In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Christi Lukasiak & Kelly Hyland, Christi Lukasiak, and Kelly Hyland. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Christi Lukasiak & Kelly Hyland, Christi Lukasiak, and Kelly Hyland or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
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Manage episode 486417347 series 3512737
Content provided by Christi Lukasiak & Kelly Hyland, Christi Lukasiak, and Kelly Hyland. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Christi Lukasiak & Kelly Hyland, Christi Lukasiak, and Kelly Hyland or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
"Should we have everybody drink every time someone says the word Maddie in this episode? Cause it's a lot!" The funny thing is Maddie isn't even present for most of the first half of "3 Soloists, One Star", but it's Maddie's world and we're just living in it. Maddie is away in Los Angeles, reaping the rewards of her newfound additional fame thank to the Sia music video. In the meantime Abby is forced to offer someone else the usual Maddie solo, and Kendall wins out as the most likely candidate. However to appear fair Abby spreads the wealth by offering more solos than usual, but is it really fair if she intentionally gives the other girls losing routines?
What marks a losing routine? Well how about giving Nia a solo and having her dress and bark like a dog in the most demeaning way possible? That sounds like a recipe for disaster, and if you're Holly then it sounds even worse because there's no circumstance in which Abby is not going to make poor Nia bark.
Quotes
- “It always has to make it seem like we're being slugs. Yes. Cause we are, we're her slugs." (17:43-17:49 | Christi & Kelly)
- “Pyramid is only two rows this week because I belive Abby refused to have anybody at the top if it couldn't have been Maddie.” (22:11-22:17 | Christi)
- “This is a pick-up from my very last day of filming." (56:00-56:03 | Christi)
- “We're not crazy! I mean we're crazy but for different reasons!" (1:00:56-1:01:22 | Christi)
Links
Subscribe to us on YouTube: https://www.youtube.com/channel/UC50aSBAYXH_9yU2YkKyXZ0w
Subscribe to our Patreon: www.patreon.com/backtothebarre
Thank you to Ashley Jana for allowing us to use Electricity!! Follow her on IG HERE: https://instagram.com/ashleyjanamusic?igshid=YmMyMTA2M2Y=
Download Electricity HERE: https://music.apple.com/us/album/electricity/1497482509?i=1497482510
Follow Christi on IG: www.instagram.com/christilukasiak
Follow Kelly on IG: www.instagram.com/kellylhyland
Hosted on Acast. See acast.com/privacy for more information.
155 episodes
Share
Manage episode 486417347 series 3512737
Content provided by Christi Lukasiak & Kelly Hyland, Christi Lukasiak, and Kelly Hyland. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Christi Lukasiak & Kelly Hyland, Christi Lukasiak, and Kelly Hyland or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
"Should we have everybody drink every time someone says the word Maddie in this episode? Cause it's a lot!" The funny thing is Maddie isn't even present for most of the first half of "3 Soloists, One Star", but it's Maddie's world and we're just living in it. Maddie is away in Los Angeles, reaping the rewards of her newfound additional fame thank to the Sia music video. In the meantime Abby is forced to offer someone else the usual Maddie solo, and Kendall wins out as the most likely candidate. However to appear fair Abby spreads the wealth by offering more solos than usual, but is it really fair if she intentionally gives the other girls losing routines?
What marks a losing routine? Well how about giving Nia a solo and having her dress and bark like a dog in the most demeaning way possible? That sounds like a recipe for disaster, and if you're Holly then it sounds even worse because there's no circumstance in which Abby is not going to make poor Nia bark.
Quotes
- “It always has to make it seem like we're being slugs. Yes. Cause we are, we're her slugs." (17:43-17:49 | Christi & Kelly)
- “Pyramid is only two rows this week because I belive Abby refused to have anybody at the top if it couldn't have been Maddie.” (22:11-22:17 | Christi)
- “This is a pick-up from my very last day of filming." (56:00-56:03 | Christi)
- “We're not crazy! I mean we're crazy but for different reasons!" (1:00:56-1:01:22 | Christi)
Links
Subscribe to us on YouTube: https://www.youtube.com/channel/UC50aSBAYXH_9yU2YkKyXZ0w
Subscribe to our Patreon: www.patreon.com/backtothebarre
Thank you to Ashley Jana for allowing us to use Electricity!! Follow her on IG HERE: https://instagram.com/ashleyjanamusic?igshid=YmMyMTA2M2Y=
Download Electricity HERE: https://music.apple.com/us/album/electricity/1497482509?i=1497482510
Follow Christi on IG: www.instagram.com/christilukasiak
Follow Kelly on IG: www.instagram.com/kellylhyland
Hosted on Acast. See acast.com/privacy for more information.
155 episodes
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Similar to Back to the Barre
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
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…
continue reading
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continue reading
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continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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