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The 2024 Oscars: Anatomy of a Fall - Episode 131
Manage episode 400070080 series 3398139
Content provided by Ethan Simmie and Ben Lawhorn, Ethan Simmie, and Ben Lawhorn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ethan Simmie and Ben Lawhorn, Ethan Simmie, and Ben Lawhorn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
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Manage episode 400070080 series 3398139
Content provided by Ethan Simmie and Ben Lawhorn, Ethan Simmie, and Ben Lawhorn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ethan Simmie and Ben Lawhorn, Ethan Simmie, and Ben Lawhorn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Jonathan AKA The Film Drunk joins us to try to figure out, once and for all, if Sandra did it. We discuss Anatomy of a Fall, Justine Triet's Best Director nomination, courtroom dramas, the Best Editing race, and more! 0:00 - Intro 1:40 - Oscars Talk 24:24 - Anatomy of a Fall Thoughts 49:12 - True Cinema 1:24:40 - Best Editing Race 1:27:59 - Closing Thoughts
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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