Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Episode #223 — Trevanna Tracks’ Tools For Improving Sync Licensing
Manage episode 400754922 series 1264599
Content provided by The Future of What and Music Business Association. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Future of What and Music Business Association or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Sync placements have become a highly lucrative revenue stream for artists and rightsholders alike in recent years, as the production teams behind tv shows & movies constantly search for the perfect tracks to set the scene in their latest project. With that expanded attention to this part of the business comes a lot of extra paperwork, something that until recently sync licensing teams did not have help with. This month, we spoke with Trevanna Tracks’ CEO, Jennifer Freed and COO, Selina Meere to learn more about the company’s origins, its all-in-one solution for logging & organizing complex sync project data, and the importance of centralizing this data to increasing sync teams’ productivity!
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293 episodes
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Manage episode 400754922 series 1264599
Content provided by The Future of What and Music Business Association. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Future of What and Music Business Association or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Sync placements have become a highly lucrative revenue stream for artists and rightsholders alike in recent years, as the production teams behind tv shows & movies constantly search for the perfect tracks to set the scene in their latest project. With that expanded attention to this part of the business comes a lot of extra paperwork, something that until recently sync licensing teams did not have help with. This month, we spoke with Trevanna Tracks’ CEO, Jennifer Freed and COO, Selina Meere to learn more about the company’s origins, its all-in-one solution for logging & organizing complex sync project data, and the importance of centralizing this data to increasing sync teams’ productivity!
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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