Grappling With Grapplevision: An Unstructured Deep Dive Into the Phantom Funhouse of Pro Wrestling

Parallax Views w/ J.G. Michael

On this edition of Parallax Views, the biggest wrestling event of the year is only days away: WrestleMania. Billed as the "Showcase of the Immortals," WrestleMania is the marquee event of World Wrestling Entertainment and has been going strong for over 40 years. On April 19th and 20th, WWE will present WrestleMania 41. Yes—FORTY-ONE.

Ahead of the big event, I spoke with Gary from the YouTube channel Grapplevision—one of the most unique and compelling voices in pro wrestling media today. While most wrestling YouTubers focus on current events or canonical moments like the Montreal Screwjob, Hulk Hogan’s heel turn, or Mick Foley’s infamous fall off the Hell in a Cell, Grapplevision dives into the ghosts and glitches of wrestling history. It's a channel immersed in what you might call phantom histories: forgotten figures, obscure promotions, uncanny storylines, and the lingering specters of wrestling’s carny roots.

What sets Grapplevision apart is its unmistakably hauntological aesthetic—think VHS degradation, lost tapes, and late-night public access weirdness. The channel’s documentaries are layered with analog textures and deep archival digs, evoking the era of tape trading and underground fandom. In many ways, it feels less like a recap or explainer and more like a séance conducted with a turnbuckle and a cathode-ray screen.

From the blurred lines of shoot vs. worked fights (explored in the "Wrestling Gets Real" series), to Japanese deathmatch icon Atsushi Onita’s exploding barbed wire spectacles, to strange pop culture crossovers featuring Elvira, Mistress of the Dark, and Jim Varney’s Ernest P. Worrell—Grapplevision chronicles the strange, forgotten, and surreal corners of the squared circle. All this with an intro that cheekily nods to David Cronenberg’s Videodrome.

In this sprawling, four-and-a-half-hour conversation, you'll hear from someone who's not only been inside the industry but has also taken on the role of archivist and cultural historian. Even if you’re not a wrestling fan, there's something here for anyone interested in performance, memory, mythology, and media.