Design Matters with Debbie Millman is one of the world’s very first podcasts. Broadcasting independently for over 15 years, the show is about how incredibly creative people design the arc of their lives. Hosted on Acast. See acast.com/privacy for more information.
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Tomb song
MP3•Episode home
Manage episode 473108474 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
"The field recording begins with a chant that sounds like the ones the Taj Mahal’s mausoleum guards sing to demonstrate the Taj Mahal’s acoustics. Its dome has been said to create up to 28 second of reverb. I’d heard this before because of Paul Horn’s well known album Inside, which featured a singer — a friend of one of the mausoleum guards — singing in a similar style, along with Horn’s flute sometimes accompanying him or in call and response.
"For my version, I couldn’t work with natural reverb in that way, so instead I let the untreated field recording play off different types of treated and artificial sounds. I looped the chant and played along on guitar until I found some phrases that could form the core of the piece. Then I filled it out with synths and with pads made from resampled voice and guitar."
Taj Mahal reimagined by John Savarese.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
"For my version, I couldn’t work with natural reverb in that way, so instead I let the untreated field recording play off different types of treated and artificial sounds. I looped the chant and played along on guitar until I found some phrases that could form the core of the piece. Then I filled it out with synths and with pads made from resampled voice and guitar."
Taj Mahal reimagined by John Savarese.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
688 episodes
MP3•Episode home
Manage episode 473108474 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
"The field recording begins with a chant that sounds like the ones the Taj Mahal’s mausoleum guards sing to demonstrate the Taj Mahal’s acoustics. Its dome has been said to create up to 28 second of reverb. I’d heard this before because of Paul Horn’s well known album Inside, which featured a singer — a friend of one of the mausoleum guards — singing in a similar style, along with Horn’s flute sometimes accompanying him or in call and response.
"For my version, I couldn’t work with natural reverb in that way, so instead I let the untreated field recording play off different types of treated and artificial sounds. I looped the chant and played along on guitar until I found some phrases that could form the core of the piece. Then I filled it out with synths and with pads made from resampled voice and guitar."
Taj Mahal reimagined by John Savarese.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
"For my version, I couldn’t work with natural reverb in that way, so instead I let the untreated field recording play off different types of treated and artificial sounds. I looped the chant and played along on guitar until I found some phrases that could form the core of the piece. Then I filled it out with synths and with pads made from resampled voice and guitar."
Taj Mahal reimagined by John Savarese.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
688 episodes
All episodes
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