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Chef Shuai Wang was the runner-up on the 22nd season of Bravoās Top Chef and is the force behind two standout restaurants in Charleston, South CarolinaāJackrabbit Filly and King BBQāwhere he brings together the flavors of his childhood in Beijing and the spirit of the South in some pretty unforgettable ways. He grew up just a short walk from Tiananmen Square, in a tiny home with no electricity or running water, where his grandmother often cooked over charcoal. Later, in Queens, New York, his mom taught herself to cookāher first dishes were a little salty, but they were always made with love. And somewhere along the way, Shuai learned that cooking wasnāt just about foodāit was about taking care of people. After years working in New York kitchens, he made his way to Charleston and started building something that feels entirely his own. Today, weāre talking about how all those experiences come together on the plate, the family stories behind his cooking, and what itās been like to share that journey on national TV. For more info visit: southernliving.com/biscuitsandjam Learn more about your ad choices. Visit podcastchoices.com/adchoicesā¦
Content provided by Nathaniel Mellor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nathaniel Mellor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Ultimately, I want to help people become better writers. Sometimes it's as simple as learning how to effectively use a semi-colon but other times we have to learn how to break down our own ideas of how the world works to better re-create it. Only a Notebook is my attempt to break down my own ideas to learn and understand why I and others write the way we do. Most of these podcasts pertain to short stories and novels, but they're for anyone who wants to learn how to write. By Nathaniel Mellor
Content provided by Nathaniel Mellor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nathaniel Mellor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Ultimately, I want to help people become better writers. Sometimes it's as simple as learning how to effectively use a semi-colon but other times we have to learn how to break down our own ideas of how the world works to better re-create it. Only a Notebook is my attempt to break down my own ideas to learn and understand why I and others write the way we do. Most of these podcasts pertain to short stories and novels, but they're for anyone who wants to learn how to write. By Nathaniel Mellor
Welcome to the fourth and final part of this series. In this episode we take a look into understanding where our idea and concept of strong women/female characters comes from, and how it relates to men/male characters. There are many topics I wanted to touch on in this episode, but I figured saving some for later episodes made more sense. I hope you enjoy! Twitter: @MellorNathanielā¦
Picking up from the last two episodes, we discuss Eve and a few possible translations of the Book of Genesis as well as how this relates to writing as a whole. This is a quicker episode but I hope you enjoy! If you'd like to support me, you can find me on Ko-fi at: https://ko-fi.com/nathanielmellor If you have anything you'd like to hear me talk about, find me on Twitter: @MellorNathaniel.ā¦
In this episode we pick up from where we left off, but instead of jumping into the topic of Eve, we first discuss Lilith. I do make a mistake at the end and I say "creativity" instead of "curiosity" twice. Which is what this episode is really about. How did certain stories that punish curiosity become so powerful? Especially since writers are in the ideal position to incite and creative curiosity. Like always, I hope you enjoy! If you'd like to support me, you can find me on Ko-fi at: https://ko-fi.com/nathanielmellor If you have anything you'd like to hear me talk about, find me on Twitter: @MellorNathaniel.ā¦
On Reddit, there is a subreddit, or sub-forum, with the name Men Writing Women. It's devoted to examples of poorly created and written women characters by [oftentimes] male writers. In this episode, part one of four, I explore a little bit of history that is attached to poorly written women characters. I hope you enjoy!ā¦
Hello and welcome back to another episode! There are certain rules in the English that don't seem to make sense. Worse than that, they seem to be arbitrary. Why? In this episode, I talk about those rules, and why/how it is we follow them. Feel free to take this episode with a grain of salt. Maybe it's more entertainment that fact, though it is factually based. If you'd like to support me, you can find me on Ko-fi at: https://ko-fi.com/nathanielmellor If you have anything you'd like to hear me talk about, find me on Twitter: @MellorNathaniel.ā¦
With the name "Only a Notebook" I figured it was time to talk about notebooks. I hope you enjoy! If you have anything you'd like me to talk about, you can find me on Twitter @MellorNathaniel. I also made a Ko-Fi! https://ko-fi.com/nathanielmellor Don't feel the need to donate, I figured I'd make one just in case!ā¦
Welcome back! Sorry about the unintended break... In this episode I discuss robbing yourself of the chance to be creative. This can look like generic statements, broad statements, or lines written to appeal to everyone rather than a specific audience. Like all my advice, none of it is a hard and fast rule, it's just my way of trying to figure out how to help other people to write without telling them what they're doing is wrong/bad. I hope you enjoy! Ps. If you'd like to donate (since I'm trying to not ever do ads) I finally have a Ko-Fi! https://ko-fi.com/nathanielmellor They don't take a percentage and they let me have a one-off donation option rather than a recurring subscription model.ā¦
In my last episode I talked about finding a beta reader. In this episode I talk about becoming a beta reader since it's something that I've heard many writers want to try doing. Especially if they're paid! I try to give an overview of Upwork, Fiverr, being self-employed, and red flags to avoid. I hope you enjoy!ā¦
A few days ago I made a comment on Reddit about finding a beta reader and it recieved a little interest. Since I had a couple of questions asking me how to find a beta reader, I figured I'd make an episode! I hope you enjoy!
We all hear that a plot is the single most important part of a story. But I find that sometimes it can be hard to make one that helps the story rather than hinders it. Using movement and conflict in place of a plot, especially in a character-driven novel, can help your story stay engaging even without a plot. I hope you enjoy!ā¦
Dialogue tags is one of the great debates among writers. The phrase "said is dead" is often thrown around. If you're new to writing, or your curious about my take, here's how I tend to use (or not use) dialogue tags. I hope you enjoy!
Describing and developing a character is one of the more exciting aspects of writing. However, there are pitfalls along the way. As an editor and beta-reader there are two concepts that I have discovered that help us create characters, but ones that can also lead to prejudice if you aren't mindful: default and gestalt. I hope you enjoy!ā¦
Over the years I've compiled a few general writing tips that I follow as I edit. These are applicable for any kind of writing and they aren't hyper-specific. I hope you enjoy!
Over the past ten years, I've stopped and started writing again no fewer than six times. In this podcast, I offer advice on some tools to keep in mind as you're returning to writing.
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