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All About Change


1 Eli Beer & United Hatzalah: Saving Lives in 90 seconds or Less 30:20
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Eli Beer is a pioneer, social entrepreneur, President and Founder of United Hatzalah of Israel. In thirty years, the organization has grown to more than 6,500 volunteers who unite together to provide immediate, life-saving care to anyone in need - regardless of race or religion. This community EMS force network treats over 730,000 incidents per year, in Israel, as they wait for ambulances and medical attention. Eli’s vision is to bring this life-saving model across the world. In 2015, Beer expanded internationally with the establishment of branches in South America and other countries, including “United Rescue” in Jersey City, USA, where the response time was reduced to just two minutes and thirty-five seconds. Episode Chapters (0:00) intro (1:04) Hatzalah’s reputation for speed (4:48) Hatzalah’s volunteer EMTs and ambucycles (5:50) Entrepreneurism at Hatzalah (8:09) Chutzpah (14:15) Hatzalah’s recruitment (18:31) Volunteers from all walks of life (22:51) Having COVID changed Eli’s perspective (26:00) operating around the world amid antisemitism (28:06) goodbye For video episodes, watch on www.youtube.com/@therudermanfamilyfoundation Stay in touch: X: @JayRuderman | @RudermanFdn LinkedIn: Jay Ruderman | Ruderman Family Foundation Instagram: All About Change Podcast | Ruderman Family Foundation To learn more about the podcast, visit https://allaboutchangepodcast.com/ Looking for more insights into the world of activism? Be sure to check out Jay’s brand new book, Find Your Fight , in which Jay teaches the next generation of activists and advocates how to step up and bring about lasting change. You can find Find Your Fight wherever you buy your books, and you can learn more about it at www.jayruderman.com .…
Does it drive you crazy too?
Manage episode 473806725 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
"I liked how the field recording sounded messy and not put together 100% and I incorporated that in my production style. I also liked the raw sounding vibe of the recording which i enhanced with reverb to create a unique atmosphere in the background.
"I think my composition shows that every sound has a place in today's music style and we can preserve sounds from across the world by including them in our production. My plan going into the composition was to play things in and not quantize anything to keep the raw feel of the piece."
Day of the Death at Xoxocotlán cemetery reimagined by Pierce.
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This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
"I think my composition shows that every sound has a place in today's music style and we can preserve sounds from across the world by including them in our production. My plan going into the composition was to play things in and not quantize anything to keep the raw feel of the piece."
Day of the Death at Xoxocotlán cemetery reimagined by Pierce.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
688 episodes
Manage episode 473806725 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
"I liked how the field recording sounded messy and not put together 100% and I incorporated that in my production style. I also liked the raw sounding vibe of the recording which i enhanced with reverb to create a unique atmosphere in the background.
"I think my composition shows that every sound has a place in today's music style and we can preserve sounds from across the world by including them in our production. My plan going into the composition was to play things in and not quantize anything to keep the raw feel of the piece."
Day of the Death at Xoxocotlán cemetery reimagined by Pierce.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
"I think my composition shows that every sound has a place in today's music style and we can preserve sounds from across the world by including them in our production. My plan going into the composition was to play things in and not quantize anything to keep the raw feel of the piece."
Day of the Death at Xoxocotlán cemetery reimagined by Pierce.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
688 episodes
All episodes
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Cities and Memory - remixing the world

This recording captures the early morning sounds of an ancient Waorani warrior in the Ecuadorian Amazon. Staying with him in his traditional palm-thatched longhouse, the tranquility of the environment was profound, with minimal external noise. Despite a language barrier—he spoke only Waorani (Sabela)—we connected through gestures and shared moments. At dawn, as we emerged from our hammocks, I asked if I could record him. The resulting sounds offer a glimpse into a way of life that has remained largely unchanged for centuries, providing a powerful auditory link to the past. Recorded in the Amazon rainforest, Ecuador by Rafael Diogo.…
"The original field recording is awesome so I wanted to keep as much of that as I could in the new piece. The background rhythm is created from a small sample of the orginal with some echo added. I then added some background melodies and overlay the original recording." Ancient Waorani Icaro in Ecuador reimagined by Richard Watts.…
"The original recording reminded me of woozy days listening to my children play when they were young. The music I've added intentionally loses focus / zones out and hopefully evokes a dreamlike state." Swimming in Mooste reimagined by Adam Leonard.
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Cities and Memory - remixing the world

