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Joe Boyd 2025

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Manage episode 471198365 series 3340008
Content provided by Mark Caro. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Caro or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Producer Joe Boyd (Pink Floyd, Fairport Convention/Richard Thompson, R.E.M.) has written a massive, highly entertaining, illuminating book about world music called And the Roots of Rhythm Remain, the title a lyric from Paul Simon’s Graceland song “Under African Skies.” That album is a jumping-off point for Boyd’s explorations of music from around the globe, with stops in Jamaica, Cuba, Brazil, India, Russia and Eastern Europe as well as the southern U.S. Here Boyd tackles such questions as: How important is cultural cross-pollination to music’s growth? Where’s the line between proper and improper cultural appropriation? What roles have oppression and religion played in great music? Boyd, who was stage manager at the 1965 Newport Folk Festival as Bob Dylan went electric, also weighs in on A Complete Unknown: what was true, what was false and what may have been false but felt true. And he has a few words about R.E.M.

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185 episodes

Artwork

Joe Boyd 2025

Caropop

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Manage episode 471198365 series 3340008
Content provided by Mark Caro. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Caro or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Producer Joe Boyd (Pink Floyd, Fairport Convention/Richard Thompson, R.E.M.) has written a massive, highly entertaining, illuminating book about world music called And the Roots of Rhythm Remain, the title a lyric from Paul Simon’s Graceland song “Under African Skies.” That album is a jumping-off point for Boyd’s explorations of music from around the globe, with stops in Jamaica, Cuba, Brazil, India, Russia and Eastern Europe as well as the southern U.S. Here Boyd tackles such questions as: How important is cultural cross-pollination to music’s growth? Where’s the line between proper and improper cultural appropriation? What roles have oppression and religion played in great music? Boyd, who was stage manager at the 1965 Newport Folk Festival as Bob Dylan went electric, also weighs in on A Complete Unknown: what was true, what was false and what may have been false but felt true. And he has a few words about R.E.M.

  continue reading

185 episodes

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