In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Richard Roeper: Dolton board approves selling of Pope Leo XIV’s childhood home
Manage episode 492452598 series 3539558
Content provided by wgnradio.com. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by wgnradio.com or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Columnist and film critic Richard Roeper joins Bob Sirott to talk about the Dolton board’s decision to sell Pope Leo XIV’s childhood home and how it could become a money maker for the city. They also share some of the new Illinois and Indiana laws, like the minimum wage increase, and the 70th anniversary of the Bomb Pop popsicle.
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Manage episode 492452598 series 3539558
Content provided by wgnradio.com. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by wgnradio.com or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Columnist and film critic Richard Roeper joins Bob Sirott to talk about the Dolton board’s decision to sell Pope Leo XIV’s childhood home and how it could become a money maker for the city. They also share some of the new Illinois and Indiana laws, like the minimum wage increase, and the 70th anniversary of the Bomb Pop popsicle.
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Bob Sirott
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Similar to Bob Sirott
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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