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OEITH #119 A Once and Future King

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Manage episode 300962627 series 2925472
Content provided by Duncan Barford. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Duncan Barford or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

In this, our final episode, we issue a very loud SPOILER ALERT as we unearth an ancient English national treasure, the film Penda's Fen (directed by Alan Clarke, 1974), exploring: the current relevance of Penda's Fen; the film as an initiation; its provenance; the problem of its Englishness; Pinvin and the Malvern Hills; William Langland and Edward Elgar; The Dream of Gerontius; Stephen's ignorance of his own sexuality; his notions of good and bad; the character of Arne and his counter-cultural views; Stephen's dream of demons and angels; the role of Manicheanism in the film; a possibly similar incident in the life of Carl Jung; good and evil as the products of personal participation rather than binary absolutes; the ceaseless battle between darkness and light; Stephen's visitation from a demon as an indication of deeper levels to his personality; impacts of Stephen's insights into himself; the beginnings of a new persona; "Pinvin" versus "Pinfin"; an encounter with an angel as the realisation of the possibility of Grace; "Pendefen"; the resurgence of the demon; a vision of the celebration of atrocity; Stephen realises he is not alone: insights into his father and Arne; messages in the landscape and the discovery of "Penda's Fen"; descent into the underworld: Stephen's meeting with Elgar; the humanity of genius and the longing of the dead for manifestation; the revelation of Stephen's origins; his acceptance of who he really is; Joan of Arc as a pagan worshipping an ancient god of death and resurrection; the sacrifice of humanity in the modern age; Stephen's father: "a self and a non-self"; Penda, the last pagan King in England; the demonization of Penda versus the more likely reality of his kingdom; Martin Wall on the magical potential of history; the implicit rather than explicit depiction of magick in the film; Stephen's rendition of Gerontius as a magical evocation; its magical result: a message and a vocation; the final scene as a temptation and a magical attack; the manifestation of King Penda and his mission for Stephen; the question of where we should direct our magick; a valediction.

Matthew Harle & James Machin, eds. (2019). Of Mud & Flame: The Penda's Fen Sourcebook. London: Strange Attractor.

C.G. Jung (1967). Memories, Dreams, Reflections. London: Fontana.

Martin Wall (2019). The Magical History of Britain. Stroud: Amberley.

  continue reading

43 episodes

Artwork
iconShare
 
Manage episode 300962627 series 2925472
Content provided by Duncan Barford. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Duncan Barford or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

In this, our final episode, we issue a very loud SPOILER ALERT as we unearth an ancient English national treasure, the film Penda's Fen (directed by Alan Clarke, 1974), exploring: the current relevance of Penda's Fen; the film as an initiation; its provenance; the problem of its Englishness; Pinvin and the Malvern Hills; William Langland and Edward Elgar; The Dream of Gerontius; Stephen's ignorance of his own sexuality; his notions of good and bad; the character of Arne and his counter-cultural views; Stephen's dream of demons and angels; the role of Manicheanism in the film; a possibly similar incident in the life of Carl Jung; good and evil as the products of personal participation rather than binary absolutes; the ceaseless battle between darkness and light; Stephen's visitation from a demon as an indication of deeper levels to his personality; impacts of Stephen's insights into himself; the beginnings of a new persona; "Pinvin" versus "Pinfin"; an encounter with an angel as the realisation of the possibility of Grace; "Pendefen"; the resurgence of the demon; a vision of the celebration of atrocity; Stephen realises he is not alone: insights into his father and Arne; messages in the landscape and the discovery of "Penda's Fen"; descent into the underworld: Stephen's meeting with Elgar; the humanity of genius and the longing of the dead for manifestation; the revelation of Stephen's origins; his acceptance of who he really is; Joan of Arc as a pagan worshipping an ancient god of death and resurrection; the sacrifice of humanity in the modern age; Stephen's father: "a self and a non-self"; Penda, the last pagan King in England; the demonization of Penda versus the more likely reality of his kingdom; Martin Wall on the magical potential of history; the implicit rather than explicit depiction of magick in the film; Stephen's rendition of Gerontius as a magical evocation; its magical result: a message and a vocation; the final scene as a temptation and a magical attack; the manifestation of King Penda and his mission for Stephen; the question of where we should direct our magick; a valediction.

Matthew Harle & James Machin, eds. (2019). Of Mud & Flame: The Penda's Fen Sourcebook. London: Strange Attractor.

C.G. Jung (1967). Memories, Dreams, Reflections. London: Fontana.

Martin Wall (2019). The Magical History of Britain. Stroud: Amberley.

  continue reading

43 episodes

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