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Manage episode 455136769 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Today on Art of the Cut we speak with Oscar-nominee Peter Sciberras, ACE about editing director Steve McQueen’s film, Blitz.

Peter was last on Art of the Cut for his work on Jane Campion’s Power of the Dog for which he was nominated for an Oscar and an ACE Eddie. His other films include The Rover, The King, and Foe, among many others.

The discussion today is about - among other things - finding the best moment to intercut between the film’s two main characters, the importance of the opening scene's visceral impact, and collaborating with the sound team and composer, Hans Zimmer.

You can read along with this interview and see clips, trailers and stills from the film at:

borisfx.com/blog/aotc

  continue reading

153 episodes

Artwork

BLITZ

Art of the Cut

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Manage episode 455136769 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Today on Art of the Cut we speak with Oscar-nominee Peter Sciberras, ACE about editing director Steve McQueen’s film, Blitz.

Peter was last on Art of the Cut for his work on Jane Campion’s Power of the Dog for which he was nominated for an Oscar and an ACE Eddie. His other films include The Rover, The King, and Foe, among many others.

The discussion today is about - among other things - finding the best moment to intercut between the film’s two main characters, the importance of the opening scene's visceral impact, and collaborating with the sound team and composer, Hans Zimmer.

You can read along with this interview and see clips, trailers and stills from the film at:

borisfx.com/blog/aotc

  continue reading

153 episodes

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