An award-winning cannabis podcast for women, by women. Hear joyful stories and useful advice about cannabis for health, well-being, and fun—especially for needs specific to women like stress, sleep, and sex. We cover everything from: What’s the best weed for sex? Can I use CBD for menstrual cramps? What are the effects of the Harlequin strain or Gelato strain? And, why do we prefer to call it “cannabis” instead of “marijuana”? We also hear from you: your first time buying legal weed, and how ...
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Everyone has a dream. But sometimes there’s a gap between where we are and where we want to be. True, there are some people who can bridge that gap easily, on their own, but all of us need a little help at some point. A little boost. An accountability partner. A Snooze Squad. In each episode, the Snooze Squad will strategize an action plan for people to face their fears. Guests will transform their own perception of their potential and walk away a few inches closer to who they want to become ...
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Taxes, Voting, Recycling—oh my! After navigating this jungle of grown-up responsibilities together, we're taking a quick summer breather to recharge our adulting batteries. But before we temporarily hang up our responsible pants, join us for this special episode packed with our favorite kernels of wisdom from the season so far AND get an exclusive preview of the fresh adulting adventures awaiting you when Grown-Up Stuff returns in late summer! Think of this episode as your adulting victory lap—complete with confetti and zero paperwork required! See omnystudio.com/listener for privacy information.…
Episode 169 - How to find a surefire plot.
Manage episode 488518276 series 3637128
Content provided by James Thayer. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by James Thayer or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Stephen King says there is no idea dump we can visit to find a good plot. We have to create our own plots. How can we do so? Here's a discussion on creating plots. Also, if Meriwether Lewis of the Lewis and Clark expedition can learn to write, so can we. And the critical technique of using the active sentence form.
Chapters
1. Episode 169 - How to find a surefire plot. (00:00:00)
2. [Ad] Mind Your Midlife: Confidence and Success, One Thought at a Time (00:12:11)
3. (Cont.) Episode 169 - How to find a surefire plot. (00:12:57)
178 episodes
ShareManage episode 488518276 series 3637128
Content provided by James Thayer. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by James Thayer or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Stephen King says there is no idea dump we can visit to find a good plot. We have to create our own plots. How can we do so? Here's a discussion on creating plots. Also, if Meriwether Lewis of the Lewis and Clark expedition can learn to write, so can we. And the critical technique of using the active sentence form.
Chapters
1. Episode 169 - How to find a surefire plot. (00:00:00)
2. [Ad] Mind Your Midlife: Confidence and Success, One Thought at a Time (00:12:11)
3. (Cont.) Episode 169 - How to find a surefire plot. (00:12:57)
178 episodes
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We may be writing a comic novel or we may want to add humor to our thriller or romance or horror or literary novel. Humor adds a strong element to most any story. Joe Pesci as Tommy DeVito in Goodfellas: “Funny how? I mean, funny like I'm a clown? I amuse you? I make you laugh?" Well, yeah. Let's see how we can make readers laugh. Support the show…
1 Episode 177 - The description double duty technique. 27:37
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Play Later Play Later Lists Like LikedGood descriptions of characters should do double duty: they can let the reader know what the character looks like and the description can also suggest something about the character's personality. Here are examples and thoughts on double duty descriptions. Also, how Alice Walker works. Support the show…
The title is the book browser's first impression of our novel. The title should tempt the browser to pick up and open the book. Here are thoughts on how we can give our story a strong, enticing title. Also, how do famous authors edit their own manuscripts? Maybe we can learn from them the best way to self-edit our stories. Support the show…
We can write dialogue that makes readers laugh. Here are thoughts on creating funny conversations between our characters. Plus, we don't need to have our character look into a mirror to describe herself, which has been done time and again. Here are ways to avoid the mirror. Support the show
1 Episode 174 - How to ruin our story's first sentences. 25:36
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Play Later Play Later Lists Like LikedA story's first sentence should make the reader ask, "What's next?" They should propel the reader into the story. Here's how to do it right and how to do it wrongly. Also, three master writers show us how to describe a setting. Support the show
Dialogue is fun to write and fun to read. Our story should have lots of it. Here's a powerful thing dialogue can do: it can reveal (that is, to show rather than tell) what a character is thinking. The character's conversation can be lively and fun, and hearing the character speak is so much stronger than reading the character's mind. Here are thoughts on writing revealing dialogue. Support the show…
The first pages of our novel should contain certain elements and avoid certain elements. Here's a list of things to include and exclude in those first pages. Plus, ways to write forceful, clear, and lovely sentences. Support the show
1 Episode 171 - Top ten list of bad advice for writers. 29:09
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Play Later Play Later Lists Like LikedIn these episodes I try to set out good writing advice but a lot of bad advice is out there, so here is a list of bad advice, and the list may help us avoid writing blunders. Here are also ten dialogue mistakes, and avoiding them likely means we end up with engaging and even riveting dialogue for our characters. Support the show…
