In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Harry Dean Stanton, Monte Hellman, and Alex Cox
Manage episode 501070328 series 2785639
Content provided by ed robertson and Ed robertson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by ed robertson and Ed robertson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
TVC 702.6: Joseph Atkins, author of Harry Dean Stanton: Hollywood’s Zen Rebel, talks to Ed how director Monte Hellman cast Stanton frequently in his movies, yet never saw him as a lead; how Stanton and Alex Cox, director of Repo Man, did not always see eye to eye during the early production of that movie; and how the soundtrack of Repo Man kept the film in the public eye. Harry Dean Stanton: Hollywood’s Zen Rebel is available through University Press of Kentucky as well as Amazon.com.
1785 episodes
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Manage episode 501070328 series 2785639
Content provided by ed robertson and Ed robertson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by ed robertson and Ed robertson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
TVC 702.6: Joseph Atkins, author of Harry Dean Stanton: Hollywood’s Zen Rebel, talks to Ed how director Monte Hellman cast Stanton frequently in his movies, yet never saw him as a lead; how Stanton and Alex Cox, director of Repo Man, did not always see eye to eye during the early production of that movie; and how the soundtrack of Repo Man kept the film in the public eye. Harry Dean Stanton: Hollywood’s Zen Rebel is available through University Press of Kentucky as well as Amazon.com.
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Similar to TV Confidential with Ed Robertson
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
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…
continue reading
From the creators of the #1 documentary SCORE comes this award-winning podcast inviting you into the world of today's most beloved film composers and brilliant musical storytellers.
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
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…
continue reading
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continue reading
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…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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