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Art · The Creative Process: Artists, Curators, Museum Directors Talk Art, Life & Creativity

Artists, Curators, Museum Directors Talk Art & Creativity · Creative Process Original Series

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Art episodes of the popular The Creative Process podcast. We speak to artists, curators, museum directors about their work & how they made their creative careers. To listen to arts episodes across a variety of disciplines, follow our main podcast: “The Creative Process · Arts, Culture & Society”. You’ll find us on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts! Exploring the fascinating minds of creative people. Conversations wit ...
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“I want people to understand South Asian art as broader than a single gallery or a single artist, but as a larger cultural movement. I want people to encounter art in all parts of their lives, and I’m constantly thinking about new ways to achieve that. I was very aware, as someone launching a South Asia-focused gallery, that this was the cultural d…
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“If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to …
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“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there’s …
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“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing wo…
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“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a …
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“For us, I think it really is about trust and commitments, and I don't think that has necessarily changed over the years. As we work on that, obviously, we are very much invested in how we can engage an audience and spark the curiosity that people are looking for. The most important thing often is how we can spark that curiosity in ourselves. As a …
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“It's a complicated time to think about how we can slow down, be still, and bring a brilliant group of people together to do something that feels purposeful and can be productive. It's a moment where things are moving so fast. When I brought up the idea of a hinge generation, I think it's impossible to know how we will look back and reflect on this…
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“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced …
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“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Kla…
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“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hund…
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“ I was very interested in the state of mind of an artist as he or she goes about making. I think one of the things that artists have is not just an interest in their own subconscious, but also an ability to find ways, tricks, and hacks to access their subconscious. Over time, they understand how to make productive use of what they find there. We a…
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How has feminism changed in light of the way we live now? DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together) on recognizing political conditions in personal relationships. MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process. TEY MEADOW (Author of Trans Kids: Bein…
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Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24. Unbeknownst to most, Weller has spent decades honing his appreciation for the visual …
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“I met Miles backstage at the Hollywood Bowl—the last gig he ever played. Miles asked, “Who’s that white boy?” I introduced him to Bob Thiele Jr., whose father produced Coltrane. When Miles discovered this, he said, “Well, you can hang,” following this friendly gesture with me walking Miles to his car. I did not know he was dying. I kissed him on b…
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How do our personal lives influence the art we make? JIM SHEPARD (Author of The Book of Aron, Project X, & The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston · Winner of the PEN New England Award, The Story Prize) explores historical human dilemmas, the emotional imagination and literature's role in extending empathetic un…
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What influence do billionaires have on politics, journalism, and the technology that shapes our lives? What drives people to seek absolute power, and how can we hold them accountable? Darryl  Cunningham is a cartoonist and author of Science Tales, Psychiatric Tales, The Age of Selfishness, and Billionaires: The Lives of the Rich and Powerful. Cunni…
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Where does our intuition come from? How are lifelong creative partnerships formed and what role do friendship and personal connection play? How do our personal lives influence the art we make? Erland Cooper (Scottish composer, producer, and multi-instrumentalist) explores the emotional and transformative effects of music and visual arts. He undersc…
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“I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documenta…
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What is the power of photography? How do images and songs bookmark our lives, reminding us of what we care about, who we love, and what it means to be alive? Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of the Touch the Earth children’s book trilogy. This autumn, Whispers…
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“Today, someone is putting the finishing touches on a machine-­ learning algorithm that will change the way you relate to your family. Someone is trying to design a way to communicate with animals in their own language. Someone is designing a gene that alters bacteria to turn your poop bright blue when it’s time to see the doctor. Someone is cleani…
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How can we design and adapt for the uncertainties of the 21st century? How do emotions shape our decisions and the way we design the world around us? Scott Doorley is the Creative Director at Stanford's d. school and co author of Make Space. He teaches design communication and his work has been featured in museums and architecture and urbanism and …
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“The opportunity is that we have never had a public that is more passionate and obsessed with visual imagery. If the owners of the best original imagery in the world can't figure out how to take advantage of the fact that the world has now become obsessed with these treasures that we have to offer as museums, then shame on us. This is the opportuni…
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How can museums remain relevant in the digital age, where visual imagery is more accessible than ever? What role do museums play in fostering creativity and innovation in their communities? Stephen Reily is the Founding Director of Remuseum, an independent research project housed at Crystal Bridges Museum of American Art in Bentonville, Arkansas. F…
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“What is imaginary tends to become real -- that’s a quote from the founder of Surrealism, André Breton. We daydream of a better world, and this could be a very vague daydream. The idea of utopianism that I'm putting forward in the book is not a detailed, orderly, rational model of the city utopia. It’s this free floating, desirous model of the body…
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As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia? S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permi…
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