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This podcast addresses themes, principles, terminology and questions on, mostly, Indian music. Some are basic, some are complex, some are on technical aspects, some on aesthetic... and so it goes. New episodes are uploaded at pretty much irregular intervals, but mostly once a week, and occasionally twice a week. You might also find two episodes going up the same day! Write in with your feedback or questions to [email protected]. All emails will be responded to. Questions could also go ...
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Cellist, guitarist, vocalist, and compositional viral icon Maddie Ashman joins us on the Now and Xen podcast to discuss her work. Topics of choice include musical influences, feeling microtonal colors, hurdles when playing such music, and how to find your way. Instagram clip of “dark” (Maddie Ashman) from otherwordly Instagram clip of hocket type b…
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Composer Alyssa Aska stops by Now and Xen to talk about her microtonal compositions for fixed media and various combinations of electric and acoustic pianos and organs. She draws inspiration from video game music and early music, and often shifts the tuning system used over time for deliberate effects. We talk about software and setups. Exciting op…
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Finnish jazz legend Kari Ikonen joins us on Now and Xen to go over the specifics of his new invention, the “Maqiano,” a clamp system that allows pianists to retune individual piano keys microtonally, and quickly, without needing to call a piano technician. For a good idea of what it sounds like in practice, check out his latest album “Al-Bahr” with…
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Chris Kline and I discuss his Projective Tuning Space app and constructed instruments. The app allows one to visualize various connections between temperaments, Lumatone layouts, and microtonal sources for whichever tuning you choose to work with. His self-made instruments involve 3D printing and range from flutes to ukuleles to death whistles. Atl…
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You may know Pete Griffin as the bass player for 'real life cartoon band' Dethklok, but that is just one of the many musical hats Pete dons on a regular basis. From touring with pop megastars Hanson to Zappa Plays Zappa and Generation Axe, Griffin is not only capable in these different acts and genres but authentic, not an easy feat! Pete WEB: http…
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If you've ever searched for bass related topics on YouTube or Instagram (which if you're watching this then the answer is probably yes) then I'm sure you will have come across some of Travis Dykes' fantastic content. It was great to chat with Travis about his musical journey both in the gospel scene and online, his perspectives on gear and even get…
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Come check out Phillip’s new composed album with us, “Loop 7,” featuring his characteristic style but infused with 22-tone equal temperament. Grammy-award-winner Joseph Branciforte joins us as well to share how the acoustic pianos were recorded and treated as “one instrument” in the process. Find “Loop 7” here: https://phillipgolub.bandcamp.com/alb…
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Microtonal jazz extraordinaire Julian Woods shares with us his methodology for re-tuning classic standards into JI and what it’s like playing in a live band. Topics include playing songs, composition directives, microtonal setups, and guitarists’ advantages for frets, fretlets, and fretless, Philipp Gerschlauer has collaborated with Julian on his o…
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Subhraag Singh, creator of the Infinitone, graciously agreed to discuss the updated software with me! The update uses many new features such as dynamic re-tuning, visuals, LFO control, key triggers, and more. We go on a magical quest to discover Stephen’s xenharmonic tomato, and dissect the ethics of advertising radical new microtonal morphing soft…
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Richie and I discuss phonorealism (pioneered by Peter Ablinger), 41-tone equal temperament, and his collection of instruments and live performances, such as “Six Monologues.” Sam Reflecting on the First Time He Heard Her Sing (2017) - phonorealism ludus vocalis (Burp) - Felipe Tovar-Hevao Dream Hangover - !mindparade Six Monologues (mvt. 3 - Traged…
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It was such a pleasure to sit down with James Genus while he was in town playing with jazz icon Herbie Hancock. Genus' has had an incredible career not only as a first call sideman for the likes of Branford Marsalis, Roy Haynes, Bob James and Chick Corea, but he has held the bass chair at Saturday Night Live (SNL) for nearly 25 years and played on …
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We have regular guest Tolgahan Çoğulu back to discuss upcoming projects such as collaboration with King Gizzard and the Lizard Wizard (including their secret new microtonal guitar, sheet music transcription), classical/flamenco guitar ideas, the new fretlet guitar design, microtonal bends on electric guitar, and the Anatonlian rock scale. King Gizz…