1 Episode 170 - Writing the crowd scene. And guilt and pride. 28:09
28:09 Play Later Play Later Lists Like Liked28:09
Play Later Play Later Lists Like LikedHere are techniques for keeping focus in a scene where there is a crowd, with an example from Harper Lee. And how Margaret Mitchell worked. Plus: how can we show rather than tell about a character's guilt or pride. Support the show
Stephen King says there is no idea dump we can visit to find a good plot. We have to create our own plots. How can we do so? Here's a discussion on creating plots. Also, if Meriwether Lewis of the Lewis and Clark expedition can learn to write, so can we. And the critical technique of using the active sentence form. Support the show…
1 Episode 168 - Making our first sentence sparkle. 27:17
27:17 Play Later Play Later Lists Like Liked27:17
Play Later Play Later Lists Like LikedDoes our story's first sentence cause the reader to ask, "What's next?" Or does the reader say, "So what?" Here are thoughts on creating a tense, sparkling first sentence. Also, how the masters use specific, definite, and concrete details to convince the reader. Support the show
1 Episode 167 - Revealing our character by the setting. 26:48
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Play Later Play Later Lists Like LikedOur setting descriptions should do more than describe a place. They can also show the reader much about our character. Here's how to do so. Also: what's the main thing our plot needs: trouble. Here's why. And how Edna Ferber worked. Support the show
1 Episode 166- Showing our character's thoughts. 24:30
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Play Later Play Later Lists Like LikedTwo mistakes can ruin our presentation of what our character is thinking: telling rather than showing, and interior monologue. Here are ways to present thoughts in a way that grabs the reader. Also, how Octavia Butler worked. And examples of wonderful character descriptions from masterful writers. Support the show…
Sometimes the strongest writing technique isn't the strongest in our story. Every writing rule has exceptions, and here's a discussion on when to make exceptions. Also, how to create a strong title for our novel and short story. Support the show
1 Episode 164 - Design our cover? And the masters on setting details. 28:36
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Play Later Play Later Lists Like LikedWe are learning fiction techniques, and we are or soon will be skilled fiction writers. Does this mean we should design our own book covers? Also, Michael Chabon's terrific sense of smell. And the use of details in the haunted house. Support the show
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Essential Guide to Writing a Novel
1 Episode 148: A magical way to end one scene and begin another. 26:02
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Play Later Play Later Lists Like LikedHere is a magical way to end a scene and to begin another without worrying about travel and time between scenes. Also: avoiding dangling modifiers. And how Bernard Malamud worked, and Helen Dunmore's rules of writing. Support the show
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Essential Guide to Writing a Novel
1 Episode 147 - Make sure it's important and make it short. 25:58
25:58 Play Later Play Later Lists Like Liked25:58
Play Later Play Later Lists Like LikedWhat should we do if we must--absolutely must--have an element in our story that might not be fully entertaining and engaging? 1) Make sure it's important and 2) make it short. Here are thoughts about this critical technique. Also, details in our descriptions are important, but which should we use and which should we leave out? Support the show…
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Essential Guide to Writing a Novel
1 Episode 146 - How to make our character unforgettable. 26:01
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Play Later Play Later Lists Like LikedWe writers can use lovely phrases and perceptive observations when describing our character in our story, and yet the reader may still quickly forget the character. Here's how to make a character stick in the reader's mind. Also, are you a born writer? Maybe so. Here's why you might be. Support the show…
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Essential Guide to Writing a Novel
1 Episode 145 - Bringing our settings to life. 27:03
27:03 Play Later Play Later Lists Like Liked27:03
Play Later Play Later Lists Like LikedWe can show (as opposed to tell) as we create a setting for our story. Showing will make our settings vivid, and will allow the setting description to do double duty: describe the place and suggest a mood. Also, reasons to avoid meetings in our story. Support the show
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Essential Guide to Writing a Novel
1 Episode 144 - One sentence can bring our character to life. 26:20
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Play Later Play Later Lists Like LikedWe'll build our character as we write along, adding descriptions and actions and dialogue. But there is a way with only one or two sentences to reveal something powerful and memorable about the character--in just a few words--and I'll talk about the technique here. Also, Joyce Carol Oates's rules of writing. And punctuating dialogue, with important techniques about our character's spoken sentences so that our dialogue is a clear window to the story. Support the show…
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Essential Guide to Writing a Novel
1 Episode 143 - The three most important sentences when writing a scene. 26:53
26:53 Play Later Play Later Lists Like Liked26:53
Play Later Play Later Lists Like LikedJack Bickham's three sentences on scene construction are the best I've found regarding how to write a scene. Here are why these sentences are important for us writers. Also: Sarah Ann Waters' terrific ten rules of writing. And avoiding the word "not." Support the show
