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Scott Wittman

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Content provided by cbroadwaypodcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by cbroadwaypodcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Today, I’m thrilled to announce my episode with Scott Wittman, who is the lyricist of Broadway’s newest sensation SMASH. Tune in to hear some of the stories of his amazing career, including why CATCH ME IF YOU CAN appealed to him as a follow-up to HAIRSPRAY, putting together MATTERS OF THE HEART with Patti LuPone, why CHARLIE AND THE CHOCOLATE FACTORY was at its best in workshops, his experiences with Dame Edna and Elaine Stritch, watching Disney animators at work during MARY POPPINS RETURNS, being influenced by John Waters, how Matthew Lopez convinced him to adapt SOME LIKE IT HOT, the upcoming project he’s working on with Bridget Everett, why John Slattery and Talia Balsam were perfect for THE SUBJECT WAS ROSES, and so much more. You won’t want to miss this chat with one of Broadway’s best writers.

  continue reading

240 episodes

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Scott Wittman

Backstage Babble

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Manage episode 468118967 series 2846889
Content provided by cbroadwaypodcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by cbroadwaypodcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Today, I’m thrilled to announce my episode with Scott Wittman, who is the lyricist of Broadway’s newest sensation SMASH. Tune in to hear some of the stories of his amazing career, including why CATCH ME IF YOU CAN appealed to him as a follow-up to HAIRSPRAY, putting together MATTERS OF THE HEART with Patti LuPone, why CHARLIE AND THE CHOCOLATE FACTORY was at its best in workshops, his experiences with Dame Edna and Elaine Stritch, watching Disney animators at work during MARY POPPINS RETURNS, being influenced by John Waters, how Matthew Lopez convinced him to adapt SOME LIKE IT HOT, the upcoming project he’s working on with Bridget Everett, why John Slattery and Talia Balsam were perfect for THE SUBJECT WAS ROSES, and so much more. You won’t want to miss this chat with one of Broadway’s best writers.

  continue reading

240 episodes

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