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Job Search discussion and advice for People with barriers to employment. Step by Step instruction from Employment Specialist that currently works with clients through DHS Vocational Rehab, Oregon's Preferred Worker Program, Federal Prison, State Prisons, County Jails, and local Transition Centers. Support this podcast: https://podcasters.spotify.com/pod/show/nbjobdevelopment/support
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This podcast is produced and managed by two Melbourne based artists, Siying Zhou (host), www.siyingzhou.com and Marcel Feillafé, feillafe.com. In each episode, two guests are invited in and join the host to discuss current art exhibitions/events in Australia. The cover image is created by Emanuel Rodriguez-Chaves, an artist/painter. www.emanuelrodriguez.org
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Artwork
 
On this season of Lipstick Economy, co-hosts Jamie Dunham, founder of Brand Wise, and Melinda Hudgins Noblitt, Brand Marketing Manager at Asurion, will dive deep into the misconceptions of marketing to women and highlight stories of marketing leaders who are making a difference.
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1
Going All The Way

Scott Eason & Rayna Cahill

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Scott Eason and Rayna Cahill are not experts on sex, relationships or really anything for that matter. They're comedians and therefore it is their birthright to have a podcast and they chose to do this one. They give their male and female perspectives about love, sex and everything in-between, offering advice (good or bad, you be the judge), funny insights and sometimes real educational and enlightening information. Give it a listen. You just might learn something (sexy...something sexy).
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For much of the last century, in museums, the works of Aboriginal and Torres Strait Islander artists were treated as something outside the main story — consigned to a footnote of history or a side room in major galleries. A new exhibition at the Potter Museum of Art wants to put the record straight. Titled 65,000 Years: A Short History of Australia…
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From feminist beginnings to kitsch commercialism, minigolf has a rich history. But what happens when you let artists loose to design their own holes? Forget white walls and hushed tones—today we're heading to a golf course. Curator Grace Herbert explains the ideas behind Swingers, where putters are swapped for latex tails and square balls add a uni…
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Arcangelo Sassolino's work captures a suspended instant: just before collapse, just after ignition. At the 2022 Venice Biennale, Sassolino paid homage to Caravaggio's Beheading of Saint John the Baptist. But where Caravaggio painted light and shadow, Sassolino sculpts with fire and steel: molten light heated to 1500 degrees, falling from above into…
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Del Kathryn Barton exorcised her rage in her critically acclaimed feature film Blaze, but its aftermath is grief. You wouldn't know it if you cast your eye around her Paddington studio: wide-eyed sylphs, sibyls and sages emerge from minutely detailed canvases where chequerboards, dots and strawberries are laden with new meaning. Much like a cinema …
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Jason Maling works in the expanded field where — through the interface of technology, screens and a sound system — the sonic and the visual are conducted before a live audience. Diagrammatica was inspired by physics diagrams, but it's grown into a beast: part drawing, part durational performance and part musical composition. And it all takes place …
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Recently on the show we met Filipino artist Pio Abad to hear about his Turner Prize nominated exhibition 'To Those Sitting in Darkness' which re-presented museum objects to reveal hidden histories and the deep legacies of colonialism. Thai-Australian multidisciplinary artist Nathan Beard takes a different, less didactic, approach but, like Pio Abad…
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Although he's one of Australia's most established, commercially successful and prolific artists, Dale Frank is a reluctant interview subject. Eccentric, reclusive, visionary, trailblazer — a sublime colourist, even a likeable arsehole — these are just some of the ways he's described. Which makes it even more remarkable that he agreed to be the subj…
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Sydney-based artist Nadia Vitlin works with olfaction — our sense of smell — infusing her artwork, whether it be clay or paint, to create bespoke pieces that mimic the transportive power of scent: one of the most evocative, deeply personal and memory-laden senses humans possess. She experiments in the fourth dimension, and it all began with leaves …
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Just as historical objects in museum collections embody certain histories — of British imperialism and modernity — they also map loss and disappearance for those in former colonial states. Pio Abad, whose work is "concerned with the personal and political entanglements of objects," has mined the stories embedded in certain cultural material such as…
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They used to lay-buy contemporary art together when they were low-paid gallery workers, forging a business relationship early on. Now, Ursula Sullivan and Joanna Strumpf are one of Australia's most successful art partnerships in terms of the cultural impact of the artists they represent — Tony Albert, Lindy Lee, Polly Borland, ex de Medici, Sam Lea…
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It was while researching the provenance of a child’s boomerang, found in topsoil near the site of Melbourne Zoo, that Kimberley Moulton found the key to her curatorial vision for We Are Eagles, the latest edition of the TarraWarra Biennial. The Yorta Yorta curator worked with artefacts and other historical material at Melbourne Museum for years bef…
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The Lebanese-born Australian artist Khaled Sabsabi joins The Art Show exclusively to talk about the profound impact of the decision to unceremoniously dump him as Australia's representative artist to the 2026 Venice Biennale. The decision exposed the arts funding body Creative Australia to claims of political interference, racism and censorship — e…
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For Kamilaroi artist Warraba Weatherall, art that isn't a catalyst for something—that isn't driven by critique of gatekeeping museums, the criminal justice system, or the wilful historical amnesia and complacency—isn't worth making. Warraba has just unveiled his first institutional solo at Sydney's Museum of Contemporary Art, laying bare his politi…
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In art, verisimilitude — representing things as they appear — is something like telling the unvarnished truth and it makes perfect sense that it's the form in which Vincent Fantauzzo is most comfortable. His first commercial artworks were actually counterfeit 50 dollar notes, just one of the uncomfortable truths which he tells in his new autobiogra…
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Robert Andrew's artwork features simple robotic machines, with a stylus that impulsively draws or leaves a trace; not so much artificial intelligence as incidental happenstance. Although he works with technology, Andrew has always been deeply inspired by country. So it made sense that he was invited to make work for a new group exhibition at Bundan…
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Nici Cumpston has played a transformative role at the Art Gallery of South Australia. Over the past 16 years she has driven First Nations curatorial practice to new heights, shaping what began as a biennial exhibition into a festival of contemporary Indigenous art that surveys artmaking across the continent. As Tarnanthi reaches its tenth anniversa…
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