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Bruce Spizer (Beatles U.S. 1964 Albums in Mono)

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Manage episode 457631778 series 3340008
Content provided by Mark Caro. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Caro or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Beatles author Bruce Spizer wrote the liner notes for the new vinyl box The Beatles U.S. 1964 Albums in Mono, and here he digs into the history of these reconfigured U.S. Capitol albums, from Meet the Beatles! through Beatles ’65 and The Early Beatles. Spizer is a New Orleans tax lawyer and CPA, and that expertise has helped him untangle the Beatles’ early dealings with labels such as Chicago’s Vee-Jay. Capitol executive Dave Dexter passed on the Beatles four times before being put in charge of their U.S. releases, and Spizer details how Dexter added singles and cut out other songs to create the albums that introduced millions of listeners to the Beatles. Then there’s the sound of this all-analog-from-the-original-masters collection, with Spizer discussing how the U.S. mixes were different and sometimes more exciting than their U.K. counterparts. (Photo by Zach Smith.)

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185 episodes

Artwork
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Manage episode 457631778 series 3340008
Content provided by Mark Caro. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Caro or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Beatles author Bruce Spizer wrote the liner notes for the new vinyl box The Beatles U.S. 1964 Albums in Mono, and here he digs into the history of these reconfigured U.S. Capitol albums, from Meet the Beatles! through Beatles ’65 and The Early Beatles. Spizer is a New Orleans tax lawyer and CPA, and that expertise has helped him untangle the Beatles’ early dealings with labels such as Chicago’s Vee-Jay. Capitol executive Dave Dexter passed on the Beatles four times before being put in charge of their U.S. releases, and Spizer details how Dexter added singles and cut out other songs to create the albums that introduced millions of listeners to the Beatles. Then there’s the sound of this all-analog-from-the-original-masters collection, with Spizer discussing how the U.S. mixes were different and sometimes more exciting than their U.K. counterparts. (Photo by Zach Smith.)

  continue reading

185 episodes

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