The Unknown Carnival

Bone and Sickle

Mr. Ridenour introduces his new book “A Season of Madness: Fools, Monsters, and Marvels of the Old-World Carnival,” explaining how the project grew out of his research for “The Krampus and the Old, Dark Christmas.” In this episode, he sketches out chapter themes and topics, from ancient Rome to modern Bulgaria, focusing particularly on cultural hinterlands where festivities still echo the cruel realities of the old, agricultural world and where medieval Christianity intertwines with pagan practice. The Carnival portrayed is at once beautiful, strange, and savage. Spring is welcomed by clowns waving inflated pig bladders. Stalking sheepskin monsters brandish clubs bristling with hedgehog spines, and plows are dragged over cobblestone streets by celebrants wearing masks painted with cow’s blood. Folk horror fans take heart as the Old World welcomes Spring!

Available now for pre-order. US Publication date, May 6, 20205.

A few advance reviews of the book:

“Sumptuously illustrated and written with clarity, eloquence, and wry humor, “A Season of Madness” is one of those rare books that can pass muster as an academic study yet also provide a good read. Al Ridenour’s meticulous research exposes the subtleties and outrageous quirks of a topic you didn’t know you wanted to learn about until you picked up his book. Under his direction, the madness once again reigns, as the neglected history of European Carnival is placed center stage before the reader, in all its seedy, wild, and triumphant glory.”

—Dr. Paul Koudounaris, author and photographer of: “Faithful unto Death,” “Heavenly Bodies,” and “Empire of Death“

“A Season of Madness“ is a fantastic carnival of a book. Equal parts irreverent and erudite, it lovingly captures the depth, complexity, and subversive nature of the carnival, from its ancient roots to modern expression. Gorgeously illustrated, intellectually hefty, and also fun, it is a seductive introduction to the material cultures, legends, and history of this perennially fascinating and slippery subject.”

—Joanna Ebenstein, Founder and Creative Director of Morbid Anatomy