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Brandon died February 21, 2024, nearly 3 years after this interview. He was a composer of experimental music, and a very good friend of mine. This interview touches on topics like: attention (inside & outside of concert settings), processing trauma through music, mental illness, drug usage, the psychology of repetition, the harmonic properties of m…
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Check out our episode with iconoclastic guitar legend Dave Fiuczynski. He wields a double neck fretless guitar, and plays a bunch of cool microtonal riffage for us! We talked about two tracks from “Flam! Bam! Pan-Asian Microjam!” and two from “Mikrojazz.” In “Flam,” there are a variety of compositional methods used, and the vocabulary is almost ent…
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This huge episode features three vastly different conversations, each with prominent members of a respective microtonal music discord. (1) Xenharmonic Alliance (ground, anomaly, xenoindex, Frédéric Gagné, HEHEHE I AM A SUPAHSTAR SAGA) Hyperspace Odyssey [21edo] - from Adxenture EP Serendipitous Arrival [26edo] - from Adxenture EP Liminal City Escal…
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Xenharmonic black metal project Melopœia consists of Brian Leong, Jon Lervold, and Dave Tremblay. Their albums are inspired by J.R.R. Tolkein, and features his direct text both sung, and by mapping the letters of the text to different notes of 26-tone equal temperament. Their latest album utilizing this is “Valaquenta,” be sure to catch the latest …
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Chat about contemporary music, composition, and just intonation with us in this theoretically adventurous and wide ranging episode. Christopher Otto, composer and violinist, works with the JACK quartet, a group that has played the music of such individuals as John Zorn, Tristan Perich, Cenk Ergün, Tyshawn Sorey, Catherine Lamb, Georg Frederich Haas…
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Take a magical tour with us through some of Noah Dean Jordan’s microtonal instruments (including the requinto), including improvised performances! Be sure to check out the “Noah Dean Jordan” account on Bandcamp as well as the “Nueva Armonica” account! Intro: I Was Once a River (Rock Creek II) Outro: I Was Once a River (Te Quiero Verde) Check out No…
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Garry Gary Beers is a founding member of Australian rock icons INXS and has played the biggest stages in the world as well as selling over 50million records globally. He has since gone on to design his own 'quad coil' pickups and subsequently his own line of boutiqye handmade instruments - GGB Basses. It was great to sit down with Garry and chat ab…
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Today’s episode celebrates the culmination of a years-long project with Matthew Sheeran, widely celebrated composer, orchestrator, and arranger. The album we’ve been working on is called “Acoustic Microtonal,” and it is a recording of Easley Blackwood’s Twelve Microtonal Etudes using acoustic instruments, playing monophonic lines in isolation and t…
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In this episode, we discuss composition and performance with composer Saad Haddad. One prominent topic - the challenges involved working with orchestras and large ensembles playing microtonal music, and logistics of the industry. We also discuss ideas of east vs. west, style infiltration, using minimal sets of pitches, and maqam. Music: Vortex Temp…
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After this episode, be sure to check out the new Sevish album, “Big Sway!” Myself, Sevish, and benyamind have a classic microtonal chat about all things fun and intervallic, covering topics such as intuitive tunings, voice manipulation (vocoding, autotuning, etc.), perfectionism, going gridless, expectations, and communication and accessibility wit…
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I've been a fan of @DougWimbishBass and @LivingColour since my early teens with 'Stain' being a hugely inspirational and ear opening album for me so getting the chance to sit down with Doug and pick his brains was a really exciting. This interview was recorded after a 2hr masterclass with @willcalhoun98 and Doug still had the graciousness to sit wi…
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In this brief but informative chat with Brock Benzel, we explore uncharted territory, with a firm commitment to being true to the self, taking on challenges, putting the music first, and breaking rules just the right way. Enjoy the comfort of alien intervals that Brock brings using the Lumatone keyboard instrument (our big topic). Music [Intro] Par…
