In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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S4E06b - Trouble in Paradise [1932] with Willa Ross
Manage episode 394301725 series 3421057
Content provided by Devan Scott. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Devan Scott or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Willa Ross returns to further discuss TROUBLE IN PARADISE! In this episode, fierce debates are had about the film’s position on the spectrum between idealism and cynicism, Lubitsch’s sense of rhythm, the film’s political angles in the context of the great depression, the famous clock scene, the way in which sensory deprivation allows us to participate in the creation of artistic meaning, and much more!
Edited by Rylee Cronin
We have a Discord!
Listen on: Apple Podcasts | Spotify
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WORKS CITED:MPAA Production Code notes on TROUBLE IN PARADISE. courtesy of the Margaret Herrick Library.
Pre-Code Lubitsch (from THE DISSOLVE) by Kim Morgan
71 episodes
Share
Manage episode 394301725 series 3421057
Content provided by Devan Scott. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Devan Scott or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Willa Ross returns to further discuss TROUBLE IN PARADISE! In this episode, fierce debates are had about the film’s position on the spectrum between idealism and cynicism, Lubitsch’s sense of rhythm, the film’s political angles in the context of the great depression, the famous clock scene, the way in which sensory deprivation allows us to participate in the creation of artistic meaning, and much more!
Edited by Rylee Cronin
We have a Discord!
Listen on: Apple Podcasts | Spotify
NEXT WEEK:Columbia University professor and author Krin Gabbard joins us to discuss yet more TROUBLE IN PARADISE!
WORKS CITED:MPAA Production Code notes on TROUBLE IN PARADISE. courtesy of the Margaret Herrick Library.
Pre-Code Lubitsch (from THE DISSOLVE) by Kim Morgan
71 episodes
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Similar to How Would Lubitsch Do It?
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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