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Bill Armstrong Part Two - Gavin Woods Podcast Bonus

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Manage episode 368148009 series 2783432
Content provided by Jan Campbell. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jan Campbell or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Bill Armstrong - Legendary Music Producer was born in 1929.

The Melbourne audio technician-turned-producer has been at the forefront of the local music industry for more than 60 years.

In the mid-50s, Armstrong was working as a "balance officer" at ABC Radio, producing live-to-air programs, outside broadcasts and variety shows and working with the likes of Graham Kennedy. In 1956, he was charged with overseeing the PA system at the main stadium of the Melbourne Olympic Games.

In 1965, Armstrong opened his own studio in a small terrace house in Albert Rd, South Melbourne. One of the first pop recordings made there was the backing track for The Easybeats' 1965 breakthrough hit "She's So Fine", which was overseen by British-born engineer Roger Savage. Over the next few years the studios expanded into six adjoining properties, including four studios equipped with 4-track machines. In 1968 Armstrong installed one of the first 8-track recorders in Australia, followed by 16 and then 24-track machines, together with state-of-the-art mixing desks in the early '70s. During this time, many of Australia's most distinguished producers and engineers worked there. The original engineering team were Roger Savage, Allan Pay and Philip Webster. Armstrong's studios soon overtook two other major studios in Australia at the time - the EMI and Festival Records facilities in Sydney - to become the most sought-after recording venue in the country, and the "engine room" of Australian pop and rock recording. Many of the most popular and successful Australian recordings from the mid-1960s to the mid-1980s were made there, including hit albums and singles by The Masters Apprentices, The Twilights, The Groove, The Groop, Zoot, The Aztecs, Russell Morris, Brian Cadd, Daddy Cool, Franciscus Henri, Hans Poulsen, Spectrum, John Farnham, Skyhooks, Little River Band, The Sports, Models and many others. Many famous overseas artists also recorded there while visiting Australia, including Earl Hines, Cleo Laine and John Dankworth, and Stephane Grapelli.[2]

Armstrong left the company in 1977 and stuck with the music industry, working as the manager of SBS Radio in Sydney and Melbourne before establishing the first commercial FM radio station in 1980, EON FM, now Triple M. His contribution to the industry has been well recognised – an ARIA for Lifetime contribution to the Australian Music Industry, the Advance Australia Award for outstanding contribution to the industry and commerce, an APRA for Outstanding Contribution to the music industry and the National Film and Sound Archive's Cochrane-Smith award for his contribution to Sound Heritage, among them.

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89 episodes

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Manage episode 368148009 series 2783432
Content provided by Jan Campbell. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jan Campbell or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Bill Armstrong - Legendary Music Producer was born in 1929.

The Melbourne audio technician-turned-producer has been at the forefront of the local music industry for more than 60 years.

In the mid-50s, Armstrong was working as a "balance officer" at ABC Radio, producing live-to-air programs, outside broadcasts and variety shows and working with the likes of Graham Kennedy. In 1956, he was charged with overseeing the PA system at the main stadium of the Melbourne Olympic Games.

In 1965, Armstrong opened his own studio in a small terrace house in Albert Rd, South Melbourne. One of the first pop recordings made there was the backing track for The Easybeats' 1965 breakthrough hit "She's So Fine", which was overseen by British-born engineer Roger Savage. Over the next few years the studios expanded into six adjoining properties, including four studios equipped with 4-track machines. In 1968 Armstrong installed one of the first 8-track recorders in Australia, followed by 16 and then 24-track machines, together with state-of-the-art mixing desks in the early '70s. During this time, many of Australia's most distinguished producers and engineers worked there. The original engineering team were Roger Savage, Allan Pay and Philip Webster. Armstrong's studios soon overtook two other major studios in Australia at the time - the EMI and Festival Records facilities in Sydney - to become the most sought-after recording venue in the country, and the "engine room" of Australian pop and rock recording. Many of the most popular and successful Australian recordings from the mid-1960s to the mid-1980s were made there, including hit albums and singles by The Masters Apprentices, The Twilights, The Groove, The Groop, Zoot, The Aztecs, Russell Morris, Brian Cadd, Daddy Cool, Franciscus Henri, Hans Poulsen, Spectrum, John Farnham, Skyhooks, Little River Band, The Sports, Models and many others. Many famous overseas artists also recorded there while visiting Australia, including Earl Hines, Cleo Laine and John Dankworth, and Stephane Grapelli.[2]

Armstrong left the company in 1977 and stuck with the music industry, working as the manager of SBS Radio in Sydney and Melbourne before establishing the first commercial FM radio station in 1980, EON FM, now Triple M. His contribution to the industry has been well recognised – an ARIA for Lifetime contribution to the Australian Music Industry, the Advance Australia Award for outstanding contribution to the industry and commerce, an APRA for Outstanding Contribution to the music industry and the National Film and Sound Archive's Cochrane-Smith award for his contribution to Sound Heritage, among them.

  continue reading

89 episodes

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