Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Herbert's earthquake benefit
MP3•Episode home
Manage episode 326940253 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Synopsis
April 29th fell on Sunday in 1906, and readers of The New York Times photogravure supplement were able to view scenes of the terrible destruction in San Francisco that followed the great earthquake that struck that city 11 days before. The paper was filled with accounts of the suffering caused by the quake, and undoubtedly, many New Yorkers asked themselves what they could do to help. The New York musical community provided one answer by quickly arranging a number of benefit concerts.
The largest of these occurred on today’s date that year at New York’s Hippodrome, and was organized by popular composer Victor Herbert, who conducted his orchestra with Metropolitan Opera singer Ernestine Schumann-Heink as a featured soloist. The vast Hippodrome was completely sold out, with standing-room-only tickets filling the aisles. Seven thousand dollars were raised, which by today’s standards seems a rather modest sum, but by 1906 standards was impressive enough to make newspaper headlines.
Perhaps New York musicians and their audiences felt a personal affinity with the quake victims, as their own Metropolitan Opera Company, including its star tenor Enrico Caruso, was on tour in San Francisco when the quake struck on April 18th, and, as the Times reported, the Met’s touring orchestral musicians, almost without exception, lost their instruments.
That bit of news must have struck a special chord with Herbert. In 1886, both he and his wife had come to America from Europe to join the Metropolitan Opera — he as an orchestral cellist, and she as a soprano soloist.
Music Played in Today's Program
Victor Herbert (1859-1924): Cello Concerto No. 1; Lynn Harrell, cello; St. Martin’s Academy; Sir Neville Marriner, conductor; London 417 672
2671 episodes
MP3•Episode home
Manage episode 326940253 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Synopsis
April 29th fell on Sunday in 1906, and readers of The New York Times photogravure supplement were able to view scenes of the terrible destruction in San Francisco that followed the great earthquake that struck that city 11 days before. The paper was filled with accounts of the suffering caused by the quake, and undoubtedly, many New Yorkers asked themselves what they could do to help. The New York musical community provided one answer by quickly arranging a number of benefit concerts.
The largest of these occurred on today’s date that year at New York’s Hippodrome, and was organized by popular composer Victor Herbert, who conducted his orchestra with Metropolitan Opera singer Ernestine Schumann-Heink as a featured soloist. The vast Hippodrome was completely sold out, with standing-room-only tickets filling the aisles. Seven thousand dollars were raised, which by today’s standards seems a rather modest sum, but by 1906 standards was impressive enough to make newspaper headlines.
Perhaps New York musicians and their audiences felt a personal affinity with the quake victims, as their own Metropolitan Opera Company, including its star tenor Enrico Caruso, was on tour in San Francisco when the quake struck on April 18th, and, as the Times reported, the Met’s touring orchestral musicians, almost without exception, lost their instruments.
That bit of news must have struck a special chord with Herbert. In 1886, both he and his wife had come to America from Europe to join the Metropolitan Opera — he as an orchestral cellist, and she as a soprano soloist.
Music Played in Today's Program
Victor Herbert (1859-1924): Cello Concerto No. 1; Lynn Harrell, cello; St. Martin’s Academy; Sir Neville Marriner, conductor; London 417 672
2671 episodes
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