935), plus a glimpse at one of her late…
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In this Diana Wynyard Acteurist Oeuvre-view episode, we look at probably her best-known film, Gaslight (directed by Thorold Dickinson), and consider its pros and cons relative to the Cukor/Selznick Hollywood version of a few years later, as well as the question of how "gaslighting" became an internet meme and how well the source fits the popular me…
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The first episode of our second Studios Year by Year round with Fox, the "Rube" according to Ethan Mordden, is a real ridiculous/sublime contrast: the sci-fi musical comedy Just Imagine (directed by David Butler), a vehicle for vaudevillian El Brendel, in whom Dave may have found his comedy bête noir; and the F. W. Murnau masterpiece City Girl, whi…
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In this Diana Wynyard Acteurist Oeuvre-view episode we finally come to the source, James Whale's One More River (1934), the movie that inspired Dave to schedule this series, and don't worry, we still think it's a masterpiece. We recap how we've watched the Wynyard onscreen persona evolve and how Whale's new context for it gives it an unforgettable …
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For the first episode of our second round of Warner Brothers 1930, we've got a thoughtful, ambitious gangster movie from the mind of little-known auteur Rowland Brown, The Doorway to Hell (directed by Archie Mayo), and a truly dismal melodrama, A Notorious Affair (directed by Lloyd Bacon), rescued from total worthlessness by Kay Francis's turn as a…
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For our Valentine's Day 2025 episode, we plunge deep into the nature of relationships by discussing two films whose romantic pairings are arguably not relationships at all: Spike Jonze's Her (2013) and his sometime collaborator, Charlie Kaufman's I'm Thinking of Ending Things (2020). Isolation, loss, misogyny, male fantasies, hope and despair: we'v…
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Lucasfilm's final fumble, Jackie Chan conquers the West, a culty Gen X classic, one last massive morsel of Venture Bros for the year(s), and Johnny Depp is trying too hard. All that an more on our journey back 30, 20, and 10 years ago! Support us on Patreon: https://www.patreon.com/c/lasertime
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We start off our second round of MGM Studio Year by Year episodes with these 1930 films: the Marion Davies comedy vehicle The Florodora Girl (directed by Harry Beaumount) and Cecil B. DeMille's Madam Satan, which Elise decides is something like Eyes Wide Shut if it was made by James Cameron (but, alas, not as interesting as that sounds). (It's stil…
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For this episode of our Diana Wynyard Acteurist Oeuvre-view series, our featured acteur plays a disillusioned modern woman in two 1934 movies, Where Sinners Meet and Let's Try Again, that are cynical about marriage in a way that (we argue) screwball comedy would soon render archaic. And in Fear and Moviegoing in Toronto we give our impressions of t…
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Our Special Subject this month is the start of a series on the cinematic collaboration of Mia Farrow and Woody Allen. In this first episode we look at A Midsummer Night's Sex Comedy (1982), Zelig (1983), and Broadway Danny Rose (1984), paying particular attention to the relationship between the Allen and Farrow characters and to the question of wha…
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It's time for another round of Studios Year by Year, starting over with Paramount 1930! And this time Dave has brought even more nostalgic reading material to give some context for this studio content. We also launch another new series feature: a review of our favourite movies from the previous 1930-1948 round. Turning to the Paramount movies we wa…
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Our second Diana Wynyard Acteurist Oeuvre-view episode brought two real oddball pre-Codes to our attention: Men Must Fight (1933), a hardcore pacifist film that predicts the upcoming world war in certain ways, in which Wynyard more or less reprises her Cavalcade role; and Reunion in Vienna (1933), based on a Robert E. Sherwood play, which could hav…
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Our first round of Studios Year by Year comes to an end with these Universal 1948 movies: A Woman's Vengeance (directed by Zoltan Korda with a screenplay by Aldous Huxley, based on his short story "The Gioconda Smile") and Larceny (directed by George Sherman). Huxley's philosophical concerns add unexpected dimensions to familiar Gothic tropes and g…
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Dec. 20-26: Steve Martin’s nuts, Macaulay Culkin’s rich, Walter Matthau is Einstein; Jodie Foster is babbling, Winona Ryder is little, Bill Murray is underwater, the Fockers are met, Amy Adams has big eyes, Benedict Cumberbatch invents computers, Meryl Streep heads into the woods. All that are more, 30, 20, and 10 years ago!…
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Dec. 13-19: A political rom-com, Jet Li’s punchy, the worst MST3K, Marcel the monkey, Adam Sandler speaks Spanglish, Johnny Depp finds Neverland, Jamie Foxx has warbucks, the museum finally closes at night, Craig Ferguson wraps up, and the Venture Bros. fight Krampus. All that and more, 30, 20, and 10 years ago!…
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Our 2024 Christmas episode is devoted to all 312 minutes of Ingmar Bergman's late masterpiece Fanny and Alexander (1982); a phantasmagorical smorgasbord of genres and summary of the writer-director's obsessions. We explore the film's Keatsian and Kierkegaardian implications, its relationship to the Modernist moment, and its oneiric inquiry into the…
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