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GREEDY PEOPLE

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Manage episode 438327252 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Today on Art of the Cut, we talk with editor Jamie Kirkpatrick, ACE and one of his assistant editors, Amanda K. Romero about editing the film, Greedy People.

Jamie’s been on Art of the Cut previously for his work on the film Critical Thinking. His other films include Old Henry, My Friend Dahmer, and We Summon the Darkness.

Amanda has previously edited the feature films False Pretenses and Bedside, and the TV series Londyn and Philly D.A.

We’re going to be discussing how balancing tone in a black comedy is deadly business, why finding temp from similar movies doesn’t necessarily work, and how you make the move from un-scripted editor to scripted assistant

Also, you can read along and see pictures of Jamie and Amanda, Jamie's cutting room, and the timeline and Productions window from Adobe Premiere for the movie.

borisfx.com/blog/aotc

  continue reading

153 episodes

Artwork

GREEDY PEOPLE

Art of the Cut

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Manage episode 438327252 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Today on Art of the Cut, we talk with editor Jamie Kirkpatrick, ACE and one of his assistant editors, Amanda K. Romero about editing the film, Greedy People.

Jamie’s been on Art of the Cut previously for his work on the film Critical Thinking. His other films include Old Henry, My Friend Dahmer, and We Summon the Darkness.

Amanda has previously edited the feature films False Pretenses and Bedside, and the TV series Londyn and Philly D.A.

We’re going to be discussing how balancing tone in a black comedy is deadly business, why finding temp from similar movies doesn’t necessarily work, and how you make the move from un-scripted editor to scripted assistant

Also, you can read along and see pictures of Jamie and Amanda, Jamie's cutting room, and the timeline and Productions window from Adobe Premiere for the movie.

borisfx.com/blog/aotc

  continue reading

153 episodes

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