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059 Glen Yard - Production Sound Mixer and Post Engineer based out of Bournemouth, England
Manage episode 245148920 series 2352661
Content provided by Michael Helms and Michael The Sound Guy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Michael Helms and Michael The Sound Guy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Glen Yard is a Production Sound Mixer and Post Engineer based out of Bournemouth, England. He's worked on film, television, docs, corporates and commercials. Glen uses a Sound Devices 664 mixer/recorder, Sennheiser 416 shotgun mics and a Sennheiser MKH-50. He also uses Sennheiser G3s for wireless, hops and IFBs. Glen likes Sanken COS-11 lav mics and B6 lav mics. He also uses Tentacle Sync for timecode. Check out his website at https://www.glenglenglensound.com
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
107 episodes
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Manage episode 245148920 series 2352661
Content provided by Michael Helms and Michael The Sound Guy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Michael Helms and Michael The Sound Guy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Glen Yard is a Production Sound Mixer and Post Engineer based out of Bournemouth, England. He's worked on film, television, docs, corporates and commercials. Glen uses a Sound Devices 664 mixer/recorder, Sennheiser 416 shotgun mics and a Sennheiser MKH-50. He also uses Sennheiser G3s for wireless, hops and IFBs. Glen likes Sanken COS-11 lav mics and B6 lav mics. He also uses Tentacle Sync for timecode. Check out his website at https://www.glenglenglensound.com
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
107 episodes
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Similar to Location Sound Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
continue reading
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…
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continue reading
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…
continue reading
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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