In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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GREATEST NIGHT IN POP
Manage episode 448978705 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Today on Art of the Cut, we’re talking with the editors of Netflix’s documentary “Greatest Night in Pop.” They also were part of the editing team of “Mountain Queen: The Summirs of Lhakpa Sherpa.”
Carlos Haynes has worked on Neymar: the Perfect Chaos, Amend: the Fight for America, and Kevin Hart - Don't fuck this up.
David Brodie was an editor on The volunteer, Struggle: The Life and Lost Art of Szukalski and Selena Gomez: my Mind and Me.
Will Znidaric was an editor on projects like Biggie: I've got a story to tell, Neymar: The Perfect Chaos, and Quincy.
The discussion today will be a deep-dive into successful documentary editing including how to build a character arc, treating interviews like a narrative editor treats performance, and how you need to know where your story is going before you decide on how the documentary will begin.
To read along with this podcast and see clips, trailers, and exclusive photos go to:
borisfx.com/blog/aotc
153 episodes
Share
Manage episode 448978705 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Today on Art of the Cut, we’re talking with the editors of Netflix’s documentary “Greatest Night in Pop.” They also were part of the editing team of “Mountain Queen: The Summirs of Lhakpa Sherpa.”
Carlos Haynes has worked on Neymar: the Perfect Chaos, Amend: the Fight for America, and Kevin Hart - Don't fuck this up.
David Brodie was an editor on The volunteer, Struggle: The Life and Lost Art of Szukalski and Selena Gomez: my Mind and Me.
Will Znidaric was an editor on projects like Biggie: I've got a story to tell, Neymar: The Perfect Chaos, and Quincy.
The discussion today will be a deep-dive into successful documentary editing including how to build a character arc, treating interviews like a narrative editor treats performance, and how you need to know where your story is going before you decide on how the documentary will begin.
To read along with this podcast and see clips, trailers, and exclusive photos go to:
borisfx.com/blog/aotc
153 episodes
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Similar to Art of the Cut
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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