In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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S8E1: AMERICAN PSYCHO
Manage episode 203050117 series 1188414
Content provided by William Beutler and William Beutler + Renan Borelli. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by William Beutler and William Beutler + Renan Borelli or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
For the eighth season premiere of ENTER THE VOID, we're tackling Mary Harron's 2000 adaptation of AMERICAN PSYCHO, based on the Bret Easton Ellis novel of the same name. Originating as one of the most controversial novels of the 1990s to becoming one of the most iconic films of the 2000s, there's a lot to unpack here: the uneasy balance between satire and horror; how a dark fantasy of male rage became a feminist statement; how the novel and film differently present the character of Patrick Bateman; when exactly the movie becomes a mindscrew; what the film has to say about contemporary U.S. politics and society; and oh, by the way, are the murders even real? Also in this episode: your hosts revisit, update, and debate their criteria for describing the genre this podcast is meant to explore.
Episode links:
- American Psycho on IMDb
- American Psycho (film) on Wikipedia
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- Roger Ebert American Psycho review
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- The Guardian on the adaptation process
- Ain't it Cool News negative reviews
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100 episodes
Share
Manage episode 203050117 series 1188414
Content provided by William Beutler and William Beutler + Renan Borelli. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by William Beutler and William Beutler + Renan Borelli or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
For the eighth season premiere of ENTER THE VOID, we're tackling Mary Harron's 2000 adaptation of AMERICAN PSYCHO, based on the Bret Easton Ellis novel of the same name. Originating as one of the most controversial novels of the 1990s to becoming one of the most iconic films of the 2000s, there's a lot to unpack here: the uneasy balance between satire and horror; how a dark fantasy of male rage became a feminist statement; how the novel and film differently present the character of Patrick Bateman; when exactly the movie becomes a mindscrew; what the film has to say about contemporary U.S. politics and society; and oh, by the way, are the murders even real? Also in this episode: your hosts revisit, update, and debate their criteria for describing the genre this podcast is meant to explore.
Episode links:
- American Psycho on IMDb
- American Psycho (film) on Wikipedia
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- Roger Ebert American Psycho review
- SF Chronicle American Psycho review
- The Guardian on the adaptation process
- Ain't it Cool News negative reviews
- Mary Harron NYT op-ed on American Psycho
- Dwight Garner on revisiting American Psycho
- Village Voice on American Psycho's feminism
- Bitch Flicks on American Psycho's feminism
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- IndieWire interview with Mary Harron
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Similar to Enter The Void
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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