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Content provided by IndieWire and Chris O'Falt. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by IndieWire and Chris O'Falt or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
This send up of the interview format from our friends at Dropout challenges comedians to conduct conversations as elaborately created characters. From complex special effects and costumes to the reality breaking meta-narrative, there is a lot to dig into with this series.
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Manage episode 488390680 series 3292780
Content provided by IndieWire and Chris O'Falt. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by IndieWire and Chris O'Falt or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
This send up of the interview format from our friends at Dropout challenges comedians to conduct conversations as elaborately created characters. From complex special effects and costumes to the reality breaking meta-narrative, there is a lot to dig into with this series.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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