In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Manage episode 490548036 series 3073569
Content provided by Canadian Cinema Editors. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Canadian Cinema Editors or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Today's episode was a Master Series that took place on October 9th, 2024
In Conversation with Dean Evans.
In this conversation, host Sarah Taylor, CCE talks with film and tv editor Dean Evans. Dean shares his journey from a small-town kid in Saskatchewan to becoming a successful editor. He discusses the importance of the MASTER THE WORKFLOW workflow in editing, his experiences working on the film DARK MATCH, and the collaborative nature of the editing process. They also discuss the fast-paced nature of web series DEPARTMENT OF PARANORMAL AFFAIRS, the significance of keeping up with technology in editing, and Dean reflects on a fulfilling career in film, emphasizing the value of relationships in the industry.
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Manage episode 490548036 series 3073569
Content provided by Canadian Cinema Editors. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Canadian Cinema Editors or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Today's episode was a Master Series that took place on October 9th, 2024
In Conversation with Dean Evans.
In this conversation, host Sarah Taylor, CCE talks with film and tv editor Dean Evans. Dean shares his journey from a small-town kid in Saskatchewan to becoming a successful editor. He discusses the importance of the MASTER THE WORKFLOW workflow in editing, his experiences working on the film DARK MATCH, and the collaborative nature of the editing process. They also discuss the fast-paced nature of web series DEPARTMENT OF PARANORMAL AFFAIRS, the significance of keeping up with technology in editing, and Dean reflects on a fulfilling career in film, emphasizing the value of relationships in the industry.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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