Artwork

Content provided by New Books Network, Aarthi Vadde, and John Plotz. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Books Network, Aarthi Vadde, and John Plotz or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

8.5 And Soon: Lydia Millet and Emily Hyde

53:24
 
Share
 

Manage episode 453926710 series 3341617
Content provided by New Books Network, Aarthi Vadde, and John Plotz. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Books Network, Aarthi Vadde, and John Plotz or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

During a desert thunderstorm outside Tucson, Lydia Millet joined the Novel Dialogue conversation with hosts John Plotz and Emily Hyde, with Emily playing the role of critic. Lydia—author more than a dozen novels and story collections and recently the nonfictional We Loved it All (Norton, 2024)—also works at the Center for Biological Diversity. Wild creatures gambol, flap, swim, and crawl their way through her writing and her conversation: we begin in the Garden of Eden but quickly learn that for Lydia human exceptionalism is the original sin, one that continues to bedevil us in “the nuclear era” (or did she say error?). As thunder cracks overhead, she muses on salvation in an exhausted world and the busy lives of Gambel’s Quail. In her recent novels, Lydia has worked to balance the intensely personal with our more communal aspirations: without gossip, she wonders, how do you avoid polemic and the maudlin? Emily praises Lydia’s humor and asks us to consider how a joke—the earnest set-up followed by a sudden deflation—can reconcile our fears and hopes for the future, the daily here-and-now with the magnificent unknowability of the world. Is it humor, comedy, satire, wit? Lydia is “just trying make myself laugh.” She worries, in her life as well as in her writing, about the BS impulse to pretend everything’s ok inside “this emergency, this critical life support dilemma.” We also learn that Lydia will never write historical fiction, despite having a tantalizing family connection to Mark Twain.

Mentions:

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

66 episodes

Artwork
iconShare
 
Manage episode 453926710 series 3341617
Content provided by New Books Network, Aarthi Vadde, and John Plotz. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Books Network, Aarthi Vadde, and John Plotz or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

During a desert thunderstorm outside Tucson, Lydia Millet joined the Novel Dialogue conversation with hosts John Plotz and Emily Hyde, with Emily playing the role of critic. Lydia—author more than a dozen novels and story collections and recently the nonfictional We Loved it All (Norton, 2024)—also works at the Center for Biological Diversity. Wild creatures gambol, flap, swim, and crawl their way through her writing and her conversation: we begin in the Garden of Eden but quickly learn that for Lydia human exceptionalism is the original sin, one that continues to bedevil us in “the nuclear era” (or did she say error?). As thunder cracks overhead, she muses on salvation in an exhausted world and the busy lives of Gambel’s Quail. In her recent novels, Lydia has worked to balance the intensely personal with our more communal aspirations: without gossip, she wonders, how do you avoid polemic and the maudlin? Emily praises Lydia’s humor and asks us to consider how a joke—the earnest set-up followed by a sudden deflation—can reconcile our fears and hopes for the future, the daily here-and-now with the magnificent unknowability of the world. Is it humor, comedy, satire, wit? Lydia is “just trying make myself laugh.” She worries, in her life as well as in her writing, about the BS impulse to pretend everything’s ok inside “this emergency, this critical life support dilemma.” We also learn that Lydia will never write historical fiction, despite having a tantalizing family connection to Mark Twain.

Mentions:

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

66 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide

Copyright 2025 | Privacy Policy | Terms of Service | | Copyright
Listen to this show while you explore
Play