Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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Get Your Music Noticed: Proven Music Video Marketing Strategies With Andy Gesner
Manage episode 490499584 series 2821831
Content provided by Bree Noble. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bree Noble or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Music video marketing is one of the most powerful tools for artists — but without a strategy, even the best songs can go unheard. In this episode, Bree Noble sits down with Andy Gesner, founder of Hip Video Promo, to break down what it really takes to get your music videos in front of the right audience. Andy shares his journey from musician to music video marketing expert, how he helped promote iconic artists like Johnny Cash and Paramore, and why consistency and storytelling are key to building a lasting music career. From online PR to social media strategies, he reveals the tactics that help artists cut through the noise, build real fan connections, and turn music videos into powerful marketing assets.
Become more profitable in just 5 minutes per week with the Profitable Musician Newsletter. Sign up at http://profitablemusician.com/join
167 episodes
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Manage episode 490499584 series 2821831
Content provided by Bree Noble. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bree Noble or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Music video marketing is one of the most powerful tools for artists — but without a strategy, even the best songs can go unheard. In this episode, Bree Noble sits down with Andy Gesner, founder of Hip Video Promo, to break down what it really takes to get your music videos in front of the right audience. Andy shares his journey from musician to music video marketing expert, how he helped promote iconic artists like Johnny Cash and Paramore, and why consistency and storytelling are key to building a lasting music career. From online PR to social media strategies, he reveals the tactics that help artists cut through the noise, build real fan connections, and turn music videos into powerful marketing assets.
Become more profitable in just 5 minutes per week with the Profitable Musician Newsletter. Sign up at http://profitablemusician.com/join
167 episodes
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Similar to The Profitable Musician Show
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
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continue reading
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…
continue reading
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continue reading
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