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SXE3: INCEPTION

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Content provided by William Beutler and William Beutler + Renan Borelli. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by William Beutler and William Beutler + Renan Borelli or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

How has this show never done a Christopher Nolan film before? Today your hosts rectify that and discuss his 2010 film INCEPTION, a $800 million-grossing summer blockbuster with no pre-established IP, unless being the next film by the guy who made The Dark Knight somehow counts. In this episode, Renan and Bill discuss: whether this and other Nolan features are truly mindfucks or mere puzzle films; whether they work on a second time viewing; how Nolan uses time, editing, and music to achieve his ends; defending Nolan from the haters on film Twitter; whether it's OK for the dialogue to be pretty much all exposition; whether Mal is actually a villain and if Dom should be considered one—in fact, isn't Dom a little bit like Red Dead's Dutch van der Linde?

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100 episodes

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SXE3: INCEPTION

Enter The Void

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Manage episode 228676657 series 1188414
Content provided by William Beutler and William Beutler + Renan Borelli. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by William Beutler and William Beutler + Renan Borelli or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

How has this show never done a Christopher Nolan film before? Today your hosts rectify that and discuss his 2010 film INCEPTION, a $800 million-grossing summer blockbuster with no pre-established IP, unless being the next film by the guy who made The Dark Knight somehow counts. In this episode, Renan and Bill discuss: whether this and other Nolan features are truly mindfucks or mere puzzle films; whether they work on a second time viewing; how Nolan uses time, editing, and music to achieve his ends; defending Nolan from the haters on film Twitter; whether it's OK for the dialogue to be pretty much all exposition; whether Mal is actually a villain and if Dom should be considered one—in fact, isn't Dom a little bit like Red Dead's Dutch van der Linde?

Episode links:

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  continue reading

100 episodes

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