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Karen Christopher – This is not the performance I had in mind

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Manage episode 454140603 series 1098630
Content provided by thisisliveart. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by thisisliveart or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
In This is not the performance I had in mind (a recorded version of the text Wingman day one and beyond), circularity works in the form of returns–returns to a place, to a conversation, to an idea–and the swirl patterns produced by those returns. Karen Christopher is a collaborative performance maker, performer, and teacher. She recently relocated from London to her new studio in Faversham where her company, Haranczak/Navarre Performance Projects, continues to focus on collaborative processes. She is devoted to paying attention as a practice of social cooperation. Karen was with Chicago-based Goat Island performance group for 20 years until the group disbanded in 2009. Her practice includes listening for the unnoticed, the almost invisible, and the very quiet.
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164 episodes

Artwork
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Manage episode 454140603 series 1098630
Content provided by thisisliveart. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by thisisliveart or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
In This is not the performance I had in mind (a recorded version of the text Wingman day one and beyond), circularity works in the form of returns–returns to a place, to a conversation, to an idea–and the swirl patterns produced by those returns. Karen Christopher is a collaborative performance maker, performer, and teacher. She recently relocated from London to her new studio in Faversham where her company, Haranczak/Navarre Performance Projects, continues to focus on collaborative processes. She is devoted to paying attention as a practice of social cooperation. Karen was with Chicago-based Goat Island performance group for 20 years until the group disbanded in 2009. Her practice includes listening for the unnoticed, the almost invisible, and the very quiet.
  continue reading

164 episodes

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