Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Belated Haydn Premieres
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Manage episode 331128319 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Synopsis
Contemporary composers may bemoan that their newly-composed opera or concerto might languish unperformed for years. “Haydn was lucky,” they whine, “His stuff got played right away!”
Well, it’s true that Haydn did have his own orchestra at Prince Esterhazy’s estate and got his music played while the ink was still wet. But even Haydn had to wait for a premiere on occasion — in two instances, for a very, very long time.
Consider the last opera Haydn wrote, L’anima del Filosofo, ossia Orfeo ed Euridice — or, in English, The Soul of the Philosopher, or Orpheus and Euridice. This was supposed to premiere in 1791 in London. But a spat between the Prince of Wales and his pop, King George III, meant the performance was off. The opera was eventually premiered 160 years later — on today’s date in 1951, at the Teatro della Pergola in Florence, with a cast including Maria Callas and Boris Christoff, led by the German conductor Erich Kleiber.
And the public premiere of a Cello Concerto, a work some think Haydn wrote at Esterhazy in the 1760s, took place in the 1960s. Haydn’s score was presumed lost until 1961, when it was discovered at the Prague National Museum and finally played by cellist Milos Sádlo and the Czech Radio Symphony, led by Sir Charles Mackerras, on May 19, 1962.
Music Played in Today's Program
Franz Joseph Haydn (1732-1809): L’Anima del Filosofo (Orfeo ed Euridice); Cecilia Bartoli, mezzo-soprano; Academy of Ancient Music; Christopher Hogwood, conductor; Decca 452668
Cello Concerto No. 1; Mstislav Rostropovich, cello; Academy of St. Martin in the Fields; Iona Brown, conductor; EMI 65701
2674 episodes
MP3•Episode home
Manage episode 331128319 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Synopsis
Contemporary composers may bemoan that their newly-composed opera or concerto might languish unperformed for years. “Haydn was lucky,” they whine, “His stuff got played right away!”
Well, it’s true that Haydn did have his own orchestra at Prince Esterhazy’s estate and got his music played while the ink was still wet. But even Haydn had to wait for a premiere on occasion — in two instances, for a very, very long time.
Consider the last opera Haydn wrote, L’anima del Filosofo, ossia Orfeo ed Euridice — or, in English, The Soul of the Philosopher, or Orpheus and Euridice. This was supposed to premiere in 1791 in London. But a spat between the Prince of Wales and his pop, King George III, meant the performance was off. The opera was eventually premiered 160 years later — on today’s date in 1951, at the Teatro della Pergola in Florence, with a cast including Maria Callas and Boris Christoff, led by the German conductor Erich Kleiber.
And the public premiere of a Cello Concerto, a work some think Haydn wrote at Esterhazy in the 1760s, took place in the 1960s. Haydn’s score was presumed lost until 1961, when it was discovered at the Prague National Museum and finally played by cellist Milos Sádlo and the Czech Radio Symphony, led by Sir Charles Mackerras, on May 19, 1962.
Music Played in Today's Program
Franz Joseph Haydn (1732-1809): L’Anima del Filosofo (Orfeo ed Euridice); Cecilia Bartoli, mezzo-soprano; Academy of Ancient Music; Christopher Hogwood, conductor; Decca 452668
Cello Concerto No. 1; Mstislav Rostropovich, cello; Academy of St. Martin in the Fields; Iona Brown, conductor; EMI 65701
2674 episodes
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