It was beautiful summer day in 2013 August and I was staying at the artist residency in Mooste. I wanted to record some local sounds and went to the swimming place at the lake nearby.I asked the people who were picnicking by the lake if they thought it would be ok to record and they said yes. I sat on the pier. Recorded in Mooste, Estonia by Sirpa Jokinen.…
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Cities and Memory - remixing the world

Waves crash onto a rocky beach in Elgol, with the close sound of water smacking against the hard rocks of the beach. One boat passes by into the harbour during the recording. Recorded on the Isle of Skye by Cities and Memory.
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Cities and Memory - remixing the world

"I recorded and reinterpreted this sound myself. Our common bond, apart from kinship, is playing the guitar." Cemetery in Kemerovo, Russia reimagined by Pavel Lopatin.
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Cities and Memory - remixing the world

The sound is in good weather at the cemetery, near my great-grandmother's grave. It's a bright place, despite the sadness. On the recording, you can hear birds, rustling, and a few other people, perhaps you can hear the wind. Recorded in Kemerovo, Russia by Pavel Lopatin.
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Cities and Memory - remixing the world

"A dense re-mix for the Cities and Memory project." Waves on Elgol beach reimagined by {AN} EeL.
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Cities and Memory - remixing the world

"The composition is made samples cut from the original field recording, with a little additions, looped and rearranged. It finishes with a nod to a Paris Jazz great." Jazz show at Le Baiser Salé, Paris reimagined by Simon Woods.
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Cities and Memory - remixing the world

A lively jazz sextet led by Michel Zenino recorded at the tiny, intimate Paris jazz club Le Baiser Salé. Michel Zenion Zewoaï: Michel Zenino - contrebass Leo Montana - piano Christophe Monniot - alto saxophone Jeff Boudreaux - drums Manu Codija - guitar Adriano Tenorio - percussion Recorded on 14 December 2024 by Cities and Memory.…
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Cities and Memory - remixing the world

The recording contains the ambience at "Kjærlighetsstien" at Utøya, close to Oslo, in the morning of 22nd July 2022. Utøya was the site where mass murderer Anders Behring Breivik massacered 69 young people on July 22nd, 2011, exactly 11 years earlier. At "Kjærlighetsstien" 11 youth tried to hide and play dead, but were discovered and shot by Breivik, only a single survivor. The sound of the waves, forest, birds etc. is the same while recording as it was during the shooting 11 years before, minus the cries of pain and panic and shots. Recorded by Anders Vinjar.…
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Cities and Memory - remixing the world

Recording at Privoz market in Odessa was a mix of emotions. The market buzzed with life, as vendors sold goods and people clung to everyday routines despite the ongoing conflict. There was a sense of resilience in the air, but beneath the bustle, a quiet sadness lingered. It reflected the uncertainty of the war between Ukraine and Russia, casting a shadow over the moments of normalcy that still persisted. Privoz market, Odessa recorded by Rafael Diogo.…
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Cities and Memory - remixing the world

"This is a lovely field recording of the everyday bustle and chatter. I used a recording of shortwave radio (Web SDR) and a clip from Hat Note (the sonification of real time changes to Wikipedia) to try and convey the global backdrop to the everyday business of the buyers and sellers at Privoz Market in Odessa." Privoz market, Odessa reimagined by Roland Pyle.…
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Cities and Memory - remixing the world

"Ramblings and sound variations with and in the source landscape... dreamy moments... lunar thoughts..." "Kjærlighetsstien" at Utøya reimagined by Philippe Neau.
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Cities and Memory - remixing the world

1 Sonic Heritage feature, CBC radio, 21 April 2025 5:09
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A feature on CBC, Canadian national radio, broadcast on 21 April 2025 about the Sonic Heritage project. Features an interview with Cities and Memory founder Stuart Fowkes, and several field recordings from the project.
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Cities and Memory - remixing the world

"This piece was inspired by a story my father told me about when he was a student in Istanbul. One night as my father was walking through the grounds of the mosque, from out of the darkness he heard the delicate strains of a musician, the reverberations of their instrument bouncing off the pillars of the courtyard, a sound echoing and decaying like watercolour paints. For my father, it was one of the most profound experiences of his life, a purity of sound so beautiful, it brought him to tears. "Author Dr. Defne Çizakça gave me her oud when she moved back to Türkiye, and it had been languishing in a corner of my music room for a little too long. After hearing the field recording from Ayasofya, I set myself to the task of channeling the reverie of the nighttime musician my father had told me about and the oud seemed the perfect instrument to use for this track. A homage to the overlaying of place and memory, and the peacefulness and awe which the Ayasofya bestows upon us." Oud, violin and composition by Ceylan Hay. Recorded, mixed and mastered by Robyn Dawson in Edinburgh, Scotland. Hagia Sophia reimagined by Bell Lungs. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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Cities and Memory - remixing the world

