The iFanboy.com Comic Book Podcast is a weekly talk show all about the best new current comic book releases. Lifelong friends, Conor Kilpatrick and Josh Flanagan talk about what they loved and (sometimes) hated in the current weekly books, from publishers like Marvel, DC, Image Comics, Dark Horse Comics, BOOM! Studios, IDW, Aftershock, Valiant, and more. The aim is to have a fun time, some laughs, but to also really understand what makes comic books work and what doesn’t, and trying to under ...
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Ann Carrington
MP3•Episode home
Manage episode 491151539 series 2616525
Content provided by Russell Tovey and Robert Diament c/o Independent Talent, Russell Tovey, and Robert Diament. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Russell Tovey and Robert Diament c/o Independent Talent, Russell Tovey, and Robert Diament or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
New @TalkArt podcast episode. We meet Ann Carrington @anncarringtonart at her studio in Margate!
Ann Carrington sculpts fantastical metal sculptures that evoke the age of aristocracy. She gathers found and discarded objects to shape her artworks, which often take the form of bouquets, vases, and oversized busts.
The use of discarded, found and multiples of objects is a fundamental element of Ann’s sculptures and wider practice. All objects are saturated with cultural meaning which, as an artist, she seeks to explore, unravel and investigate.
Mundane objects such as knives and forks, barbed wire, pins and paintbrushes come with their own readymade histories and associations which can be unravelled and analysed if rearranged, distorted or realigned to give them new meaning as sculpture.
Carrington’s chosen medium of manipulating, forging, and sculpting metal is laborious and intricate. She works with heating techniques like soldering and welding, the latter of which she learned about a decade ago specifically so she could fuse her metal flowers into elaborate, formidable bouquets. There’s an added complexity as well: Because she uses found objects and scrap metal, initially she doesn’t always know what is under the surface of the material she’s working with.
The internationally known Carrington, who lives and works in Margate, England, has created artwork for the United Nations and the Royal Family as well as having works in the permanent collections of the Victoria and Albert Museum, the Royal College of Art, and numerous private collections including Elton John, Paul Smith, and Lulu Guinness. Among her best known commissions is a 2012 banner for Queen Elizabeth II’s Diamond Jubilee, which she painstakingly constructed out of half a million gold buttons. Carrington also has an official license to produce replicas of royal stamps of the Queen that she similarly constructs with buttons.
Follow: @anncarringtonart
#AnnCarrington
Visit: https://anncarrington.co.uk/
Listen to Talk Art podcast free: @Spotify @ApplePodcasts
Hosted on Acast. See acast.com/privacy for more information.
349 episodes
MP3•Episode home
Manage episode 491151539 series 2616525
Content provided by Russell Tovey and Robert Diament c/o Independent Talent, Russell Tovey, and Robert Diament. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Russell Tovey and Robert Diament c/o Independent Talent, Russell Tovey, and Robert Diament or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
New @TalkArt podcast episode. We meet Ann Carrington @anncarringtonart at her studio in Margate!
Ann Carrington sculpts fantastical metal sculptures that evoke the age of aristocracy. She gathers found and discarded objects to shape her artworks, which often take the form of bouquets, vases, and oversized busts.
The use of discarded, found and multiples of objects is a fundamental element of Ann’s sculptures and wider practice. All objects are saturated with cultural meaning which, as an artist, she seeks to explore, unravel and investigate.
Mundane objects such as knives and forks, barbed wire, pins and paintbrushes come with their own readymade histories and associations which can be unravelled and analysed if rearranged, distorted or realigned to give them new meaning as sculpture.
Carrington’s chosen medium of manipulating, forging, and sculpting metal is laborious and intricate. She works with heating techniques like soldering and welding, the latter of which she learned about a decade ago specifically so she could fuse her metal flowers into elaborate, formidable bouquets. There’s an added complexity as well: Because she uses found objects and scrap metal, initially she doesn’t always know what is under the surface of the material she’s working with.
The internationally known Carrington, who lives and works in Margate, England, has created artwork for the United Nations and the Royal Family as well as having works in the permanent collections of the Victoria and Albert Museum, the Royal College of Art, and numerous private collections including Elton John, Paul Smith, and Lulu Guinness. Among her best known commissions is a 2012 banner for Queen Elizabeth II’s Diamond Jubilee, which she painstakingly constructed out of half a million gold buttons. Carrington also has an official license to produce replicas of royal stamps of the Queen that she similarly constructs with buttons.
Follow: @anncarringtonart
#AnnCarrington
Visit: https://anncarrington.co.uk/
Listen to Talk Art podcast free: @Spotify @ApplePodcasts
Hosted on Acast. See acast.com/privacy for more information.
349 episodes
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