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S5E06b - To Be Or Not To Be [1942] with Peter Labuza

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Manage episode 435205459 series 3421057
Content provided by Devan Scott. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Devan Scott or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Peter Labuza returns for the second of two episodes on To Be Or Not To Be. We discuss the film’s production history, the way in which the film both fulfills and frustrates conventions of comedic structure, Lubitsch’s specific habits in directing actors, the film’s unusual tonal arc, the film’s depiction of fascist ideology, and Rudolph Mate’s cinematography.

Edited by Eden Cote-Foster.

We have a Discord!

Listen on: Apple Podcasts | Spotify

NEXT WEEK:

Willa Ross returns to discuss Heaven Can Wait. For information as to where to find this film, check out our resources page.

WORKS CITED:

Bosley Crowther’s Review of TO BE OR NOT TO BE in the New York Times

Ernst Lubitsch's Response

Independent Stardom: Freelance Women in the Hollywood Studio System by Emily Carman

Five Came Back: A Story of Hollywood and the Second World War by Mark Harris

  continue reading

71 episodes

Artwork
iconShare
 
Manage episode 435205459 series 3421057
Content provided by Devan Scott. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Devan Scott or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Peter Labuza returns for the second of two episodes on To Be Or Not To Be. We discuss the film’s production history, the way in which the film both fulfills and frustrates conventions of comedic structure, Lubitsch’s specific habits in directing actors, the film’s unusual tonal arc, the film’s depiction of fascist ideology, and Rudolph Mate’s cinematography.

Edited by Eden Cote-Foster.

We have a Discord!

Listen on: Apple Podcasts | Spotify

NEXT WEEK:

Willa Ross returns to discuss Heaven Can Wait. For information as to where to find this film, check out our resources page.

WORKS CITED:

Bosley Crowther’s Review of TO BE OR NOT TO BE in the New York Times

Ernst Lubitsch's Response

Independent Stardom: Freelance Women in the Hollywood Studio System by Emily Carman

Five Came Back: A Story of Hollywood and the Second World War by Mark Harris

  continue reading

71 episodes

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