Svetitskhoveli Cathedral is an Orthodox Christian cathedral located in Georgia's oldest city and former capital, Mtskheta. As I passed through the main entrance and walked through the internal grounds, bell ringers began ringing the bells from high up in one of the towers. UNESCO listing: Historical Monuments of Mtskheta Recorded by Colin Hunter. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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Cities and Memory - remixing the world

Religious procession in Lima. Stereo 48kHz 24bit. UNESCO listing: Historic Centre of Lima Recorded by Erick Ruiz Arellano. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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Cities and Memory - remixing the world

Binaural recording of a walk around the mosque, November 2015. UNESCO listing: Historic Areas of Istanbul Recorded by David Webb. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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Cities and Memory - remixing the world

Morning birds in Santiago Apoala. Stereo 48kHz 24bit. UNESCO listing: Tehuacán-Cuicatlán Valley: originary habitat of Mesoamerica Recorded by Erick Ruiz Arellano. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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Cities and Memory - remixing the world

Spanning the Douro River, the Dom Luís I Bridge in Porto provides a unique moment of calm in the early hours of the day. The recording captures the peaceful atmosphere, where the distant calls of seagulls and the quiet hum of the city fill the air. In this tranquil setting, the Metro train makes its dramatic entrance, its sound gradually building as it approaches, becoming louder until it passes by, leaving only the faint echoes of its journey. The bridge remains still, with the occasional shift of air and the gentle sounds of the river below, all while the city begins to stir. This recording encapsulates the quiet tension between the city’s calm morning and the inevitable passage of time marked by the Metro's presence. UNESCO listing: Dom Luís I Bridge Recorded by Serge Bulat. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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Cities and Memory - remixing the world

"This piece reflects the birds of Apoala sounding at first light. After 30 seconds there are sounds of music, representing the unique sonic relationship that birds and their songs have with man." Birds of Apoala reimagined by Tallest Trees. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
"I grew up close to one of the biggest Catholic pilgrimage destinations in the world - I could never escape bells. I love the way they sound, the seemingly impossible rhythms and beatings they create, and the long ringings. "I wanted to preserve those sounds and rhythms in some way, but at the same time reflect the wanton disregard with which we treat our past. I decided to use the sounds of the bells (however shaped, sliced, and mangled) but let them degrade and fall apart throughout the piece. "In the end, I noticed that the voices captured in the square are at times more discernible than the much louder bells, and it sort of fits what I wanted to communicate. "After listening to the source track for a while, I divided it up into phrases which I then split up into relatively long samples. All the sounds in the piece were built from these samples. I used some short slices and looped them so they could be played like a synthesiser. "The arrangement was spread across a number of loops and machines. A couple of sequences were recorded, with everything else played by hand. "I recorded 4 takes to tape, and did some light mastering on my favourite. Written, recorded, and mastered by Pedro Figueiredo. Mtskheta bell ringing reimagined by Stray wool. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage Stray wool…
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Cities and Memory - remixing the world

"I wanted to create the sense of multiple trains passing over time by breaking up the sounds into component parts with distortion and delay but also introduced the feeling of being on the train at the same time with the background notes." Dom Luis I Bridge, Porto reimagined by David Cowlard. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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Cities and Memory - remixing the world

Blenheim Palace was the birthplace of Britain's most famous Prime Minister, Winston Churchill, and throughout the property there are plenty of reminders of this, including a dedicated permanent exhibition to his life. Attention has been paid to sound in the exhibition, which variously includes mockups of Churchill's voice telling stories about his childhood, Morse code to mark his years in the military, a typewriter to represent his authorial life, and excerpts from his political speeches. This recording is a walkthrough of the exhibition, taking in all of these sounds, on a tour of Churchill's life. UNESCO listing: Blenheim Palace. Recorded by Cities and Memory. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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Cities and Memory - remixing the world

