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The Haunted Screen

Travis Mushett

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The Haunted Screen is a narrative podcast about film, history, and the places they intersect. Incorporating extensive research and archival interviews, Professor Travis Mushett explores key movements in global cinema through engaging audio storytelling that appeals to both hardcore cinephiles and casual moviegoers. The first season—"From Caligari to Hitler"—investigates the chaotic, creative world of Weimar Germany. New episodes are tackling new topics!
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Robert Eggers' new version of Nosferatu is an absolute horror show in the best way possible. With Orlok Fever sweeping the nation, we're taking the opportunity to repost a 2022 episode on F.W. Murnau's century-old original. Travis also offers his take on the Eggers adaptation. He promises not to read it as a political allegory, then promptly does s…
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Nazi, dissident, victim… Josef von Sternberg’s cabaret classic The Blue Angel had three stars: Emil Jannings, Marlene Dietrich, and Kurt Gerron. As the Weimar Era ended and the Third Reich began, fate brought them—and all of Germany—to a crossroads. What would they choose, and what choices would be taken from them? For show notes and other supporti…
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As the 1920s became the 1930s, both the Lang-von Harbou marriage and German democracy itself teetered on the edge of collapse. In this moment of personal and political chaos, the couple made movies—and choices—that would define their legacies. For show notes and other supporting information, click here.…
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In a political environment as combustible as the Weimar Republic, it was only a matter of time before the country’s Kinos became venues for ideological warfare. G.W. Pabst was on the frontlines, firing broadsides against nationalism (Kameradschaft), capitalism (The Threepenny Opera), and the patriarchy (Pandora’s Box). But even in the face of a ris…
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Through movies like Destiny, Die Nibelungen, and Metropolis, the husband/wife team of director Fritz Lang and screenwriter Thea von Harbou helped establish Berlin as Hollywood’s one true rival. But their emergence as international celebrities paralleled the rise of a certain failed artist storming through the beer halls of Munich. For show notes an…
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In 1922, a pair of diabolical creatures arrived on German movie screens. What can the vampire Count Orlok and the supercriminal Dr. Mabuse teach us about the fears and fantasies lurking in the Weimar imagination? For show notes and other supporting information, click here.By Travis Mushett
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A world war lost. An economy in tatters. A country riven by political violence. Germany’s Weimar Era had a tumultuous birth, and with The Cabinet of Dr. Caligari, its filmmakers began to channel that mayhem into sinister celluloid fantasies. For show notes and other supporting information, click here.…
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