Artwork

Content provided by Ann Shafer, fine art prints evangelist, curator, and art historian, Ann Shafer, and Print evangelist. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ann Shafer, fine art prints evangelist, curator, and art historian, Ann Shafer, and Print evangelist or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

s2e3 History of Prints Albrecht Dürer (part one)

1:23:54
 
Share
 

Manage episode 366778911 series 3486239
Content provided by Ann Shafer, fine art prints evangelist, curator, and art historian, Ann Shafer, and Print evangelist. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ann Shafer, fine art prints evangelist, curator, and art historian, Ann Shafer, and Print evangelist or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

In s2e3, co-hosts Ann Shafer and Tru Ludwig finally start talking about an artist. While there are artists of note before Dürer--say Martin Schongauer--he really changes everything. From his monogram claiming authorship to marketing his works, Dürer is the man. So much so that Ann and Tru only get through half of his story. A second episode will continue Dürer's story.

Albrecht Dürer (German, 1471–1528). Self-Portrait at Thirteen, 1484. Silverpoint on prepared paper. 27.3 x 19.5 cm. (10 3/4 x 7 5/8 in.). Albertina, Vienna.

Jan van Eyck (Netherlandish, 1390–1441). Arnolfini Portrait, 1434. Oil on wood. 32 x 24 in. National Gallery, London.

Jan Van Eyck (Flemish, active 1422–1441). Portrait of a Man (Self-Portrait), 1433. Oil on oak. 26 x 19 cm. (10 ¼ x 7 ½ in.). National Gallery, London.

Hugo van der Goes (Flemish, c. 1430/1440–1482). Portinari Altarpiece, 1475–76. Oil on wood. 253 x 304 cm. (99 ½ x 119 5/8 in.). Galleria degli Uffizi, Florence.

Martin Schongauer (German, c. 1435/50–1491). Saint Anthony Tormented by Demons, c. 1470–75. Engraving. Sheet: 30 x 21.8 cm. (11 13/16 x 8 9/16 in.). Metropolitan Museum of Art, New York.

Antonio Pollaiuolo (Florentine, 1429 or 1433–1498). Battle of the Nudes or Battle of the Naked Men, c. 1470–90. Engraving. 39.3 x 57.9 cm. (15 ½ x 22 3/4 in.). Cincinnati Art Museum.

Albrecht Dürer (German, 1471–1528). Self-Portrait, 1500. Oil on panel. 67.1 × 48.9 cm. (26 1/3 × 19 1/3 in.). Bayerische Staatsgemäldesammlungen - Alte Pinakothek München.

Albrecht Dürer (German, 1471–1528). Self-Portrait, 1498. Oil on panel. 52 x 41 cm. (20 ½ x 16 1/8 in.). Museo del Prado, Madrid.

Albrecht Dürer (German, 1471–1528). The Virgin Appearing to Saint John, from the series The Apocalypse, 1498. Woodcut. Sheet: 44.1 x 30.3 cm. (17 3/8 x 11 15/16 in.). Metropolitan Museum of Art, New York.

Albrecht Dürer (German, 1471–1528). Saint John Devouring the Book, from the series The Apocalypse, 1498. Woodcut. Sheet: 44.1 x 30.6 cm. (17 3/8 x 12 1/16 in.); image: 39.4 x 28.3 cm. (15 1/2 x 11 1/8 in.). Metropolitan Museum of Art, New York.

Albrecht Dürer (German, 1471–1528). Saint Michael Fighting the Dragon, from the series The Apocalypse, 1511. Woodcut. Image: 39.2 x 28.3 cm. (15 7/16 x 11 1/8 in.); sheet: 44.1 x 30.5 cm. (17 3/8 x 12 in.). Metropolitan Museum of Art, New York.

Albrecht Dürer (German, 1471–1528). The Martyrdom of Saint John, from the series The Apocalypse, 1511. Woodcut. Sheet: 39.1 x 28.3 cm. (15 3/8 x 11 1/8 in.). Metropolitan Museum of Art, New York.

Albrecht Dürer (German, 1471–1528). The Four Horsemen of the Apocalypse, from the series The Apocalypse, 1498. Woodcut. 39.3 x 28.5 cm. (15 1/2 x 11 1/4 in.). Baltimore Museum of Art, Baltimore.

Albrecht Dürer (German, 1471–1528). The Vision of the Seven Candlesticks, from the series The Apocalypse, 1498. Woodcut. 44.1 x 30.5 cm. (17 3/8 x 12 in.). Metropolitan Museum of Art, New York.