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An episode about synth and drums among other tidbits. Topics include names, aliases, Sevish himself, reverberance, randomness, evil, disguising tuning, non-octave tuning, flaws, beauty, the joy of doing creative work yourself, AI, picking your genres, the microtonal community, and art. Be sure to check out Steve’s work as “Pentachrist” on Bandcamp,…
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In this episode, Denny Genovese recalls his history of creating and studying microtonal music, and his experience creating and performing in the impressive Exotic Music Ensemble. Join us as we become inspired through the brown note, Ivor Darreg’s secret math codes, the origins of Fractal Tune Smithy, the Moody Blues, FM synthesis, JI scales, and nu…
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Check out Danny Playamaqui’s electronic music, a hugely expansive discography using a staggering variety of techniques. Danny conducts by-ear-tuning editing, strategic de-tuning, varispeed tricks, and poly-systemic techniques in addition to starting out with xenharmonic tunings as templates. Luckily, 4 bars a day keeps the doctor away (or is it an …
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Come join us for a pleasant studio chat with Bryan Deister, composer, multi-instrumentalist, and jazz pianist extraordinaire. Recently he has been exploring microtonal covers on the Lumatone, with massive success on TikTok. He has also written many albums featuring microtonal music in various tuning systems, generally equal divisions, the most rece…
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Chris Bandy, a cappella maestro and creative polymath, joins us to discuss the microtonality of his spectacular arrangements on YouTube. He works in Logic Pro using FlexPitch. Most of his microtonal strategies involve tuning standard adjustments and drifts, or moving microtonal distances. His most xenharmonic sounding arrangement is likely “Where i…
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Dave Keenan and Douglas Blumeyer have written an in-depth, specific guide about the mathematical principles of regular temperament theory that are groundbreaking in their consistency and explanatory power. We have them on to discuss how the exchanges evolved, de-mystify some theory concepts, and get spicy with terminology. Music [Intro] Dave Keenan…
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Experimental bagpipe and bass legend Mat Muntz brings his Croatian folk music expertise to the table… a topic most would say he has matsered in depth. Check out his latest album “Phantom Island” on Bandcamp, which freely combines folk music and jazz idioms into a grand polysystemic masterpiece. A lot of our conversation revolves around the intrigui…
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Interview originally recorded March, 2021. Eleven trips to the Mayan region and an investigation of some 35 years into Precolumbian thought have indelibly marked and changed the work of this U.S.-born composer. Haladyna’s Mayan Cycle now stretches to thirty-five highly distinctive pieces, including such titles as Zaquico’xol, El Llanto de Izamal, T…
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Interview originally aired July 5, 2021. Joel Feigin is an internationally performed composer, whose operas, chamber, orchestra, and piano works have been widely praised for their “very strong impact, as logical in musical design as they are charged with emotion and drama.” (Opera Magazine). Feigin’s opera, Twelfth Night, based on Shakespeare’s com…
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Check out this conversation with Aaron Myers-Brooks, Pittsburgh prog guitarist/composer extraordinaire. His latest album, “Oblique,” is a microtonal odyssey exploring various quirky polyrhythms, applications of 17-tone equal temperament, electronic sounds, and distortion flavors. We get an inside exclusive look at the scores to “Energy Shapes”, fig…
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“One-Footed” is a piece written by Taylor Brook named after Harry Partch’s “The One-Footed Bride'' Just-Intonation diagram. We discuss the aforementioned piece with Taylor Brook and John Schneider, diving into the ins and outs of writing idiomatically for the Partch ensemble, using Partch as inspiration, notation, and extended techniques on these i…
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Check out acreil’s music! Algorithmic albums appended with “a.” Keeper of obscure words in lists. Hardware enthusiast and certified synth geek. We have a delightful episode discussing how acreil works in Pure Data among other curiosities, such as how one navigates form to prevent boredom. Not only do we mess it up (or whatever), but we solve the pa…
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Algorithmic August kicks off with Skueue, builder of the unnamed machine in Pure Data. This is an abstract, idea-filled episode packed to the brim with insights about the process. Our points of focus include a discussion of how writing affects software, uncommon disagreement about common practice, VST’s in PD, programming cadences, rootful resoluti…
