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SUMMER OF SAM: "S.O.S." - with Julia Sirmons
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Spike Lee's Summer of Sam should have been the perfect 1999 movie.
After Lee’s breakthrough 1989 film Do the Right Thing, he was on a roll in the 90s, giving us 1990s’ Mo Better Blues, 1991’s Jungle Fever, 1992’s Malcolm X, 1994’s Crooklyn, 1995’s Clockers, 1996’s Get on the Bus, and 1998’s He Got Game.
And so a gritty, Scorsese-esque New York crime like Summer of Sam headlined by the rising star Brody and Leguizamo at his most popular seemed like a no-brainer. And maybe because its nearly two and a half hour run time just didn’t appeal to audiences in the middle of summer, for some reason SoS (which served as a near-perfect metaphor for the anxiety of pre-Y2K America) just never caught on with critics or at the box office.
But has our equally volatile (and true crime obsessed) 2024 America made the film newly relevant? And where does it stand in Spike Lee's oeuvre?
To discuss, John welcomed back film and culture writer and frequent guest Julia Sirmons to the show.
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