Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Content provided by Jake Brennan and Double Elvis Productions. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jake Brennan and Double Elvis Productions or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
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The Replacements: Stink Bombs, Broken Guitars, and Self-Sabotage
Manage episode 493263662 series 2026210
Content provided by Jake Brennan and Double Elvis Productions. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jake Brennan and Double Elvis Productions or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
A teenage bass-playing f*ck-up prodigy. A big brother in an ill-fitting bodysuit on national television. A drummer playing chicken with the cops on his motorcycle. And one of the greatest singer-songwriters to ever pick up a guitar and stumble towards a microphone. These were the Replacements: shambolic and chaotic, just like the best rock ‘n roll often is. In 1986, the Minneapolis quartet delivered a legendary performance on Saturday Night Live – one which ensured their short-term demise while cementing their long-term legacy.
What other bands or artists should have made it big, but never did? Are there other examples of self-sabotage in music history? Tell Jake at 617-906-6638, [email protected], or on socials @disgracelandpod.
To see the full list of contributors, see the show notes at www.disgracelandpod.com.
To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.
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Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
578 episodes
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Manage episode 493263662 series 2026210
Content provided by Jake Brennan and Double Elvis Productions. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jake Brennan and Double Elvis Productions or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
A teenage bass-playing f*ck-up prodigy. A big brother in an ill-fitting bodysuit on national television. A drummer playing chicken with the cops on his motorcycle. And one of the greatest singer-songwriters to ever pick up a guitar and stumble towards a microphone. These were the Replacements: shambolic and chaotic, just like the best rock ‘n roll often is. In 1986, the Minneapolis quartet delivered a legendary performance on Saturday Night Live – one which ensured their short-term demise while cementing their long-term legacy.
What other bands or artists should have made it big, but never did? Are there other examples of self-sabotage in music history? Tell Jake at 617-906-6638, [email protected], or on socials @disgracelandpod.
To see the full list of contributors, see the show notes at www.disgracelandpod.com.
To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.
Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER
Follow Jake and DISGRACELAND:
X (formerly Twitter)
Facebook Fan Group
To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy
Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
578 episodes
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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continue reading
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continue reading
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