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Essential Guide to Writing a Novel
1 Episode 142 - A big technique for literary writing. 24:50
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Play Later Play Later Lists Like LikedMany listeners are writing literary novels and stories. Here is an important technique regarding construction of a literary story, and it also applies to commercial novels. Support the show
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Essential Guide to Writing a Novel
The easiest thing for a reader to do is to quit reading our story. Here are ways to begin and end scenes that'll prevent that from happening. Our scenes' beginnings and endings will propel the reader farther into the story. Support the show
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Essential Guide to Writing a Novel
1 Episode 140 - Tips from Stephen King on writing dialogue. 28:00
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Play Later Play Later Lists Like LikedStephen King is a powerful storyteller, of course, and he is also a highly-skilled sentence-by-sentence writer. Here are his tips on writing dialogue, plus thoughts from me about making our characters' dialogue riveting. Support the show
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Essential Guide to Writing a Novel
Readers love first person novels, where the hero talks directly to the reader. Here are some techniques for first person writing. Also, famous novelists reveal the books that made them want to be writers. Support the show
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Essential Guide to Writing a Novel
Usually I talk about writing techniques but here are some living techniques for us writers. And some famous writers' favorite writers and novels. Plus: what Ernest Hemingway did when he was stuck. Also: the magic of avoiding dialogue tag modifiers. And Snoopy. Support the show
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Essential Guide to Writing a Novel
How can an injury be good for us writers? It was for Roald Dahl. And here are Strunk and White's twenty-one rules of writing. Also, Stephen King on descriptions. And several famous setting descriptions, settings so good they are magical. Plus, Toni Morrison reveals how she works. Support the show
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Essential Guide to Writing a Novel
1 Episode 136 - Benefits of a character's otherness. 27:06
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Play Later Play Later Lists Like LikedA strong way to make a character likeable, and to have the reader root for her, is to have the character experience "otherness." She's out of place. She doesn't fit. Here are techniques on how to do so. Also, how F. Scott Fitzgerald worked. And, no whining. Support the show
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Essential Guide to Writing a Novel
1 Episode 135 - Maybe the strongest writing tool - contrast. 25:38
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Play Later Play Later Lists Like LikedContrast is among the strongest tools we writers can use. It's magic. Here is a discussion of how and where to use contrast. Also, Henry Miller's rules of writing and how John Grisham works. Support the show
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Essential Guide to Writing a Novel
1 Episode 134 - A stong technique for describing a character's personality. 29:51
29:51 Play Later Play Later Lists Like Liked29:51
Play Later Play Later Lists Like LikedWe can show (as opposed to tell) about a character's personality by describing the character's face and body, so that our physical description does double duty. Jonathan Franzen's ten rules of writing. And techniques to add atmosphere to our scenes. Support the show
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Essential Guide to Writing a Novel
Having readers fall in love with our character is so important, and making our hero an underdog is a good way to do it. Here are thoughts on underdog characters. Also, I'll read a few character descriptions from master story-tellers that may make us stronger writers. Support the show
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Essential Guide to Writing a Novel
1 Episode 162 - The state fair plotting technique. 27:19
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Play Later Play Later Lists Like LikedOur story should be like a state fair: one thing after another. Here are some ideas on state fair plotting. Plus: settings shouldn't be inert locations in our novel or short story but rather should work for our story. Here's how to get the most from our settings. Also: my experiment with AI proofreading. Support the show…
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Essential Guide to Writing a Novel
1 Episode 161 - Ways to give readers what they want. 26:46
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Play Later Play Later Lists Like LikedReaders want five things in a story, three of which are right in the beginning. Here's a discussion of how to deliver those five things. Plus, a character's thoughts are the least interesting aspect of a story. How can we show what a character is thinking without entering her mind? Support the show
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Essential Guide to Writing a Novel
1 Episode 160 - Should our story have a theme? 24:01
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Play Later Play Later Lists Like LikedBest-selling writers disagree on the importance of a theme in stories. Here are thoughts on whether we should present a theme in our novel or short story. And famous authors on their writing discipline. Plus, mixing genres when telling an agent or publisher about our novel. Support the show
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Essential Guide to Writing a Novel
1 Episode 159 - A surefire way to generate plot, the sidekick. 27:09
