In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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BEHIND THE LENS #466: Featuring Ella Thomas
Manage episode 469464454 series 1458191
Content provided by debbie lynn elias and Debbie lynn elias. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by debbie lynn elias and Debbie lynn elias or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
A terrific BEHIND THE LENS for you this week to finish off Black History Month as you're about to hear my exclusive interview with director JULIUS ONAH talking about CAPTAIN AMERICA: BRAVE NEW WORLD, as well as my interview with actor turned writer/producer/and lo budget no budget micro-budget filmmaker ELLA THOMAS talking KNOW MERCY. First up is ELLA THOMAS with KNOW MERCY, a film that is rooted in faith while exploring good versus evil, immortality versus mortality, and what it means to be human. Many of you are already familiar with Ella, notably for her most recent role in "Nightbitch". What I love about this conversation with Ella is not only how we break down the film from her perspective as a writer and producer, but we delve into casting and performance – including her own – and the emotional depth of the characters, along with emphasizing the importance of grounded motivation and real interpersonal dynamics. Reflecting on her collaboration with Perdell Richardson with this project, Ella also speaks to the challenges of guerrilla filmmaking, the necessary flexibility required due to funding constraints, and the support from the film's distributor, Gravitas Ventures. Then, I bring out the big guns and my exclusive interview with director JULIUS ONAH discussing CAPTAIN AMERICA: BRAVE NEW WORLD which has taken the world by storm as Sam Wilson, the new Captain America, finds himself in the middle of an international incident and must discover the motive behind a nefarious global plan. What I particularly appreciate with BRAVE NEW WORLD is that Julius gives us thoughtful dramatic moments that allow us to get to know Sam as his own person and not part of an entire group of personalities (aka Avengers) but see him wrestle with his own conscience and self-worth, trying to step out of Steve Rogers shadow and make Captain America his own. I love that Julius stayed true to himself as a filmmaker with the dramatic personal aspects of the story and then cocooned that with some explosive razzle dazzle action. http://eliasentertainmentnetwork.com
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471 episodes
Manage episode 469464454 series 1458191
Content provided by debbie lynn elias and Debbie lynn elias. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by debbie lynn elias and Debbie lynn elias or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
A terrific BEHIND THE LENS for you this week to finish off Black History Month as you're about to hear my exclusive interview with director JULIUS ONAH talking about CAPTAIN AMERICA: BRAVE NEW WORLD, as well as my interview with actor turned writer/producer/and lo budget no budget micro-budget filmmaker ELLA THOMAS talking KNOW MERCY. First up is ELLA THOMAS with KNOW MERCY, a film that is rooted in faith while exploring good versus evil, immortality versus mortality, and what it means to be human. Many of you are already familiar with Ella, notably for her most recent role in "Nightbitch". What I love about this conversation with Ella is not only how we break down the film from her perspective as a writer and producer, but we delve into casting and performance – including her own – and the emotional depth of the characters, along with emphasizing the importance of grounded motivation and real interpersonal dynamics. Reflecting on her collaboration with Perdell Richardson with this project, Ella also speaks to the challenges of guerrilla filmmaking, the necessary flexibility required due to funding constraints, and the support from the film's distributor, Gravitas Ventures. Then, I bring out the big guns and my exclusive interview with director JULIUS ONAH discussing CAPTAIN AMERICA: BRAVE NEW WORLD which has taken the world by storm as Sam Wilson, the new Captain America, finds himself in the middle of an international incident and must discover the motive behind a nefarious global plan. What I particularly appreciate with BRAVE NEW WORLD is that Julius gives us thoughtful dramatic moments that allow us to get to know Sam as his own person and not part of an entire group of personalities (aka Avengers) but see him wrestle with his own conscience and self-worth, trying to step out of Steve Rogers shadow and make Captain America his own. I love that Julius stayed true to himself as a filmmaker with the dramatic personal aspects of the story and then cocooned that with some explosive razzle dazzle action. http://eliasentertainmentnetwork.com
…
continue reading
471 episodes
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