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Peruvian immigrant Anaís Azul (they/them) is a California based singer-songwriter, composer, and teaching artist. Described as “stunningly honest and vulnerable,” their artistry engages with music as a tool for community building, cross-genre collaboration, and collective healing. Azul writes music that is in conversation with looped vocal harmonie…
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Nicholas Denton Protsack’s music abounds with spectral delights of various kinds. Our talk today has a particular focus on notation, delving into the strategy behind its presentation. As we study tuning more and more, becoming less rigid with its implementation, it becomes helpful to focus on not just approximating some tunings with others, but als…
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How on earth does one create a 1200-tone tone row? Or even a 372-tone row in Sibelius? Find out in this wacky episode featuring Aaron Breeze, the swingin’ licc master himself! The broader topics in this thrilling, conversational episode include silliness and perceived complexity, the connection between playing and speaking, red dress methodology, r…
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In this colorful, rich episode, we take a look into the importance of visual and narrative elements in accompanying microtonal music and its ideas. Stephen James Taylor does this not only through writing music in film, but also through his own visual content, such as in “Surfing the Sonic Sky,” an important documentary about Erv Wilson. Among the t…
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Anna-Maria Hefele, overtone singing sensation, has kindly graced us with her presence! Witness conversation about the tuning and construction of the intricate and aesthetically majestic Lambdoma project (built by Josef Baier). We also discuss how overtone singing intertwines with various musical ideas (production, style, classical technique, analyt…
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Moths, Clownfisher, Dylan Marx, The Sandman, Oracle of Light, Purveyor of Goods, Great Overtaker, Stopping by for Soup, Standing on the Corner with a Glass of Water, Dumping it out on the Sidewalk, missed the plants, missed the plant, went back, wrote a postcard, postmarked it, forgot to address it, sitting in a big mail room waiting to be sorted, …
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A fascinating collaboration between Ben Spees, of The Mercury Tree, and Damon Waitkus, of Jack O’ the Clock. We take a look at the acoustic instruments used to create it (including non-Western ones), swap files, and talk about the challenges and inspirations behind the project. We also affirm quarter tones as part of the xenharmonic canon, nerd out…
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“Visitors,” a lovely acoustic journey inspired by the visits of animals, is an album that leads to great conversation. Performed by Ben Hjertmann and Emmalee Hunnicutt, this masterpiece uses many different instruments which we discuss here. Fresh topics include: the act of rounding fretless tab, what a mentally ill Sufjan Stevens would sound like, …
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The Los Angeles Electroacoustic Ensemble (LAEE) was founded in 2018 by its core members Zaq Kenefick, Christina Lord, Marcus Carline, and Glen Grey. In this episode, the group discusses how they first came together, their aesthetic goals for the ensemble, their process for writing and developing new compositions, and their debut album LAEE, which r…
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It was a blast getting to chat with Anthony for this new Player Profile a few weeks ago. I'm a big fan of his YouTube video lessons and of course his playing and we cover a vast array of topics in this interview ranging from tonewoods to time perception. Be sure to check out his music via the spotify link below and get ready for his new single drop…
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We chat with Rami Olsen and Freddi Sturm, the brains behind “Hear Between the Lines,” about all things microtonal arranging/content! Topics touched upon include contrived wet food analogies, channel ideas, the story of Rami’s cool guitars, fooling the ear by drifting, comparing different tuning systems’ whole tone scales, piano pedal shredding, and…
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This has been a long time coming but I'm thrilled to finally publish this brand new interview with the incredible Mr. Steve Jenkins! We get into all kinds of nitty gritty in this episode including FX, streaming, technique, touring etc; so please jump on instagram and follow Steve, buy his albums and generally support the guy :) http://www.stevejenk…
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Daniel Newman-Lessler is a composer, conductor, pianist, singer, educator, and dabbler in watercolor and pastels. His compositions have been performed by players and ensembles across the country, and impressively he has also found repeated success as a conductor and performer. We met at the California Institute of the Arts, where he is currently a …
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