Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Sean Hickey's Cello Concerto
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Manage episode 332166653 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Synopsis
There are dozens of famous cello concertos that get performed in concert halls these days, ranging from 18th century works by Italian Baroque master Antonio Vivaldi to dramatic 20th century works of Russian modernist Dmitri Shostakovich.
In 2007, American composer Sean Hickey was commissioned by Russian cellist Dmitry Kouzov to write a new concerto, which received its premiere performance on today’s date two years later, in 2009.
“In this work, I wanted to fuse my interest in neo-classical clarity and design with the songful, heroic nature of the greatest cello concerto literature,” Hickey recalled. “My Cello Concerto had its Russian premiere at the Beloselsky-Belozersky Palace, a neo-Baroque edifice on the banks of the Fontanka River in Saint Petersburg … [It] was then recorded in the legendary Melodiya Studios on Vasilevsky Island in St. Petersburg, known from Soviet times as producing recordings from the likes of Shostakovich, Rostropovich, Mravinsky and many others.
“One moment of personal satisfaction came when the Russian orchestra, after rehearsing the piece for days, picked up on a buried quotation from Shostakovich’s Symphony No. 7, his Leningrad Symphony in the final pages of my piece. It’s easy to forget in the glittering and watery metropolis, which rivals any European city for beauty and culture, that St. Petersburg is a city full of ghosts.”
Music Played in Today's Program
Sean Hickey (b. 1970): Cello Concerto; Dmitry Kouzov, cello; St. Petersburg State Symphony; Vladimir Lande, conductor; Delos 3448
2673 episodes
MP3•Episode home
Manage episode 332166653 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Synopsis
There are dozens of famous cello concertos that get performed in concert halls these days, ranging from 18th century works by Italian Baroque master Antonio Vivaldi to dramatic 20th century works of Russian modernist Dmitri Shostakovich.
In 2007, American composer Sean Hickey was commissioned by Russian cellist Dmitry Kouzov to write a new concerto, which received its premiere performance on today’s date two years later, in 2009.
“In this work, I wanted to fuse my interest in neo-classical clarity and design with the songful, heroic nature of the greatest cello concerto literature,” Hickey recalled. “My Cello Concerto had its Russian premiere at the Beloselsky-Belozersky Palace, a neo-Baroque edifice on the banks of the Fontanka River in Saint Petersburg … [It] was then recorded in the legendary Melodiya Studios on Vasilevsky Island in St. Petersburg, known from Soviet times as producing recordings from the likes of Shostakovich, Rostropovich, Mravinsky and many others.
“One moment of personal satisfaction came when the Russian orchestra, after rehearsing the piece for days, picked up on a buried quotation from Shostakovich’s Symphony No. 7, his Leningrad Symphony in the final pages of my piece. It’s easy to forget in the glittering and watery metropolis, which rivals any European city for beauty and culture, that St. Petersburg is a city full of ghosts.”
Music Played in Today's Program
Sean Hickey (b. 1970): Cello Concerto; Dmitry Kouzov, cello; St. Petersburg State Symphony; Vladimir Lande, conductor; Delos 3448
2673 episodes
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