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TERRIFIER's Lauren LaVera & a Demonic Pregnancy Collide in Body Horror Comedy THE FETUS w/ Joe Lam

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Manage episode 469863264 series 2362658
Content provided by J.G.. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by J.G. or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

On this edition of Parallax Views, Terrifier 2 & Terrifier 3's star final girl, Lauren LaVera, has a new fright flick, The Fetus, coming out on March 7th that'll combine comedy and body horror! And it'll also feature horror icon Bill Moseley, know for his roles as the brutal killer Otis Driftwood in Rob Zombie's House of 1000 Corpses & The Devil's Rejects and the demented Choptop in Tobe Hooper's The Texas Chainsaw Massacre 2, in a deliciously macabre role as a blind veteran with psychotic side. As you can probably surmise from the title, the movie will tackle pregnancy horror and creature feature thrills vis-à-vis a demonic baby. If you're a fan of 80s horrors like John Carpenter's The Thing or Wes Craven's A Nightmare on Elm Street, you'll be glad to know that the movie relies heavily on practical creature effects. It also promises to be a timely fright flick in light of the debates the rage on in American culture over abortion.

Joining us to discuss the movie is the film's director, Joe Lam. We'll talk about the experience of working with Lauren LaVera and Bill Moseley, the long process of writing the movie, the influence of Orson Welles' Citizen Kane on Joe, the film's use of practical effects and the award-winning work of Alex Rojas on the creature effects, the decision to release The Fetus unrated and increasing obsolescence of the MPAA ratings system in the age of streaming, thoughts on Sean Baker's Oscar speech in which he made a call for defending independent film and movie theaters in an age where both are under threat, balancing comedy/humor and horror, the importance of story and character development in Joe Lam's approach to horror, and much, much more!

  continue reading

943 episodes

Artwork
iconShare
 
Manage episode 469863264 series 2362658
Content provided by J.G.. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by J.G. or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

On this edition of Parallax Views, Terrifier 2 & Terrifier 3's star final girl, Lauren LaVera, has a new fright flick, The Fetus, coming out on March 7th that'll combine comedy and body horror! And it'll also feature horror icon Bill Moseley, know for his roles as the brutal killer Otis Driftwood in Rob Zombie's House of 1000 Corpses & The Devil's Rejects and the demented Choptop in Tobe Hooper's The Texas Chainsaw Massacre 2, in a deliciously macabre role as a blind veteran with psychotic side. As you can probably surmise from the title, the movie will tackle pregnancy horror and creature feature thrills vis-à-vis a demonic baby. If you're a fan of 80s horrors like John Carpenter's The Thing or Wes Craven's A Nightmare on Elm Street, you'll be glad to know that the movie relies heavily on practical creature effects. It also promises to be a timely fright flick in light of the debates the rage on in American culture over abortion.

Joining us to discuss the movie is the film's director, Joe Lam. We'll talk about the experience of working with Lauren LaVera and Bill Moseley, the long process of writing the movie, the influence of Orson Welles' Citizen Kane on Joe, the film's use of practical effects and the award-winning work of Alex Rojas on the creature effects, the decision to release The Fetus unrated and increasing obsolescence of the MPAA ratings system in the age of streaming, thoughts on Sean Baker's Oscar speech in which he made a call for defending independent film and movie theaters in an age where both are under threat, balancing comedy/humor and horror, the importance of story and character development in Joe Lam's approach to horror, and much, much more!

  continue reading

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