Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!
Go offline with the Player FM app!
Edward Collins premieres
MP3•Episode home
Manage episode 485109077 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Synopsis
In 1923, the Chicago North Shore Festival sponsored a competition for new orchestral works. Of the 47 scores submitted, five finalists were selected by a distinguished panel of judges that included two leading American composers of that day: George W. Chadwick and Henry Hadley. Two of the five works that made the final cut were by the same composer, 33-year-old Illinois native Edward Collins.
On today’s date in 1923, conductor Frederick Stock and his Chicago Symphony played through the five finalists’ scores at a public event at Northwestern University, with Collins in attendance to hear his two contrasting pieces. The first was Mardi Gras, and, as you might expect, it was an upbeat work in a party mood.
The second Collins piece was 1914 — a grim orchestral evocation of World War I that Collins later retitled Tragic Overture. It was that work that won the competition’s $1000 first prize, and so impressed conductor Stock that he performed the piece in New York and Chicago.
Although Collins was famous in his day, after his death in 1951, his music was largely forgotten. Perhaps his unabashedly Romantic style seemed dated in the avant-garde 50s and 60s. After more than half a century after his death, a series of new recordings of Collins’ orchestral works made by the Concordia Orchestra under Marin Alsop have helped to reintroduce his music to a new generation.
Music Played in Today's Program
Edward Collins (1889-1951): Mardi Gras and Tragic Overture; Concordia Orchestra; Marin Alsop, conductor; Albany 267
106 episodes
MP3•Episode home
Manage episode 485109077 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Synopsis
In 1923, the Chicago North Shore Festival sponsored a competition for new orchestral works. Of the 47 scores submitted, five finalists were selected by a distinguished panel of judges that included two leading American composers of that day: George W. Chadwick and Henry Hadley. Two of the five works that made the final cut were by the same composer, 33-year-old Illinois native Edward Collins.
On today’s date in 1923, conductor Frederick Stock and his Chicago Symphony played through the five finalists’ scores at a public event at Northwestern University, with Collins in attendance to hear his two contrasting pieces. The first was Mardi Gras, and, as you might expect, it was an upbeat work in a party mood.
The second Collins piece was 1914 — a grim orchestral evocation of World War I that Collins later retitled Tragic Overture. It was that work that won the competition’s $1000 first prize, and so impressed conductor Stock that he performed the piece in New York and Chicago.
Although Collins was famous in his day, after his death in 1951, his music was largely forgotten. Perhaps his unabashedly Romantic style seemed dated in the avant-garde 50s and 60s. After more than half a century after his death, a series of new recordings of Collins’ orchestral works made by the Concordia Orchestra under Marin Alsop have helped to reintroduce his music to a new generation.
Music Played in Today's Program
Edward Collins (1889-1951): Mardi Gras and Tragic Overture; Concordia Orchestra; Marin Alsop, conductor; Albany 267
106 episodes
All episodes
×Welcome to Player FM!
Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.