Design Matters with Debbie Millman is one of the world’s very first podcasts. Broadcasting independently for over 15 years, the show is about how incredibly creative people design the arc of their lives. Hosted on Acast. See acast.com/privacy for more information.
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Names in the air
MP3•Episode home
Manage episode 473768648 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
"In my composition, I mixed the sound of an air raid siren in Prague, Czechia; the sound of a metronome as a symbol of time’s relentless march and history’s cyclical nature; two voices: a child repeating after his mother the names of Ukrainian cities; and an old Ukrainian folk song, Grey Goose, sung dramatically by a solo a cappella female voice (Yulia Volovik).
"I chose the air raid siren in Prague because this sound triggers my feelings about the painful facts I have lived with since 2014. How come 1968 and 2014 are connected in my mind? I didn’t reflect enough on the Soviet invasion of Prague in 1968. I was just a little child then, but later, I learned about the eight people (the only eight people in the entire USSR) who were brave and noble enough to protest on Red Square. They became my gods. I later met one of them, Natalia Gorbanevskaya, in Paris, and we stayed in touch for a while. I considered her to be much more human than I was, and I wasn’t able to make friends with her. I regret that.
"In 2014, Russia annexed Crimea. I didn’t live in Russia at the time, but I visited it sometimes. It was shameful to see how many of my former compatriots expressed happiness over this annexation (although "annexation" was a prohibited word; they referred to it as a "reunion"). At the same time, Russia started a war in Eastern Ukraine. It wasn’t the large-scale war we see today, but it was still real. I felt the parallel between 1968 and 2014, so I interviewed my mother to recall her memories of the moment when the USSR Czechoslovakia, and through this, to try to understand why such interventions and annexations could take place. This interview became the voiceover for my experimental film-performance Chronicles on the Laps.
"Later, Russia launched its full-scale invasion, and this war is now in its fourth year. In 2022, I helped Ukrainians who fled the war find homes in another country. This is a devastating, never-ending pain. I can only imagine the anguish of those whose homes were bombed and destroyed, whose loved ones were tortured and killed.
"I hope I have explained my choice of the inspirational heritage recording and how it connects to the work I’ve created."
Air raid siren in Prague reimagined by Rūta Jauška.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
"I chose the air raid siren in Prague because this sound triggers my feelings about the painful facts I have lived with since 2014. How come 1968 and 2014 are connected in my mind? I didn’t reflect enough on the Soviet invasion of Prague in 1968. I was just a little child then, but later, I learned about the eight people (the only eight people in the entire USSR) who were brave and noble enough to protest on Red Square. They became my gods. I later met one of them, Natalia Gorbanevskaya, in Paris, and we stayed in touch for a while. I considered her to be much more human than I was, and I wasn’t able to make friends with her. I regret that.
"In 2014, Russia annexed Crimea. I didn’t live in Russia at the time, but I visited it sometimes. It was shameful to see how many of my former compatriots expressed happiness over this annexation (although "annexation" was a prohibited word; they referred to it as a "reunion"). At the same time, Russia started a war in Eastern Ukraine. It wasn’t the large-scale war we see today, but it was still real. I felt the parallel between 1968 and 2014, so I interviewed my mother to recall her memories of the moment when the USSR Czechoslovakia, and through this, to try to understand why such interventions and annexations could take place. This interview became the voiceover for my experimental film-performance Chronicles on the Laps.
"Later, Russia launched its full-scale invasion, and this war is now in its fourth year. In 2022, I helped Ukrainians who fled the war find homes in another country. This is a devastating, never-ending pain. I can only imagine the anguish of those whose homes were bombed and destroyed, whose loved ones were tortured and killed.
"I hope I have explained my choice of the inspirational heritage recording and how it connects to the work I’ve created."
Air raid siren in Prague reimagined by Rūta Jauška.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
688 episodes
MP3•Episode home
Manage episode 473768648 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
"In my composition, I mixed the sound of an air raid siren in Prague, Czechia; the sound of a metronome as a symbol of time’s relentless march and history’s cyclical nature; two voices: a child repeating after his mother the names of Ukrainian cities; and an old Ukrainian folk song, Grey Goose, sung dramatically by a solo a cappella female voice (Yulia Volovik).
"I chose the air raid siren in Prague because this sound triggers my feelings about the painful facts I have lived with since 2014. How come 1968 and 2014 are connected in my mind? I didn’t reflect enough on the Soviet invasion of Prague in 1968. I was just a little child then, but later, I learned about the eight people (the only eight people in the entire USSR) who were brave and noble enough to protest on Red Square. They became my gods. I later met one of them, Natalia Gorbanevskaya, in Paris, and we stayed in touch for a while. I considered her to be much more human than I was, and I wasn’t able to make friends with her. I regret that.
"In 2014, Russia annexed Crimea. I didn’t live in Russia at the time, but I visited it sometimes. It was shameful to see how many of my former compatriots expressed happiness over this annexation (although "annexation" was a prohibited word; they referred to it as a "reunion"). At the same time, Russia started a war in Eastern Ukraine. It wasn’t the large-scale war we see today, but it was still real. I felt the parallel between 1968 and 2014, so I interviewed my mother to recall her memories of the moment when the USSR Czechoslovakia, and through this, to try to understand why such interventions and annexations could take place. This interview became the voiceover for my experimental film-performance Chronicles on the Laps.
"Later, Russia launched its full-scale invasion, and this war is now in its fourth year. In 2022, I helped Ukrainians who fled the war find homes in another country. This is a devastating, never-ending pain. I can only imagine the anguish of those whose homes were bombed and destroyed, whose loved ones were tortured and killed.
"I hope I have explained my choice of the inspirational heritage recording and how it connects to the work I’ve created."
Air raid siren in Prague reimagined by Rūta Jauška.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
"I chose the air raid siren in Prague because this sound triggers my feelings about the painful facts I have lived with since 2014. How come 1968 and 2014 are connected in my mind? I didn’t reflect enough on the Soviet invasion of Prague in 1968. I was just a little child then, but later, I learned about the eight people (the only eight people in the entire USSR) who were brave and noble enough to protest on Red Square. They became my gods. I later met one of them, Natalia Gorbanevskaya, in Paris, and we stayed in touch for a while. I considered her to be much more human than I was, and I wasn’t able to make friends with her. I regret that.
"In 2014, Russia annexed Crimea. I didn’t live in Russia at the time, but I visited it sometimes. It was shameful to see how many of my former compatriots expressed happiness over this annexation (although "annexation" was a prohibited word; they referred to it as a "reunion"). At the same time, Russia started a war in Eastern Ukraine. It wasn’t the large-scale war we see today, but it was still real. I felt the parallel between 1968 and 2014, so I interviewed my mother to recall her memories of the moment when the USSR Czechoslovakia, and through this, to try to understand why such interventions and annexations could take place. This interview became the voiceover for my experimental film-performance Chronicles on the Laps.
"Later, Russia launched its full-scale invasion, and this war is now in its fourth year. In 2022, I helped Ukrainians who fled the war find homes in another country. This is a devastating, never-ending pain. I can only imagine the anguish of those whose homes were bombed and destroyed, whose loved ones were tortured and killed.
"I hope I have explained my choice of the inspirational heritage recording and how it connects to the work I’ve created."
Air raid siren in Prague reimagined by Rūta Jauška.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
688 episodes
All episodes
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