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How Expensify landed brand pole position in Brad Pitt’s blockbuster F1

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Manage episode 493688575 series 2973437
Content provided by Mansueto Ventures and Fast Company. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mansueto Ventures and Fast Company or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Here are some deets fresh off the Croisette from the Cannes Lions International Festival of Creativity—basically the ad industry’s Oscars but also the global epicenter of brand culture—that happened in mid-June. Brands, marketers, ad agencies, tech companies, platforms, people from entertainment and sports, and anyone and everyone part of the brand world ecosystem were there.

To make sense of it all, or at least a good portion of it, I called up Tim Nudd, creativity editor at Ad Age and a journalist who’s been covering and commenting on this industry for longer than almost anyone. In a conversation that included inside scoops, gossip, and good stories, Nudd and I talked about what impressed him most, what surprised him, and what he’s hearing we can expect from major brands heading into the second half of the year.

Then, I really wanted to find out how Expensify landed the real estate on Brad Pitt’s chest for the new blockbuster film F1. Expensify’s chief financial officer Ryan Schaffer, and Hannes Ciatti, founder and head creative at ad agency Alto, gave me the inside story of how the brand got such a prominent role, including a scene in which they shoot an Expensify commercial in the film. This is getting under the hood on 1,000-horsepower product placement.

  continue reading

167 episodes

Artwork
iconShare
 
Manage episode 493688575 series 2973437
Content provided by Mansueto Ventures and Fast Company. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mansueto Ventures and Fast Company or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Here are some deets fresh off the Croisette from the Cannes Lions International Festival of Creativity—basically the ad industry’s Oscars but also the global epicenter of brand culture—that happened in mid-June. Brands, marketers, ad agencies, tech companies, platforms, people from entertainment and sports, and anyone and everyone part of the brand world ecosystem were there.

To make sense of it all, or at least a good portion of it, I called up Tim Nudd, creativity editor at Ad Age and a journalist who’s been covering and commenting on this industry for longer than almost anyone. In a conversation that included inside scoops, gossip, and good stories, Nudd and I talked about what impressed him most, what surprised him, and what he’s hearing we can expect from major brands heading into the second half of the year.

Then, I really wanted to find out how Expensify landed the real estate on Brad Pitt’s chest for the new blockbuster film F1. Expensify’s chief financial officer Ryan Schaffer, and Hannes Ciatti, founder and head creative at ad agency Alto, gave me the inside story of how the brand got such a prominent role, including a scene in which they shoot an Expensify commercial in the film. This is getting under the hood on 1,000-horsepower product placement.

  continue reading

167 episodes

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