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Episode 49: My Salinger Year by Joanna Rakoff

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Manage episode 433615056 series 3299157
Content provided by Charlie Bleecker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Charlie Bleecker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Here’s what I learned from My Salinger Year by Joanna Rakoff:

How to write dialogue in a novelistic or cinematic way:

  1. Include details about the surrounding area. The weather, scenery, anything the characters interact with, other people in the room. This is especially useful at the start of the scene, and if/when the scene changes.

  2. When you add context for the reader it should relate to the dialogue before it. It can also help establish the relationship of the characters.

  3. There are three people to consider in a two-person conversation: the two people in the scene and the reader. Dialogue can be inside-baseball between the two characters even it’s unclear to the reader, but interjections by the writer can clarify and invite the reader into what’s happening.

  4. A scene should not end at the end of the conversation, but at a point when a character says something that transitions into the next scene.

And here’s the link to Joanna’s conversation with Estelle Erasmus on Freelance Writing Direct.

  continue reading

40 episodes

Artwork
iconShare
 
Manage episode 433615056 series 3299157
Content provided by Charlie Bleecker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Charlie Bleecker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Here’s what I learned from My Salinger Year by Joanna Rakoff:

How to write dialogue in a novelistic or cinematic way:

  1. Include details about the surrounding area. The weather, scenery, anything the characters interact with, other people in the room. This is especially useful at the start of the scene, and if/when the scene changes.

  2. When you add context for the reader it should relate to the dialogue before it. It can also help establish the relationship of the characters.

  3. There are three people to consider in a two-person conversation: the two people in the scene and the reader. Dialogue can be inside-baseball between the two characters even it’s unclear to the reader, but interjections by the writer can clarify and invite the reader into what’s happening.

  4. A scene should not end at the end of the conversation, but at a point when a character says something that transitions into the next scene.

And here’s the link to Joanna’s conversation with Estelle Erasmus on Freelance Writing Direct.

  continue reading

40 episodes

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