"To start with I was mostly interested in seeing if I could extract the typewriter and morse code sounds and use those rhythms to trigger snippets of Churchill's voice. I wanted to re-code the existing code and tried a variety of techniques including EQ, AI Stem Splitting, Gates, Envelope Followers, distortion and reverb. "I started to make some overlapping rhythms with the morse code and typewriter sounds and then used a stem split version of Churchill's voice to refocus the piece and make it about his love of riding. I stretched and pitched his voice down 3 semitones to make it sound even fuller - and a bit funnier, and got into the humour of Churchill in a bowler hat riding on ponies around the grounds reminiscing about the war, and his regiment, whilst galloping along at high speed. "Towards the end of the composition I reintroduced some of the history of the location with the train sound (referencing the 19th century aristocrat, Consuelo Vanderbilt, who married into the family and saved the palace from ruin with her own funds) and the sound of a toilet flushing (referencing the robbery, in September 2019, of an 18-carat gold toilet worth 4.8 million that had been installed by Maurizio Cattelan as part of his "Victory is not an option" exhibition)." Winston Churchill exhibition, Blenheim Palace reimagined by David Henckel. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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Cities and Memory - remixing the world

1 Campanas de la Catedral Metropolitana de la Ciudad de México 7:19
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On Palm Sunday during Holy Week, all the cathedral bells are rung. It is a unique moment throughout the year. UNESCO listing: Historic Centre of Mexico City Recorded by Leonardo Santiago. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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Cities and Memory - remixing the world

"I love this recording by Leonardo Santiago of the cathedral bells in Mexico City. I was working with a mix of voice, song and sound elements taken from the recording, but then I got sick and couldn’t record the voice elements. So this is a really simple combination of the second part of the recording with a poem I wrote about a visitor descending into the square to the sound of bells." Mexico City cathedral bells reimagined by Melaina Barnes. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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Cities and Memory - remixing the world

"The world is not this world when heard through the auditory spectrum of a snake. It follows, then, that history itself might also shift if perceived outside the limits of human hearing. Naja Nostalgia is a sound work that employs field recording, geophone recordings, synthesizers, and an improvised Viridu performance to recreate the experience of walking through Sri Lanka’s Galle World Heritage Site—but imagined through the auditory perspective of a cobra. With a limited hearing range of approximately 50–1000 Hz, the snake’s acoustic world offers a radically different filter for understanding space, time, and memory. "What became clear during the compositional process was the surprising resonance between the snake’s frequency spectrum and the emotional texture of human nostalgia. The emphasis on low frequencies—vibrations, sub-bass tones, speaker resonance, and analog hiss—echoed the affective registers of longing and melancholia. In this narrowed spectrum, faint auditory artifacts emerged with heightened poignancy: whispered Portuguese and Dutch fragments, brief bursts of laughter, and fleeting exchanges between tourists and snake charmers. These sonic residues surfaced as spectral memories, suspended in the soundscape like half-remembered dreams. "By deliberately using the speaker’s voice to cut the 50-1000hz frequency range, the soundscape sways been human and snake hearing and resemble an analog past—one evoking the tactile, time-worn quality of cassette tapes, LPs, and perhaps even earlier recording technologies. This sonic filtering became a metaphor for how nostalgia operates: not as a complete recollection, but as a selective and often distorted echo of what once was. "This approach to listening brought me back to the idea that tourism itself is a complicated engagement with the past. It can often be a reductive encounter in which one culture experiences another through a narrow, mediated spectrum—visually, aurally, emotionally. My improvised Viridu performance sought to engage with this complexity not only through sound, but through the act of listening itself: as both an intervention and an act of attentiveness. "Like nostalgia, the auditory world of the snake distorts, condenses, and reorients. It is a form of hearing that vibrates through the body, bypassing the ear and settling somewhere deeper. It does not seek to reconstruct a full historical narrative, but instead evokes fragments—sensorial, partial, and affectively charged." Galle fort, Sri Lanka reimagined by James Belflower. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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Cities and Memory - remixing the world

This recording was captured in Fanal, a vast forested area with an enchanting atmosphere and ancient-looking trees that are part of the indigenous Laurisilva forest. In the recording, you can hear me walking, sounds of people talking, taking photos and wandering through the mist. Between some powerful winds, theres some calmer moments where you can hear the soft patter of raindrops falling from the trees. Given the strong winds and my limited equipment—a small RøDE VideoMic Me-L for iPhone with a basic windscreen—it was challenging to avoid wind noise entirely. To present the best audio experience, I carefully edited and compiled the highest-quality segments in chronological order. Recently, Madeira has been experiencing new influx of tourism, both in type and quantity, and Fanal has caught the attention of many YouTubers and photographers. Having not visited Fanal in several years, I was curious to see how this newfound popularity is shaping the experience and hoped to capture the atmosphere of this phenomenon during my visit. UNESCO listing: Laurisilva of Madeira Recorded by Tiago Tobias. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
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