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Women at the Piano: A History Through Images - Marina Frolova-Walker

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Manage episode 459821845 series 3428921
Content provided by Gresham College. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Gresham College or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Watch the Q&A session here: https://youtu.be/f6Z9L2dnxSA
This lecture explores the emergence of the "femme au piano" genre in 19th-century French painting, depicted by artists like Renoir, Van Gogh, and Matisse. What suddenly made this topic so popular, and what does it tell us about the role of women in music-making at the time? Tracing the genre's roots from the Italian Renaissance clavichord depictions to Vermeer’s Dutch domestic scenes, and 18th-century harpsichord portraits. Discover how the piano became a middle-class status symbol and how modernists of the 1910s-20s reinterpreted it. Presented from the perspective of a music historian, this lecture will delve into the roots of the “Women at the Piano” genre and reveal how these paintings offer a window onto women’s music-making.
This lecture was recorded by Marina Frolova-Walker on 10th December 2024 at Barnard's Inn Hall, London.
Marina is Gresham Emerita Professor of Music.
Marina Frolova-Walker, a Russian-born British musicologist and music historian, was Visiting Gresham Professor of Russian Music in 2018-19 and Gresham Professor of Music 2019-23. She is Professor of Music History and Director of Studies in Music at Clare College, Cambridge.
She is a specialist in the Russian music of the 19th and 20th centuries. She has published extensively on Russian music and is a well-known lecturer and broadcaster for BBC Radio 3. Among her many awards and appointments, she is a Fellow of the British Academy and was awarded the Edward Dent Medal in 2015 by the Royal Musical Association for her achievements in musicology.
The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/women-piano
Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today
Website: https://gresham.ac.uk
Twitter: https://twitter.com/greshamcollege
Facebook: https://facebook.com/greshamcollege
Instagram: https://instagram.com/greshamcollege
Support Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Support the show

  continue reading

1000 episodes

Artwork
iconShare
 
Manage episode 459821845 series 3428921
Content provided by Gresham College. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Gresham College or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Watch the Q&A session here: https://youtu.be/f6Z9L2dnxSA
This lecture explores the emergence of the "femme au piano" genre in 19th-century French painting, depicted by artists like Renoir, Van Gogh, and Matisse. What suddenly made this topic so popular, and what does it tell us about the role of women in music-making at the time? Tracing the genre's roots from the Italian Renaissance clavichord depictions to Vermeer’s Dutch domestic scenes, and 18th-century harpsichord portraits. Discover how the piano became a middle-class status symbol and how modernists of the 1910s-20s reinterpreted it. Presented from the perspective of a music historian, this lecture will delve into the roots of the “Women at the Piano” genre and reveal how these paintings offer a window onto women’s music-making.
This lecture was recorded by Marina Frolova-Walker on 10th December 2024 at Barnard's Inn Hall, London.
Marina is Gresham Emerita Professor of Music.
Marina Frolova-Walker, a Russian-born British musicologist and music historian, was Visiting Gresham Professor of Russian Music in 2018-19 and Gresham Professor of Music 2019-23. She is Professor of Music History and Director of Studies in Music at Clare College, Cambridge.
She is a specialist in the Russian music of the 19th and 20th centuries. She has published extensively on Russian music and is a well-known lecturer and broadcaster for BBC Radio 3. Among her many awards and appointments, she is a Fellow of the British Academy and was awarded the Edward Dent Medal in 2015 by the Royal Musical Association for her achievements in musicology.
The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/women-piano
Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today
Website: https://gresham.ac.uk
Twitter: https://twitter.com/greshamcollege
Facebook: https://facebook.com/greshamcollege
Instagram: https://instagram.com/greshamcollege
Support Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

Support the show

  continue reading

1000 episodes

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