Albrecht Dürer (German, 1471–1528). Saint John Devouring the Book, from the series The Apocalypse, 1498. Woodcut. Sheet: 44.1 x 30.6 cm (17 3/8 x 12 1/16 in.); image: 39.4 x 28.3 cm (15 1/2 x 11 1/8 in). Metropolitan Museum of Art, New York.

Albrecht Dürer (German, 1471–1528). Four Female Nudes (The Four Witches), 1497. Engraving. 19.2 x 13.6 cm (7 5/8 x 5 3/8 in). Albertina, Vienna.

Albrecht Dürer (German, 1471–1528). Nemesis (The Great Fortune), c. 1501–02. Engraving. Plate: 33.5 x 23.3 cm (13 3/16 x 9 3/16 in); sheet: 36 x 25.9 cm (14 3/16 x 10 3/16 in). National Gallery of Art, Washington.

Albrecht Dürer (German, 1471–1528). The Great Piece of Turf, 1503. Watercolor and gouache heighted with white, mounted on cardboard. 40.8 x 31.5 cm (16 x 12 3/8 in). Albertina, Vienna.

Albrecht Dürer (German, 1471–1528). Young Hare, 1502. Watercolor heightened with white. 25 x 22.5 cm. (9 ¾ x 8 ¾ in.). Albertina, Vienna.

Albrecht Dürer (German, 1471–1528). Praying Hands, 1508. Brush and gray wash heightened with white on blue prepared paper. 29.1 x 19.7 cm (11 1/2 x 7 3/4 in). Albertina, Vienna.

Albrecht Dürer (German, 1471–1528). The Fall of Man or Adam and Eve, 1504. Engraving (second state). 25.4 x 19.5 cm (10 x 7 5/8 in). Albertina, Vienna.

Albrecht Dürer (German, 1471–1528). The Fall of Man or Adam and Eve, 1504. Engraving. 25.1 x 20 cm (9 7/8 x 7 7/8 in). Metropolitan Museum of Art, New York.

Zoom in: https://www.metmuseum.org/art/collection/search/336222?searchField=All&sortBy=Relevance&ft=Durer+Fall+of+Man&offset=0&rpp=20&pos=12

  continue reading

141 episodes

Artwork
iconShare
 
Manage episode 366778911 series 3486239
Content provided by Ann Shafer, fine art prints evangelist, curator, and art historian, Ann Shafer, and Print evangelist. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ann Shafer, fine art prints evangelist, curator, and art historian, Ann Shafer, and Print evangelist or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

In s2e3, co-hosts Ann Shafer and Tru Ludwig finally start talking about an artist. While there are artists of note before Dürer--say Martin Schongauer--he really changes everything. From his monogram claiming authorship to marketing his works, Dürer is the man. So much so that Ann and Tru only get through half of his story. A second episode will continue Dürer's story.

Albrecht Dürer (German, 1471–1528). Self-Portrait at Thirteen, 1484. Silverpoint on prepared paper. 27.3 x 19.5 cm. (10 3/4 x 7 5/8 in.). Albertina, Vienna.

Jan van Eyck (Netherlandish, 1390–1441). Arnolfini Portrait, 1434. Oil on wood. 32 x 24 in. National Gallery, London.

Jan Van Eyck (Flemish, active 1422–1441). Portrait of a Man (Self-Portrait), 1433. Oil on oak. 26 x 19 cm. (10 ¼ x 7 ½ in.). National Gallery, London.

Hugo van der Goes (Flemish, c. 1430/1440–1482). Portinari Altarpiece, 1475–76. Oil on wood. 253 x 304 cm. (99 ½ x 119 5/8 in.). Galleria degli Uffizi, Florence.

Martin Schongauer (German, c. 1435/50–1491). Saint Anthony Tormented by Demons, c. 1470–75. Engraving. Sheet: 30 x 21.8 cm. (11 13/16 x 8 9/16 in.). Metropolitan Museum of Art, New York.

Antonio Pollaiuolo (Florentine, 1429 or 1433–1498). Battle of the Nudes or Battle of the Naked Men, c. 1470–90. Engraving. 39.3 x 57.9 cm. (15 ½ x 22 3/4 in.). Cincinnati Art Museum.