27:09 Play Later Play Later Lists Like Liked27:09
Play Later Play Later Lists Like LikedPutting a sidekick into our story adds many benefits, a main one being that readers love sidekicks. Here are some techniques for creating a sidekick for our novel or short story. Also, a list of catchy, memorable novel titles. And a big question: how do bad novels get published? Support the show
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Essential Guide to Writing a Novel
1 Episode 158 - A lifetime's writing advice reduced to one minute. 22:53
22:53 Play Later Play Later Lists Like Liked22:53
Play Later Play Later Lists Like LikedWere a young writer to ask me for advice, and only had one minute to listen, here is what I'd say. Plus: how Louisa May Alcott worked. And, avoiding the blahs and self-doubts when writing. Support the show
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Essential Guide to Writing a Novel
1 Episode 157 - How we writers can create a world. 27:31
27:31 Play Later Play Later Lists Like Liked27:31
Play Later Play Later Lists Like LikedRemember the fabulous worlds that fantasy, sci fi, and historical writers create for us readers? How do they do that? What works so well? I'll talk about world-building, not just for those novels but for all genres. And also: more on the critical craft of character description. Support the show
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Essential Guide to Writing a Novel
Many readers only give a story ten or twenty pages before putting it aside to look for something more interesting. A fast start is the best way to maintain the reader's interest. Here's how to write the fast start. Also, how Alice Munro worked, and Richard Ford's rules of writing. Support the show
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Essential Guide to Writing a Novel
1 Episode 155 - The single most important ingredient in an unforgetable story. 24:54
24:54 Play Later Play Later Lists Like Liked24:54
Play Later Play Later Lists Like LikedManon in Paris asked, "Why do some novels move us more than others?" Here is the single best way to make our story unforgettable, a story that moves the reader. Also, have we heard the advice, "Write what you know?" It's bad advice, and here are thoughts on it. Support the show
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Essential Guide to Writing a Novel
1 Episode 154 - Learning from the masterful writer Edna Ferber. 24:50
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Play Later Play Later Lists Like LikedEdna Ferber was a master of character description. Here are a few of her characters, and maybe we can pick up some of her skill. Also, how many words a day do famous writers write, and how many words a day should we write? And showing pain, as opposed to telling about pain. Support the show
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Essential Guide to Writing a Novel
1 Episode 153 - A legendary novelist's lesson for us writers. 24:58
24:58 Play Later Play Later Lists Like Liked24:58
Play Later Play Later Lists Like LikedCharlotte Bronte's novel Jane Eyre is a classic of western literature, a novel that endures and still hugely entertains because . . . it's so great. (How that for being profound?) Charlotte Bronte offers an important lesson for today's writers, and I'll talk about her lesson in this episode. Plus, the trouble with prologues. Support the show…
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Essential Guide to Writing a Novel
1 Episode 152 - How the masters create their settings. 28:32
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Play Later Play Later Lists Like LikedWhy are some novels so good? One of the reasons is that the author is a master at setting descriptions. How did Charlotte Bronte and Edna Ferber make their settings magical? We'll talk about their techniques here. Also, strong verbs versus weak verbs: how and why to choose the stronger action word. Support the show…
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Essential Guide to Writing a Novel
1 Episode 151 - Mad Magazine, and techniques for riveting dialogue. 27:23
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Play Later Play Later Lists Like LikedMy first encounter with Mad Magazine, a life changer. And dialogue techniques that can help make our characters' conversations fascinating. Support the show
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Essential Guide to Writing a Novel
1 Episode 150 - How to deliver a surprise in the story. 27:36
27:36 Play Later Play Later Lists Like Liked27:36
Play Later Play Later Lists Like LikedGood stories are filled with surprises for the reader. There are right and wrong ways for us writers to deliver surprises, and I'll talk about them here. Also, the importance of a tie-up-later list. Support the show
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Essential Guide to Writing a Novel
1 Episode 149 - How masterful writers use details. 25:53
25:53 Play Later Play Later Lists Like Liked25:53
Play Later Play Later Lists Like LikedWhat do George Orwell, Sara Gruen, Jean Shepherd, and John Steinbeck have in common? Many things but foremost among them is their expert use of details that take readers away, that lift us readers out of our chairs and transport us to their places and times. Here are thoughts on their use of details. Also, we should avoid cliches like the plague. Support the show…
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Do you think it's possible to reach your potential in just minutes a day? Hundreds of thousands of people have turned to Self Improvement Daily to get the encouragement, inspiration, and competitive edge they need to do become the best version of themselves! The podcast helps you prioritize personal development in a way that is practical, doable, and highly effective. Instead of feeling like life is passing you by, you will start showing up to every moment with more enthusiasm and confidence ...
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