Albrecht Dürer (German, 1471–1528). Self-Portrait, 1500. Oil on panel. 67.1 × 48.9 cm. (26 1/3 × 19 1/3 in.). Bayerische Staatsgemäldesammlungen - Alte Pinakothek München.

Albrecht Dürer (German, 1471–1528). Self-Portrait, 1498. Oil on panel. 52 x 41 cm. (20 ½ x 16 1/8 in.). Museo del Prado, Madrid.

Albrecht Dürer (German, 1471–1528). The Virgin Appearing to Saint John, from the series The Apocalypse, 1498. Woodcut. Sheet: 44.1 x 30.3 cm. (17 3/8 x 11 15/16 in.). Metropolitan Museum of Art, New York.

Albrecht Dürer (German, 1471–1528). Saint John Devouring the Book, from the series The Apocalypse, 1498. Woodcut. Sheet: 44.1 x 30.6 cm. (17 3/8 x 12 1/16 in.); image: 39.4 x 28.3 cm. (15 1/2 x 11 1/8 in.). Metropolitan Museum of Art, New York.

Albrecht Dürer (German, 1471–1528). Saint Michael Fighting the Dragon, from the series The Apocalypse, 1511. Woodcut. Image: 39.2 x 28.3 cm. (15 7/16 x 11 1/8 in.); sheet: 44.1 x 30.5 cm. (17 3/8 x 12 in.). Metropolitan Museum of Art, New York.

Albrecht Dürer (German, 1471–1528). The Martyrdom of Saint John, from the series The Apocalypse, 1511. Woodcut. Sheet: 39.1 x 28.3 cm. (15 3/8 x 11 1/8 in.). Metropolitan Museum of Art, New York.

Albrecht Dürer (German, 1471–1528). The Four Horsemen of the Apocalypse, from the series The Apocalypse, 1498. Woodcut. 39.3 x 28.5 cm. (15 1/2 x 11 1/4 in.). Baltimore Museum of Art, Baltimore.

Albrecht Dürer (German, 1471–1528). The Vision of the Seven Candlesticks, from the series The Apocalypse, 1498. Woodcut. 44.1 x 30.5 cm. (17 3/8 x 12 in.). Metropolitan Museum of Art, New York.

Albrecht Dürer (German, 1471–1528). Saint John Devouring the Book, from the series The Apocalypse, 1498. Woodcut. Sheet: 44.1 x 30.6 cm (17 3/8 x 12 1/16 in.); image: 39.4 x 28.3 cm (15 1/2 x 11 1/8 in). Metropolitan Museum of Art, New York.

Albrecht Dürer (German, 1471–1528). Four Female Nudes (The Four Witches), 1497. Engraving. 19.2 x 13.6 cm (7 5/8 x 5 3/8 in). Albertina, Vienna.

Albrecht Dürer (German, 1471–1528). Nemesis (The Great Fortune), c. 1501–02. Engraving. Plate: 33.5 x 23.3 cm (13 3/16 x 9 3/16 in); sheet: 36 x 25.9 cm (14 3/16 x 10 3/16 in). National Gallery of Art, Washington.

Albrecht Dürer (German, 1471–1528). The Great Piece of Turf, 1503. Watercolor and gouache heighted with white, mounted on cardboard. 40.8 x 31.5 cm (16 x 12 3/8 in). Albertina, Vienna.

Albrecht Dürer (German, 1471–1528). Young Hare, 1502. Watercolor heightened with white. 25 x 22.5 cm. (9 ¾ x 8 ¾ in.). Albertina, Vienna.

Albrecht Dürer (German, 1471–1528). Praying Hands, 1508. Brush and gray wash heightened with white on blue prepared paper. 29.1 x 19.7 cm (11 1/2 x 7 3/4 in). Albertina, Vienna.

Albrecht Dürer (German, 1471–1528). The Fall of Man or Adam and Eve, 1504. Engraving (second state). 25.4 x 19.5 cm (10 x 7 5/8 in). Albertina, Vienna.

Albrecht Dürer (German, 1471–1528). The Fall of Man or Adam and Eve, 1504. Engraving. 25.1 x 20 cm (9 7/8 x 7 7/8 in). Metropolitan Museum of Art, New York.

Zoom in: https://www.metmuseum.org/art/collection/search/336222?searchField=All&sortBy=Relevance&ft=Durer+Fall+of+Man&offset=0&rpp=20&pos=12

  continue reading

141 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide

Copyright 2025 | Privacy Policy | Terms of Service | | Copyright
Listen to this show while you explore
Play